Anderson, M. (2012) Jonathan Little and the Importance of Ecstasy [Interview and CD review]. Fanfare, 36 (1). pp. 58-72. ISSN 0148-9364
Bailey, L. R. (2008) Little, Jonathan: Terpsichore and Other Works [CD Review]. Fanfare, 31 (5). pp. 179-180. ISSN 0148-9364
Baseley, E. (2021) Music and Autism: Therapy and Learning for the Autistic Musician. Undergraduate thesis, University of Chichester.
Baysted, S. and Summers, T. (2020) The Creative Process of Composing for Video Games: From Pitching to Gold Master and Beyond. In: The Oxford Handbook of the Creative Process in Music. Oxford Handbooks, 42047 . Oxford University Press, online. ISBN 9780190636203
Baysted, S. (2011) Beam. [Compositions]
Baysted, S. (2011) Der Mann mit Dem Fagott. [Compositions]
Baysted, S. (2011) Life Lines: A Reflection on Organ Donation. [Compositions]
Baysted, S. (2011) Need for Speed: Shift 2 Unleashed. [Compositions]
Baysted, S. (2012) Palimpsest, pragmatism and the aesthetics of genre transformation: Composing the hybrid score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed'. In: Royal Music Association Study Day: Ludomusicology: Game Music Research, Approaches and Aesthetics, 16 Apr 2012, St Catherine’s College, Oxford. (Unpublished)
Baysted, S. (2011) Shift 2 Unleashed: Attacking Corners Trailer. [Compositions]
Baysted, S. (2011) Shift 2 Unleashed: Dangerous Corners Trailer. [Compositions]
Baysted, S. (2013) Strange Factories. [Compositions]
Baysted, S. (2012) Test drive: Ferrari racing legends. [Compositions]
Baysted, S., Harvey, J. J. and Kirkman, R. (2012) The Walking Dead: Assault. [Compositions]
Beech, C. (2022) Action heroines through the decades; What actors can learn from studying previous action heroines with a focus on body language. Undergraduate thesis, University of Chichester.
Clarke, C. and Little, J. D. (2017) The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]. Fanfare, 41 (2). pp. 121-131. ISSN 0148-9364
Clegg, H. and Clements, L. (2024) From the wings to the stage and beyond: performance anxiety and flow in UK vocational dance students. Journal of Dance Education, 24 (2). pp. 83-94. ISSN 2158-074X
Crisp, C. J. (2016) The Clarinet Comes of Age, c. 1760 – c. 1810: A Tale of Two Cities. Doctoral thesis, Royal College of Music, London.
Crisp, C. J. (2011) The Developing Roles of the Clarinet Teacher and Amateur Clarinettist in Paris, 1760-1810. In: Royal Musical Association Annual Research Students' Conference, 5 -7 Jan 2012, University of Hull, UK. (Unpublished)
Crisp, C. J. (2023) Masters, servants and the interactions of instrumental performance in 18th-century England, 1760-1800. In: NABMSA Online Symposium: Music and Ideas of the Popular: Reconsidering British Music and Musical Practices, 10-12 August, 2023, Online. (Unpublished)
Crisp, C. J. (2011) The Solo Clarinettist in London Concert Life, 1740-1800. In: Twenty-Seventh Annual Conference on Music in 18th-Century Britain, 25 Nov 2011, Foundling Museum, London. (Unpublished)
Crisp, C. J. (2018) “Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810. Performance Practice Review. ISSN 1044-1638
Crisp, C. J. (2017) The clarinet in London's popular culture (c. 1760-c. 1810). In: Thirty-third Annual Conference on Music in Eighteenth-Century Britain, 24 Nov 2017, Foundling Museum, London. (Unpublished)
Crisp, C. J. (2016) A selection of music written for the clarinet in 18th- and early 19th-century Paris and London. [Audio] (Unpublished)
Crisp, C. J. (2021) The Clarinet and Clarinettists in London Orchestras from the 1760s to the 1790s. In: A handbook for studies in 18th-century English music XXV. A handbook for studies in 18th-century English music, XXV . Gerald Coke Handel Foundation, pp. 27-52. ISBN 9781916639140
Crisp, C. J. (2019) Clarinet performance 1760-1810: Venues, audience attendance and reception. In: 35th Annual Music in Eighteenth-Century Britain, 29 Nov 2019, The Foundling Museum, 40 Brunswick Square, London, WC1N 1AZ. (Unpublished)
Crisp, C. J. (2009) The Classical Clarinet in Theory and Practice: Xavier Lefèvre’s Methode of 1802. In: CUK Research Students Conference, 7 July 2009, Trinity Laban Conservatoire of Music and Dance (Laban Campus). (Unpublished)
Crisp, C. J. (2021) Music-Making in the Hertfordshire Parish, 1760-1870. Hatfield: University of Hertfordshire Press,, America.
