B

Baker, J., Daniels, R., Roberts, A. and Haines, B.et al (2017) The Many Doors of Frank Feelbad. [Shows/Exhibitions]

Baker, J., Daniels, R., Roberts, A. and Haines, R.et al (2017) The JukeBoxes. [Shows/Exhibitions]

Barker, S. (2007) War and Nation in the Theatre of Shakespeare and His Contemporaries. Edinburgh University Press, Edinburgh. ISBN 9780748627653

Briginshaw, V. A. (2005) Difference and repetition in both sitting duet. Topoi: An International Review of Philosophy, 24 (1). pp. 15-28. ISSN 0167-7411

C

Conway, A. (2020) An evening with Primrose. [Performances]

D

Daniels, R. (2009) Bootworks: 'Little box of horrors' and 'Une boite andalouse'. [Videos] (Unpublished)

Daniels, R. (2018) We Could Be Heroes. [Shows/Exhibitions]

Daniels, R., Baker, J. and Roberts, A. (2012) 30 Days to Edinburgh. [Shows/Exhibitions]

F

Farman, V. (2002) Blush. [Shows/Exhibitions]

Francombe, B. (2010) The Long Surrender: Finding a theatrical voice through the plays of the 1970s. In: The Theatre of Tom MacIntyre: 'Strays from the Ether'. Craysfort Press, Dublin. ISBN 9781904505464

Francombe, B. (2011) One day in the wonderful life of 1927. In: Animals & Children Took to the Streets Programme. National Theatre, London. ISBN 9786000004408

Francombe, B. (2016) Tom Mac Intyre's Slow Surrender: Finding a Theatrical Voice Through the Plays of the 1970s. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort Press Limited, Dublin, pp. 463-478. ISBN 9781909325944

J

Jenkins, L. (2018) Trace: Shame and the Art of Mourning. In: Staging Loss: Performance as Commemoration. Palgrave Performance . Palgrave Macmillan, Cham, Switzerland, pp. 197-214. ISBN 9783319979694

K

Kelly, J. (2005) Auditory space: emergent modes of apprehension and historical representations in Three Tales. International Journal of Performance Arts and Digital Media, 1 (3). pp. 207-236. ISSN 1479-4713

Kimmings, B., Lobel, B. and Parkinson, T. (2016) A Pacifist's Guide to the War on Cancer. Oberon Books, London. ISBN 9781786820600

L

Lobel, B. (2015) BALL & Other Funny Stories About Cancer. Oberon. ISBN 9781849433266

P

Phillips, P. (2018) And everyone is running for a reason…: performances of sports commentary, mass participation marathons and neoliberal ideology. In: Sport/Spectacle: Performing, Labouring, Circulating Bodies Across Sport, Theatre, Dance, and Live Art, 14-15 Sept 2018, Kings College London. (Unpublished)

Phillips, P. (2017) The Performance of Sports Commentary: Post-dramatic theatre as a model to examine the performance of the sports commentator. In: Sporting Heritage, Photography and TV Conference, 28-29 Nov 2017, National Science and Media Museum, Bradford, UK. (Unpublished)

Phillips, P. (2015) Search Party vs. . . : Sports Commentary, Participation, and the Sport/Art Event. Contemporary Theatre Review, 25 (3). pp. 455-459. ISSN 1048-6801

Phillips, P. (2017) Sports Commentary and the Performance Event: How Neoliberal Ideology Reframes Spectacles of Participation. Doctoral thesis, University of Chichester.

Phillips, P. (2017) Stories in sports commentary: How narrative strategies of sports commentary reframe fun-runners in the Big City Marathon. In: Narrative and Alternative Stories Conference, 11-12 Sept 2017, University of Chester, UK. (Unpublished)

Q

Quinn, P. (2016) Programme Notes, The Country Girls. Chichester Festival Theatre, Chichester, UK.

R

Rowland, N. (2014) Lighting the lit; Luminosity as protagonist in mediated performance. Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference. pp. 49-53.

S

Sadot, P. C. (2019) Unsteady state: hip hop dance artists in the space(s) of UK dance theatre. Doctoral thesis, University of Chichester.

Salkeld, D. (2005) Literary traces in Bridewell and Bethlem, 1602-1624. RES: The Review of English Studies, 56 (225). pp. 379-385. ISSN 0034-6551

Salkeld, D. (2005) New allusions to London 'shewes' and playhouses, 1575-1605. Early Theatre, 8 (2). pp. 101-108. ISSN 1206-9078

Salkeld, D. (2012) Shakespeare among the courtesans: prostitution, literature, and drama, 1500-1650. Anglo-Italian Renaissance Studies . Ashgate Publishing, Farnham, UK. ISBN 9780754663874

Salkeld, D. (2011) Silence, seeing and performativity: Shakespeare and the Paragone. In: Shakespeare and Renaissance Literary Theories: Anglo-Italian Transactions. Anglo-Italian Renaissance Studies . Ashgate, Farnham, Surrey, pp. 247-264. ISBN 9781409421498

Salkeld, D. (2012) Theatrical references in the Bridewell hospital court of governors’ minute books. In: Collections XVI. The Malone Society, Manchester University Press, Manchester.

Salkeld, D. (2007) The texts of Henry V. Shakespeare, 3 (2). pp. 161-182. ISSN 1745-0918

Sheppard, A. (2020) How Do You Solve a Problem Like Katherina? An Analysis of Gender Representation in Contemporary Adaptations of The Taming of the Shrew. Undergraduate thesis, University of Chichester.

Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927

Stamatiou, E. (2017) Caryatid Unplugged: A cabaret on negotiating belonging and otherness in exile. In: Performing Exile. Intellect, Bristol and Chicago, pp. 195-216. ISBN 978-1-78320-818-0

Stamatiou, E. (2017) Writing for Comedy (Frogging). In: The Global Playwriting Workbook. Bloomsbury Methuen Drama.

W

Wilford, A. (2015) Celebrity Tourorists & the ‘Terrible’ Spectacle of Re-territorializing Trauma in Chechnya’s Post-Urbacide City. In: American Society Of Theatre Research, November 5-8 2015, Portland, Oregon. (Unpublished)