Articles

Anderson, M. (2012) Jonathan Little and the Importance of Ecstasy [Interview and CD review]. Fanfare, 36 (1). pp. 58-72. ISSN 0148-9364

Bailey, L. R. (2008) Little, Jonathan: Terpsichore and Other Works [CD Review]. Fanfare, 31 (5). pp. 179-180. ISSN 0148-9364

Clarke, C. and Little, J. D. (2017) The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]. Fanfare, 41 (2). pp. 121-131. ISSN 0148-9364

Crisp, C. J. (2018) “Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810. Performance Practice Review. ISSN 1044-1638

Little, J. D. (2001) Celestial Jukebox. American Outlook. pp. 42-44. ISSN 1099-8896

Little, J. D. (2002) The Sound of Money. American Outlook, V (3). pp. 41-45. ISSN 1099-8896

Rice, A. R. and Crisp, C. J. (2023) John and William Mahon, the earliest British clarinet soloists. Royal Musical Association Research Chronicle, 53. pp. 1-30. ISSN 2167-4027

de Jonge, J. and Little, J. D. (2018) Two Old Boys, Two Music Paths, One Common Artistic Drive. Encore.

Book Sections

Crisp, C. J. (2021) The Clarinet and Clarinettists in London Orchestras from the 1760s to the 1790s. In: A handbook for studies in 18th-century English music XXV. A handbook for studies in 18th-century English music, XXV . Gerald Coke Handel Foundation, pp. 27-52. ISBN 9781916639140

Crisp, C. J. (2019) Teachers and amateur players of the clarinet in London, ca 1750 - ca. 1810. In: A Handbook for studies in 18th-century English music XXIII 2019. A handbook for studies in 18th-century English music, XXIII (XXlll). Gerald Coke Handel Foundation, London, UK, pp. 1-32. ISBN 9780956099860

Conference or Workshop Items

Crisp, C. J. (2011) The Developing Roles of the Clarinet Teacher and Amateur Clarinettist in Paris, 1760-1810. In: Royal Musical Association Annual Research Students' Conference, 5 -7 Jan 2012, University of Hull, UK. (Unpublished)

Crisp, C. J. (2023) Masters, servants and the interactions of instrumental performance in 18th-century England, 1760-1800. In: NABMSA Online Symposium: Music and Ideas of the Popular: Reconsidering British Music and Musical Practices, 10-12 August, 2023, Online. (Unpublished)

Crisp, C. J. (2011) The Solo Clarinettist in London Concert Life, 1740-1800. In: Twenty-Seventh Annual Conference on Music in 18th-Century Britain, 25 Nov 2011, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2017) The clarinet in London's popular culture (c. 1760-c. 1810). In: Thirty-third Annual Conference on Music in Eighteenth-Century Britain, 24 Nov 2017, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2019) Clarinet performance 1760-1810: Venues, audience attendance and reception. In: 35th Annual Music in Eighteenth-Century Britain, 29 Nov 2019, The Foundling Museum, 40 Brunswick Square, London, WC1N 1AZ. (Unpublished)

Crisp, C. J. (2009) The Classical Clarinet in Theory and Practice: Xavier Lefèvre’s Methode of 1802. In: CUK Research Students Conference, 7 July 2009, Trinity Laban Conservatoire of Music and Dance (Laban Campus). (Unpublished)

Crisp, C. J. (2022) The clarinet and its developing role in London’s popular culture (c. 1760-c. 1800): Recognition, perception and reception. In: The Tenth Biennial Conference of the North American British Music Studies Association, 21-24 July 2022, Illinois State University, Normal, Illinois. (Unpublished)

Little, J. D. (2011) Achieving Coherence and Cross-Promotion in Academic and Creative Work: An International Research Output Strategy embracing Monographs, Musical Scores and Recordings. In: First Annual Research & Scholarship Conference, University of Chichester, 6 Jul 2011, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2016) Anatomy of Musical Composition. In: Fourth Annual Research & Scholarship Conference, University of Chichester, 17 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2012) The Legacy of Polyhymnia: Towards Understanding the Reception of a New Musical Work. In: Second Annual Research & Scholarship Conference, University of Chichester, 24 Jul 2012, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2016) Twenty-First Century Cori Spezzati: An International Polychoral Music Composition and Recording Project. In: Sixth Annual Research & Scholarship Conference, University of Chichester, 8 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

Books

Fletcher, B., Graham-Jones, I., Iden, R., McCann, A., McCann, T., Moore, P., Plumley, N., Robins, B., Thomas, E. and Thurlow, A.et al (2004) Marsh of Chichester (1752-1828): gentleman, composer, musician, writer. Otter Memorial Papers, 19 . University College Chichester, Chichester, West Sussex. ISBN 0948765348

Theses

Crisp, C. J. (2016) The Clarinet Comes of Age, c. 1760 – c. 1810: A Tale of Two Cities. Doctoral thesis, Royal College of Music, London.

Little, J. D. (1994) Sources of Nineteenth-Century Musical Orientalism, or, From "Oriental" Inspiration to Exotic Orchestration: The Extra-Musical Stimuli behind Composers' Attempts to Achieve "Exotic" Programmatic Effects in Orchestral Music, ca. 1840-1920 [565pp. (170,000 words, in 2 parts bound as one), illus., tbls., mus. exx., works lst., discog., bibliog.]. Doctoral thesis, Monash University.

Turner, A. (2022) How Does the Creative Process Produce Two Very Different Musicals from the Same Original Source Text? Undergraduate thesis, University of Chichester.

Other

Crisp, C. J. (2021) Music-Making in the Hertfordshire Parish, 1760-1870. Hatfield: University of Hertfordshire Press,, America.