B

Baker, J. (2016) Taboos in Children’s Theatre. Exeunt Magazine.

Barker, S. (1994) Bard or Bored? Shakespeare’s Place in the Curriculum and the Academy. Speech and Drama, 43 (1).

Barker, S. (2017) “Even damnation is poisoned with rainbows”: Conflict and Desire in Shakespeare’s Hamlet and the Songs of Leonard Cohen. In: Leonard Cohen: Spirituality and Desire in Leonard Cohen’s Songs and Poem: Visions from the Tower of Song. Cambridge Scholars Publishing, Cambridge, pp. 11-26. ISBN 9781443816861

Barker, S. (2008) Faking it: Persuasion and the Renaissance military subject. In: Shakespeare and War. Palgrave Macmillan, Basingstoke. ISBN 9780230205086

Barker, S. (2018) Farce and Force: Shakespearean Comedy, Militarism, and Violence. In: The Oxford Handbook of Shakespearean Comedy. Oxford University Press, Oxford. ISBN 9780198727682

Barker, S. (1994) “Period” Detective Drama and the Limits of Contemporary Nostalgia: Inspector Morse and the Strange Case of a Lost England. Critical Survey, 6 (2). pp. 234-242. ISSN 0011-1570

Barker, S. (2005) Shakespeare's Problem Plays: All's Well That Ends Well, Measure for Measure, Troilus and Cressida. New Casebooks . Palgrave Macmillan, Basingstoke. ISBN 9780333654279

Barker, S. (1997) 'Tis Pity She's a Whore. Routledge English Texts . Routledge, London and New York. ISBN 9780415049474

Barker, S. (2016) "Undoing Kyd”: the Texts of the Spanish Tragedy. In: Doing Kyd. Manchester University Press, Manchester, pp. 75-87. ISBN 9780719083822

Barker, S. (2007) War and Nation in the Theatre of Shakespeare and His Contemporaries. Edinburgh University Press, Edinburgh. ISBN 9780748627653

Barker, S. (2010) "We gather honey from the weed": Shakespearean manoeuvres in the deserts of Iraq. The Tower of Babel, 6. pp. 11-24. ISSN 1724-3114

Barker, S. (2001) “The drugs don’t work”: Theatre, Theory ... and After. Literature and History - Third Series, 10 (2). pp. 79-83. ISSN 03061973

D

Daniels, R. (2014) D.I.Y. University of Chichester, Chichester, UK. ISBN 9781907852244

Daniels, R. (2015) D.I.Y. Too. University of Chichester, Chichester, West Sussex. ISBN 9781907852367

H

Habib, I. and Salkeld, D. (2013) The Resonables of Boroughside, Southwark: an Elizabethan black family near the Rose Theatre/Alienating laughter in The Merchant of Venice: a reply to Imtiaz Habib. Shakespeare. pp. 1-22. ISSN 1745-0918

P

Price, F. (2021) Performing history: theatricality, gender, the early historical novel and Scott. In: Walter Scott at 250: looking forward. Edinburgh University Press, Edinburgh, pp. 124-141. ISBN 9781474429870

S

Salkeld, D. (2018) Letting wonder seem familiar: Italy and London. In: Much Ado About Nothing: A Critical Reader. Bloomsbury/Arden Shakespeare, Oxford, London. ISBN 9781474284370

Sheppard, A. (2020) How Do You Solve a Problem Like Katherina? An Analysis of Gender Representation in Contemporary Adaptations of The Taming of the Shrew. Undergraduate thesis, University of Chichester.

Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927

W

Wilford, A. (2016) Lone Wolves, Werewolves & Radicalised Rolling Stone Covers. In: MANCEPT2016, 7-9 September 2016, University Of Manchester. (Unpublished)