Crisp, C. J. (2019) Teachers and amateur players of the clarinet in London, ca 1750 - ca. 1810. In: A Handbook for studies in 18th-century English music XXIII 2019. A handbook for studies in 18th-century English music, XXIII (XXlll). Gerald Coke Handel Foundation, London, UK, pp. 1-32. ISBN 9780956099860
Crisp, C. J. (2022) The clarinet and its developing role in London’s popular culture (c. 1760-c. 1800): Recognition, perception and reception. In: The Tenth Biennial Conference of the North American British Music Studies Association, 21-24 July 2022, Illinois State University, Normal, Illinois. (Unpublished)
Debussy, C. (2014) La Mer: Trois esquisses symphoniques. BÄRENREITER VERLAG, Kassel, Germany.
de Jonge, J. and Little, J. D. (2018) Two Old Boys, Two Music Paths, One Common Artistic Drive. Encore.
Khan-Panni, R., Horwood, M., Sandrone, P., Giles, T., Rix, M., Oliver, L., Thomas, L., Heasman, R. and Ritchie, L. (2009) Tale to Tell, by The Mummers. [Audio]
Khan-Panni, R., Horwood, M., Sandrone, P., Giles, T., Rix, M., Oliver, L., Thomas, L., Heasman, R. and Ritchie, L. (2009) Wonderland and March of the Dawn, from Tale to Tell album, by The Mummers. [Performances]
King, L. (2022) ‘Hell Hath no Fury…’ An analytical study of female actors’ portrayal of psychological issues in selected examples of psychological thriller films. Undergraduate thesis, University of Chichester.
Legg, S. (2011) Mahler: Das Klagende Lied. [Shows/Exhibitions]
Legg, S. (2011) Need for Speed: Shift 2 Unleashed. [Performances]
Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]
Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]
Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]
Legg, S. and Martin-Davis, A. (2010) Heaven-Haven: The Songs of Peter Pope. [Audio]
Leslie, V. and Little, J. D. (2017) Undine - in Music, Words and Illustration [a collaborative concert at Chichester Council Assembly Rooms, staged by the Departments of Music, and English & Creative Writing, under the auspices of the Sussex Centre for Folklore, Fairy Tales and Fantasy]. [Performances]
Little, J. D. (2011) Achieving Coherence and Cross-Promotion in Academic and Creative Work: An International Research Output Strategy embracing Monographs, Musical Scores and Recordings. In: First Annual Research & Scholarship Conference, University of Chichester, 6 Jul 2011, The Dome, Bognor Regis Campus. (Unpublished)
Little, J. D. (2016) Anatomy of Musical Composition. In: Fourth Annual Research & Scholarship Conference, University of Chichester, 17 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)
Little, J. D. (2014) Anatomy of Musical Composition: A Philosophy of and an Approach to Early 21st-Century Concert Music Composition. Wirripang, Wollongong, Australia. ISBN 9781187682923
Little, J. D. (2000) Antique Sonnets - Personal and Philosophical, First Series. Antique Sonnets, 1 . Tillet Press, Malvern, UK.
Little, J. D. (2003) Antique Sonnets - Personal and Philosophical, Second Series. Antique Sonnets, 2 . Tillet Press, Malvern, UK.
Little, J. D. (2005) Basque Lullaby, Op.1a. [Compositions]
Little, J. D. (2001) Celestial Cinema; or, From Celluloid to Silicon: eCinema, Cyberentertainment and the Napsterization of Hollywood. American Outlook, IV (4). pp. 28-33. ISSN 1099-8896
Little, J. D. (2001) Celestial Jukebox. American Outlook. pp. 42-44. ISSN 1099-8896
Little, J. D. (2005) The Complete Songwriter: An Antidote to Industry Short-Termism [or, The Complete Songwriter/Producer]. In: Heart and Soul: Revealing the Craft of Songwriting. Sanctuary, London, pp. 338-347. ISBN 1-8607-4641-1
Little, J. D. (2012) Creating and Recording Polyhymnia. Resonate.
