Articles

Briginshaw, V. A. (2005) Difference and repetition in both sitting duet. Topoi: An International Review of Philosophy, 24 (1). pp. 15-28. ISSN 0167-7411

Kelly, J. (2005) Auditory space: emergent modes of apprehension and historical representations in Three Tales. International Journal of Performance Arts and Digital Media, 1 (3). pp. 207-236. ISSN 1479-4713

Phillips, P. (2015) Search Party vs. . . : Sports Commentary, Participation, and the Sport/Art Event. Contemporary Theatre Review, 25 (3). pp. 455-459. ISSN 1048-6801

Rowland, N. (2014) Lighting the lit; Luminosity as protagonist in mediated performance. Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference. pp. 49-53.

Salkeld, D. (2005) Literary traces in Bridewell and Bethlem, 1602-1624. RES: The Review of English Studies, 56 (225). pp. 379-385. ISSN 0034-6551

Salkeld, D. (2005) New allusions to London 'shewes' and playhouses, 1575-1605. Early Theatre, 8 (2). pp. 101-108. ISSN 1206-9078

Salkeld, D. (2007) The texts of Henry V. Shakespeare, 3 (2). pp. 161-182. ISSN 1745-0918

Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927

Book Sections

Francombe, B. (2010) The Long Surrender: Finding a theatrical voice through the plays of the 1970s. In: The Theatre of Tom MacIntyre: 'Strays from the Ether'. Craysfort Press, Dublin. ISBN 9781904505464

Francombe, B. (2011) One day in the wonderful life of 1927. In: Animals & Children Took to the Streets Programme. National Theatre, London. ISBN 9786000004408

Francombe, B. (2016) Tom Mac Intyre's Slow Surrender: Finding a Theatrical Voice Through the Plays of the 1970s. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort Press Limited, Dublin, pp. 463-478. ISBN 9781909325944

Jenkins, L. (2018) Trace: Shame and the Art of Mourning. In: Staging Loss: Performance as Commemoration. Palgrave Performance . Palgrave Macmillan, Cham, Switzerland, pp. 197-214. ISBN 9783319979694

Salkeld, D. (2011) Silence, seeing and performativity: Shakespeare and the Paragone. In: Shakespeare and Renaissance Literary Theories: Anglo-Italian Transactions. Anglo-Italian Renaissance Studies . Ashgate, Farnham, Surrey, pp. 247-264. ISBN 9781409421498

Salkeld, D. (2012) Theatrical references in the Bridewell hospital court of governors’ minute books. In: Collections XVI. The Malone Society, Manchester University Press, Manchester.

Stamatiou, E. (2017) Caryatid Unplugged: A cabaret on negotiating belonging and otherness in exile. In: Performing Exile. Intellect, Bristol and Chicago, pp. 195-216. ISBN 978-1-78320-818-0

Stamatiou, E. (2017) Writing for Comedy (Frogging). In: The Global Playwriting Workbook. Bloomsbury Methuen Drama.

Conference or Workshop Items

Phillips, P. (2018) And everyone is running for a reason…: performances of sports commentary, mass participation marathons and neoliberal ideology. In: Sport/Spectacle: Performing, Labouring, Circulating Bodies Across Sport, Theatre, Dance, and Live Art, 14-15 Sept 2018, Kings College London. (Unpublished)

Phillips, P. (2017) The Performance of Sports Commentary: Post-dramatic theatre as a model to examine the performance of the sports commentator. In: Sporting Heritage, Photography and TV Conference, 28-29 Nov 2017, National Science and Media Museum, Bradford, UK. (Unpublished)

Phillips, P. (2017) Stories in sports commentary: How narrative strategies of sports commentary reframe fun-runners in the Big City Marathon. In: Narrative and Alternative Stories Conference, 11-12 Sept 2017, University of Chester, UK. (Unpublished)

Wilford, A. (2015) Celebrity Tourorists & the ‘Terrible’ Spectacle of Re-territorializing Trauma in Chechnya’s Post-Urbacide City. In: American Society Of Theatre Research, November 5-8 2015, Portland, Oregon. (Unpublished)

Books

Foster, P., ed. (2004) Chichester and the arts, 1944-2004: a celebration. Otter Memorial Papers, 18 . University College Chichester, Chichester, West Sussex. ISBN 094876581X

Barker, S. (2007) War and Nation in the Theatre of Shakespeare and His Contemporaries. Edinburgh University Press, Edinburgh. ISBN 9780748627653

Kimmings, B., Lobel, B. and Parkinson, T. (2016) A Pacifist's Guide to the War on Cancer. Oberon Books, London. ISBN 9781786820600

Lobel, B. (2015) BALL & Other Funny Stories About Cancer. Oberon. ISBN 9781849433266

Salkeld, D. (2012) Shakespeare among the courtesans: prostitution, literature, and drama, 1500-1650. Anglo-Italian Renaissance Studies . Ashgate Publishing, Farnham, UK. ISBN 9780754663874

Theses

Phillips, P. (2017) Sports Commentary and the Performance Event: How Neoliberal Ideology Reframes Spectacles of Participation. Doctoral thesis, University of Chichester.

Sadot, P. C. (2019) Unsteady state: hip hop dance artists in the space(s) of UK dance theatre. Doctoral thesis, University of Chichester.

Sheppard, A. (2020) How Do You Solve a Problem Like Katherina? An Analysis of Gender Representation in Contemporary Adaptations of The Taming of the Shrew. Undergraduate thesis, University of Chichester.

Shows/Exhibitions

Baker, J., Daniels, R., Roberts, A. and Haines, B.et al (2017) The Many Doors of Frank Feelbad. [Shows/Exhibitions]

Baker, J., Daniels, R., Roberts, A. and Haines, R.et al (2017) The JukeBoxes. [Shows/Exhibitions]

Daniels, R. (2018) We Could Be Heroes. [Shows/Exhibitions]

Daniels, R., Baker, J. and Roberts, A. (2012) 30 Days to Edinburgh. [Shows/Exhibitions]

Farman, V. (2002) Blush. [Shows/Exhibitions]

Performances

Conway, A. (2020) An evening with Primrose. [Performances]

Videos

Daniels, R. (2009) Bootworks: 'Little box of horrors' and 'Une boite andalouse'. [Videos] (Unpublished)

Other

Quinn, P. (2016) Programme Notes, The Country Girls. Chichester Festival Theatre, Chichester, UK.