B

Bacon, J. (2009) The Choreographic Lab. [Shows/Exhibitions]

Bacon, J., Adams, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Practice-as-Research: In Performance and Screen. Palgrave Macmillan, Basingstoke, pp. 98-111. ISBN 9780230220010

Baysted, S. (2017) Simulation: squaring the immersion, realism and gameplay circle. In: The Routledge Companion to Screen Music and Sound. Routledge Music Companions . Routledge, New York, pp. 328-338. ISBN 9781138855342

D

Davidson, A. (2016) Extending the discourse of screendance: digital dance. In: The Oxford Handbook of Screendance Studies. Oxford Handbooks . Oxford University Press. ISBN 9780199981601

Duggan, R. and Finnerty, P. (2007) The body of the terrorist in contemporary cinema. Reconstruction: Studies in Contemporary Culture, 7 (1). ISSN 1547-4348

F

Frey, H. (2022) Polyphonies de la mémoire dans Le Souffle au cœur. In: Louis Malle dans tous ses etats. Les Impressions nouvelles, Brussels, pp. 225-236. ISBN 9782874499456

Frey, H. (2008) Cannes 1956/1979: Riviera reflections on nationalism and cinema. In: Narrating the Nation: Representations in History, Media and the Arts. Making Sense of History (11). Berghahn Books, Oxford ; New York, pp. 181-203. ISBN 9781845454241

Frey, H. (2004) Louis Malle. French Film Directors . Manchester University Press, Manchester, UK. ISBN 9780719064562

Frey, H. (2007) Shutting out the city: reflections on the portrayal of London in 1960s Auteur Cinema. In: London Eyes: Reflections in Text and Image. Berghahn, Oxford, UK, pp. 135-147. ISBN 9781845454074

L

Little, J. D. (2001) Celestial Cinema; or, From Celluloid to Silicon: eCinema, Cyberentertainment and the Napsterization of Hollywood. American Outlook, IV (4). pp. 28-33. ISSN 1099-8896

Locks, A. (2010) Anglo Argento: A critical reassessment of the films of Norman J. Warren. In: British Culture and Society in the 1970s: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 213-224. ISBN 9781443817349

Locks, A. (2010) Dead posh: Reappraising the films of Hammer actor John Carson. In: Bloodlines: British Horror Past and Present, An International Conference and Film Festival, 4-5 March 2010, De Montfort University, Leicester. (Submitted)

Locks, A. (2009) Flayed animals in an abattoir: The bodybuilder as body-guarde. In: International Society of Sports Nutrition Conference, June 2009, New Orleans, USA. (Submitted)

Locks, A. (2010) Ripped mass monsters: Professional bodybuilding and the cult(ivation) of the freak. In: Cine-Excess IV: Cult Bodies and Bodies of Knowledge, 29 April - 1 May 2010, The Odeon, Covent Garden, London. (Submitted)

N

Noys, B. (2011) Agamben: Filming life, profaning the image. Fata Morgana, 13.

Noys, B. (2007) Antiphusis: Werner Herzog’s 'Grizzly Man'. Film-Philosophy Journal, 11 (3). pp. 38-51. ISSN 1466-4615

Noys, B. (2012) Attenuating Austria: The construction of Bourgeois Space in The Seventh Continent. In: The Cinema of Michael Haneke: Europe Utopia. Directors' Cuts (Wallflower Press) . Columbia University Press, pp. 141-150. ISBN 9781906660307

Noys, B. (2013) Derailing the train: Brutal accelerations and brutal interruptions. In: Brute Symposium, 3 May 2013, Centre for Creative Collaboration, London. (Unpublished)

Noys, B. (2007) Destroy cinema!/destroy capital!: Guy Debord's 'The Society of the Spectacle' (1973). Quarterly Review of Film and Video, 24 (5). pp. 395-402. ISSN 1050-9208

Noys, B. (2013) ‘Guy Debord’s Time-Image: In girum imus nocte et consumimur igni (1978). Grey Room, 52. pp. 94-107. ISSN 1526-3819

Noys, B. (2013) My own public Germany: Notes on Michael Haneke’s 'The White Ribbon' (2009). In: The White Ribbon, Screening and Discussion, 15 April 2013, University of Sussex. (Unpublished)

Noys, B. (2011) Psychopathology as a game: J. G. Ballard and conceptual crime. In: Crime Cultures: Figuring Criminality in Fiction and Film. Continuum Literary Studies . Bloomsbury, London, UK, p. 36. ISBN 9780826432353

Noys, B. (2005) Tulse Luper Database: Peter Greenaway, the New Media Object and the Art of Exhaustion. Image & Narrative: Online Magazine of the Visual Narrative, 6 (2 (12)). ISSN 1780-678X

Noys, B. (2012) Western nihilism. In: Historical Materialism Ninth Annual Conference, 8-11 Nov 2012, SOAS, London. (Unpublished)

P

Parfitt, C. (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Parfitt, C. (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)

Parfitt, C. (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Parfitt, C. (2005) The Spectator's Dancing Gaze in Moulin Rouge! Research in Dance Education, 6 (1/2). pp. 97-110. ISSN 1464-7893

Parfitt-Brown, C. (2014) An Australian in Paris: techno-choreographic bohemianism in 'Moulin Rouge!'. In: The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Oxford. ISBN 9780199897827

Z

Zanotti, M. (2009) Moving Screens. In: Opensource Videodance Symposium 2007: Findhorn, Scotland 21st-24th November 200. Goat Media. ISBN 9780955583414

Zanotti, M. (2010) When dance is imagined in cinema: Disclosure in dance practice. The International Journal of Screendance, 1 (1). pp. 91-96. ISSN 2154-6878