Little, J. D. (1990) Cultural Years [SCRIPT 1 of 7]. "Music, the Arts and Society at the time of the Great Exhibition of 1851" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 2 of 7]. "Music, the Arts and Society at the time of the Weltausstellung Wien of 1873" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 3 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1889" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 4 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1900" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 5 of 7]. "Music, the Arts and Society to the eve of the First World War (Exposition Universelle et Industrielle, Ghent - 1913)" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 6 of 7]. "Music, the Arts and Society at the time of the Expositión Internacional de Barcelona in 1929" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years [SCRIPT 7 of 7]. "Music, the Arts and Society at the time of the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris of 1837" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Cultural Years: An Artistic Treasure Hunt. Libretto [3MBS-FM Fine Music Melbourne Programme Guide]. p. 7.
Little, J. D. (1998) The Curse of Limock Park. The Civil Service Author (142). pp. 10-14. ISSN 0959-0064
Little, J. D. (2007) DJs. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 129-130. ISBN 9780713684728
Little, J. D. (2001) Digital Distribution and the Music Industry [DDMI Europe 2000]. Music Business Journal. pp. 1-14. ISSN 1473-6233
Little, J. D. (2006) Duo Sonata on Elizabethan Themes, Op.4. [Compositions]
Little, J. D. (2001) Exoticism Globalised in a New Century: The Forgotten Roots of World Music. Music Business Journal. ISSN 1473-6233
Little, J. D. (2006) Fanfare, Op.3. [Compositions]
Little, J. D. (2017) Fanfare, Op.3. [Audio]
Little, J. D. (2016) Fanfare, Op.3a. [Performances]
Little, J. D. (2004) Fanfare, Op.3a. [Audio]
Little, J. D. (2016) The Feast of Kings and Martyrs, Op.8. [Performances]
Little, J. D. (2007) The Feast of Kings and Martyrs, Op.8. [Compositions]
Little, J. D. (2007) Financing New Music-Business Ventures. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 322-325. ISBN 9780713684728
Little, J. D. (2011) Forms and Possibilities: Selected Verse. Wirripang, Wollongong, NSW, Australia. ISBN 9781876829230
Little, J. D. (2016) Gloria, Op.18 ("Et in Arcadia ego: An Apotheosis") (from 'Missa Temporis Perditi'). [Compositions]
Little, J. D. (2007) History of Copyright: A Chronology in Relation to Music [1455-2006]. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 339-345. ISBN 9780713684728
Little, J. D. (2001) History of Copyright: a Chronology in Relation to Music. Music Business Journal. ISSN 1473-6233
Little, J. D. (2010) The Influence of European Literary and Artistic Representations of the "Orient" on Western Orchestral Compositions, ca.1840-1920: From Oriental Inspiration to ‘Exotic’ Orchestration. Edwin Mellen Press, Lewiston, N.Y.. ISBN 9780773414266
Little, J. D. (2016) Kyrie, Op.5. [Performances]
Little, J. D. (2005) Kyrie, Op.5. [Performances]
Little, J. D. (2005) Kyrie, Op.5. [Performances]
Little, J. D. (2007) Kyrie, Op.5. [Performances]
Little, J. D. (2005) Kyrie, Op.5. [Compositions]
Little, J. D. (2017) Kyrie, Op.5 (from "Missa Temporis Perditi"). [Shows/Exhibitions]
Little, J. D. (2017) Kyrie, Op.5 (from "Missa Temporis Perditi"). [Performances]
Little, J. D. (2007) Labels and Distribution. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 259-260. ISBN 9780713684728
Little, J. D. (2012) The Legacy of Polyhymnia: Towards Understanding the Reception of a New Musical Work. In: Second Annual Research & Scholarship Conference, University of Chichester, 24 Jul 2012, The Dome, Bognor Regis Campus. (Unpublished)
Little, J. D. (2011) Literary Sources of Nineteenth Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period. hors série . The Edwin Mellen Press, Lampeter, Ceredigion, Wales. ISBN 9780773415539
Little, J. D. (2007) Marketing, Management and Finance. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 285-286. ISBN 9780713684728
Little, J. D. (2016) The Materials and Mechanics of Music Composition. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)
Little, J. D. (1998) Melancholia: Mental Illness or Vital Creative Humour? Udolpho, 35. pp. 8-13. ISSN 1350-7796
Little, J. D. (2016) The Music of Jonathan David Little: Exploring Influences and Stylistic Labels. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)
Little, J. D. (2000) Musical Instruments Evocative of the Ancient Orient. FoMRHI Quarterly [Journal of the Fellowship of Makers and Researchers of Historic Instruments] (99). pp. 21-30.
Little, J. D. (2007) New Artistic Projects: Some Methods of Proceeding. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 121-122. ISBN 9780713684728
Little, J. D. (1992) Nostalgia, Exoticism and Brilliant Colour. Arts Rondo. pp. 25-31.
Little, J. D. (2000) On Western Travellers who described and drew inspiration from "Eastern" instruments and music, ca.1830s-1850s. FoMRHI Quarterly [Journal of the Fellowship of Makers and Researchers of Historic Instruments] (98). pp. 41-45.
Little, J. D. (2001) Oriental Colour and Atmosphere: Why Exotic Colour became Prominent in 19th- and early 20th-Century Orchestration. FoMRHI Quarterly [Journal of the Fellowship of Makers and Researchers of Historic Instruments] (102). pp. 23-28.
Little, J. D. (1996) Orientalism. Udolpho, 26. pp. 14-17. ISSN 1350-7796
Little, J. D. (2007) Performing. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, p. 63. ISBN 9780713684728
Little, J. D. (2010) Polyhymnia, Op.10. [Compositions]
Little, J. D. (2012) Polyhymnia: String, Orchestral and Choral Works of Jonathan Little. [Audio]
Little, J. D. (2000) Postscript to Comm.1673 on "The Sistrum". FoMRHI Quarterly [FoMRHI Quarterly is the Journal of the Fellowship of Makers and Researchers of Historic Instruments] (98). p. 40.
Little, J. D. (2010) Recordare Domine, or, "On Ixion’s Wheel", Op.9 (A Prayer for Mercy). [Compositions]
Little, J. D. (2007) Recording and Production. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 173-174. ISBN 9780713684728
Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 1 of 4]. "Norman Times to the Renaissance" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 2 of 4]. "The Late Renaissance" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 3 of 4]. "Late Renaissance and Traditional" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 4 of 4]. "War Requiem" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.
Little, J. D. (2017) Sacred Prelude, Op. 1. [Shows/Exhibitions]
Little, J. D. (2005) Sacred Prelude, Op.1. [Audio]
Little, J. D. (2006) Sacred Prelude, Op.1 [String Quintet version]. [Compositions]
Little, J. D. (2016) Sacred Prelude, Op.15 [Full String Orchestra version]. [Compositions]
Little, J. D. (2018) Sacred Prelude, Op.15a [SIMPLIFIED VERSION]. [Performances]
Little, J. D. (2018) Sacred Prelude, Op.15a [SIMPLIFIED VERSION]. [Compositions]
Little, J. D. (1999) The Sistrum – and How to Make One. FoMRHI Quarterly [Journal of the Fellowship of Makers and Researchers of Historic Instruments] (97). pp. 29-33.
Little, J. D. (2007) Songwriting and Composing. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, p. 1. ISBN 9780713684728
Little, J. D. (2002) The Sound of Money. American Outlook, V (3). pp. 41-45. ISSN 1099-8896
Little, J. D. (1994) Sources of Nineteenth-Century Musical Orientalism, or, From "Oriental" Inspiration to Exotic Orchestration: The Extra-Musical Stimuli behind Composers' Attempts to Achieve "Exotic" Programmatic Effects in Orchestral Music, ca. 1840-1920 [565pp. (170,000 words, in 2 parts bound as one), illus., tbls., mus. exx., works lst., discog., bibliog.]. Doctoral thesis, Monash University.
Little, J. D. (2008) Terpischore and Other Works. [Audio]
Little, J. D. (2006) Terpsichore, Op.7. [Audio]
Little, J. D. (2006) Terpsichore, Op.7: "The Whirler", or Muse of Dance (from "The Nine Muses" - No.7 of 9). [Compositions]
Little, J. D. (2004) That Time of Year, Op.2. [Compositions]
Little, J. D. (2004) That Time of Year, Op.2. [Audio]
Little, J. D. (2017) That Time of Year, Op.2 (thou mayst in me behold). [Performances]
Little, J. D. (2016) That Time of Year, Op.2 (thou mayst in me behold). [Performances]
Little, J. D. (2017) That Time of Year, Op.2 and Woefully Arrayed, Op.13. [Shows/Exhibitions]
Little, J. D. (2005) Themes on a Variation, Op.3. [Audio]
Little, J. D. (2007) Themes on a Variation, Op.3. [Compositions]
Little, J. D. (2016) Twenty-First Century Cori Spezzati: An International Polychoral Music Composition and Recording Project. In: Sixth Annual Research & Scholarship Conference, University of Chichester, 8 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)
Little, J. D. (2005) Two Lyrics. Tillet Press, Malvern, UK.
Little, J. D. (2017) Wasted and Worn, Op.6. [Shows/Exhibitions]
Little, J. D. (2016) Wasted and Worn, Op.6 ["And calm of mind all passion spent."]. [Compositions]
Little, J. D. (2017) Woefully Arrayed, Op.13. [Shows/Exhibitions]
Little, J. D. (2016) Woefully Arrayed, Op.13 ["Wofully Araide"], or "Crucifixus pro vobis". [Compositions]
Little, J. D. (2017) Woefully Arrayed: Sacred and Secular Choral and Polychoral Works of Jonathan David Little (b.1965) ["Woefully Arrayed", Op.13; "Kyrie", Op.5; "Gloria", Op.18; “Wasted and Worn”, Op.6; “That Time of Year", Op.2]. [Audio]
Little, J. D. (2016) The Work of a Composer. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)
Little, J. D. (2010) The Work of a Composer. In: The Work of a Composer, 27 Oct 2010, Chapel of the Ascension, University of Chichester, UK. (Unpublished)
Little, J. D. and Chatburn, K. (2006) The Musicians’ and Songwriters’ Yearbook 2007: The Essential Resource for Anyone Working in the Music Industry. Musicians’ and Songwriters’ Yearbook . A&C Black, London. ISBN 978-0713675313
Little, J. D. and Chatburn, K. (2007) The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. Musicians’ and Songwriters’ Yearbook . A&C Black, London. ISBN 9780713684728
Little, J. D. and Gould, J. (2001) Music Business Journal [2001-2006]. Ligo Publishing Ltd., High Wycombe, Bucks., UK.
Little, J. D., Striggio, A., Tallis, T., Hanson, R. and Cooke, M. (2006) Thomas Tallis 500th Anniversary Celebration Concert [1505-2005]. [Audio]
Little, J. D. and Welch, C. (2013) The Definitive Guide to the Rise and Fall of British Steam [An Illustrated History of British Steam Locomotion]. Igloo Books, Sywell, Northants.. ISBN 978-1-78197-384-4
McCaroll, K.-M. (2022) Musical Theatre Adapting to a Mediatized Audience Shown Through The Analysis of Dear Evan Hansen. Undergraduate thesis, University of Chichester.
Paton, R. (2011) Challenging canonic based pedagogies in HE music curriculum. In: Creativity Symposium, 2011, Cambridge University. (Submitted)
Paton, R. (2011) Jazz Concert. [Performances] (Submitted)
Paton, R. (2011) Lifemusic workshops. In: Sound Sense Community Music Event, 2011, South Bank Centre, London. (Submitted)
Paton, R. (2011) Lifemusic: Sounding out university community engagement. International Journal of Community Music, 4 (2). ISSN 1752-6299
Plowright, J. (2012) Brahms - Handel Variations. [Audio]
Plowright, J. (2010) Dobrzynski, Schumann and Zarebski. [Performances] (Submitted)
Plowright, J. (2011) Homage to Paderewski. [Audio]
Plowright, J. (2010) Hommage à Chopin. [Audio]
Plowright, J. (2010) Paderewski Piano Concerto / Artur Rubenstein Philharmonia and Solo Recital. [Performances] (Submitted)
Plowright, J. (2011) Solo Recital. [Performances] (Submitted)
Reynolds, N. (2023) Charting the spiritual experience in jazz. Religions, 14 (7). pp. 1-13. ISSN 2077-1444
Reynolds, N. (2011) An investigation into John Coltrane and the concept of truth. Masters thesis, University of Southampton; University of Chichester.
Rice, A. R. and Crisp, C. J. (2023) John and William Mahon, the earliest British clarinet soloists. Royal Musical Association Research Chronicle, 53. pp. 1-30. ISSN 2167-4027
Ritchie, L. (2023) Multisensory Music Performance with Cymatic Images. Music & Science, 6. pp. 1-11. ISSN 2059-2043
Ritchie, L. (2023) Practice of praxis. Journal of Adult Learning, Knowledge and Innovation, 6 (1). pp. 14-22. ISSN 2631-1348
Ritchie, L. (2017) California Dreaming. Effic Research Limited, London. ISBN 9781999794316
Ritchie, L. (2015) Creating a curriculum: Embracing open learning in music. Innovative Pedagogies Series: Creating a Curriculum. pp. 1-14.
Ritchie, L. (2018) Do Not Bend: The Photographic Life of Bill Jay. [Audio]
Ritchie, L. (2021) English Home Podcast Music. [Compositions]
Ritchie, L. (2015) Fostering self-efficacy in higher education students. Other. Palgrave Macmillan, Baisingstoke, Hampshire.
Ritchie, L. (2020) Images of Learning through Music: The Sounds of Cognition. International Journal of Management and Applied Research (IJMAR), 7 (3). pp. 257-266. ISSN 2056-757X
Ritchie, L. (2011) Musical self-efficacy for learning and performing. Doctoral thesis, Royal College of Music.
Ritchie, L. (2018) Opening the Curriculum through Open Educational Practices: International Experience. Open Praxis, 10 (2). pp. 201-208. ISSN 2304-070X
Ritchie, L. (2016) Shadow, Echo, Memory. [Audio]
Ritchie, L. (2021) Yes I Can: Learn to use the power of self-efficacy. Other. Effic Research Limited.
Ritchie, L., Cervone, D. and Sharpe, B. T. (2021) Goals and Self-Efficacy Beliefs During the Initial COVID-19 Lockdown: A Mixed Methods Analysis. Frontiers in Psychology, 11. ISSN 1664-1078
Ritchie, L. and Hall, B. (2019) Spaces for performance: becoming a professional. In: Reframing Space for Learning: Excellence and innovation in university teaching. UCL Institute of Education Press, London. ISBN 9781782772460
Ritchie, L. and Kearney, P. E. (2018) Adult Beginner Instrumentalists' Practice, Self-Regulation, and Self-Efficacy: A Pilot Study. Journal of Education and Training Studies, 6 (5). pp. 1-9. ISSN 2324-805X
Ritchie, L. and Kearney, P. E. Transfer of practice strategies: From primary to secondary instrument. In: Proceedings of the International Symposium on Performance Science 2013. Association Europeenne des Conservatoires, pp. 111-116. ISBN 978-2-9601378-0-4
Ritchie, L. and Sharpe, B. T. (2021) Music Student’s Approach to the Forced Use of Remote Performance Assessments. Frontiers in Psychology, 12. ISSN 1664-1078
Ritchie, L. and Williamon, A. (2011) Measuring distinct types of musical self-efficacy. Psychology of Music, 39 (3). pp. 328-344. ISSN 0305-7356
Ritchie, L. and Williamon, A. (2011) Primary school children's self-efficacy for music learning. Journal of Research in Music Education, 59 (2). pp. 146-161. ISSN 0022-4294
Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4). pp. 334-340. ISSN 1931-3896
Robson, A. (2009) Beethoven Mass in C. [Performances] (Submitted)
Robson, A. (2010) Child of Our Time by Michael Tippet. [Performances] (Submitted)
Robson, A. (2010) Vivaldi, "Magnificat" and Schubert, "Mass in G". [Performances] (Submitted)
Swayne, A. (2011) Beatbox Concerto. [Performances] (Submitted)
Swayne, A. (2008) The Book of Buried Streams, by Geoffrey Poole. [Performances]
Swayne, A. (2011) Go Down Hoe Down. [Performances] (Submitted)
Swayne, A. (2011) Isms for piano. [Performances] (Submitted)
Swayne, A. (2014) The People United Will Never Be Defeated! [Performances]
Swayne, A. (2008) Six Studies (Study-Variations) by Kenneth Leighton. [Performances]
Swayne, A. (2012) Tarantella. [Audio]
Turner, A. (2022) How Does the Creative Process Produce Two Very Different Musicals from the Same Original Source Text? Undergraduate thesis, University of Chichester.
Ward, C. and Thompson, S. (2011) Schmidt Kowalski Viola Concerto, in Reivers 12. [Videos]
Warren, R. (2022) How and Why John Williams Revived the Classical Style of Hollywood Film Music using the Romantic Dialect of the Nineteenth Century. Undergraduate thesis, University of Chichester.
Wheatley, J. (2012) Jonathan Little: Polyhymnia [CD Review]. Tempo, 66 (259). pp. 93-94. ISSN 0040-2982
Wheatley, J. (2008) Jonathan Little: Terpsichore and other Works” [CD Review]. Tempo, 62 (243). pp. 88-89. ISSN 0040-2982