A

Anderson, M. (2012) Jonathan Little and the Importance of Ecstasy [Interview and CD review]. Fanfare, 36 (1). pp. 58-72. ISSN 0148-9364

B

Bailey, L. R. (2008) Little, Jonathan: Terpsichore and Other Works [CD Review]. Fanfare, 31 (5). pp. 179-180. ISSN 0148-9364

C

Clarke, C. and Little, J. D. (2017) The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]. Fanfare, 41 (2). pp. 121-131. ISSN 0148-9364

Crisp, C. J. (2016) The Clarinet Comes of Age, c. 1760 – c. 1810: A Tale of Two Cities. Doctoral thesis, Royal College of Music, London.

Crisp, C. J. (2021) The Clarinet and Clarinettists in London Orchestras from the 1760s to the 1790s. In: A handbook for studies in 18th-century English music XXV. A handbook for studies in 18th-century English music, XXV . Gerald Coke Handel Foundation, pp. 27-52. ISBN 9781916639140

Crisp, C. J. (2011) The Developing Roles of the Clarinet Teacher and Amateur Clarinettist in Paris, 1760-1810. In: Royal Musical Association Annual Research Students' Conference, 5 -7 Jan 2012, University of Hull, UK. (Unpublished)

Crisp, C. J. (2023) Masters, servants and the interactions of instrumental performance in 18th-century England, 1760-1800. In: NABMSA Online Symposium: Music and Ideas of the Popular: Reconsidering British Music and Musical Practices, 10-12 August, 2023, Online. (Unpublished)

Crisp, C. J. (2011) The Solo Clarinettist in London Concert Life, 1740-1800. In: Twenty-Seventh Annual Conference on Music in 18th-Century Britain, 25 Nov 2011, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2018) “Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810. Performance Practice Review. ISSN 1044-1638

Crisp, C. J. (2017) The clarinet in London's popular culture (c. 1760-c. 1810). In: Thirty-third Annual Conference on Music in Eighteenth-Century Britain, 24 Nov 2017, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2019) Clarinet performance 1760-1810: Venues, audience attendance and reception. In: 35th Annual Music in Eighteenth-Century Britain, 29 Nov 2019, The Foundling Museum, 40 Brunswick Square, London, WC1N 1AZ. (Unpublished)

Crisp, C. J. (2009) The Classical Clarinet in Theory and Practice: Xavier Lefèvre’s Methode of 1802. In: CUK Research Students Conference, 7 July 2009, Trinity Laban Conservatoire of Music and Dance (Laban Campus). (Unpublished)

Crisp, C. J. (2021) Music-Making in the Hertfordshire Parish, 1760-1870. Hatfield: University of Hertfordshire Press,, America.

Crisp, C. J. (2019) Teachers and amateur players of the clarinet in London, ca 1750 - ca. 1810. In: A Handbook for studies in 18th-century English music XXIII 2019. A handbook for studies in 18th-century English music, XXIII (XXlll). Gerald Coke Handel Foundation, London, UK, pp. 1-32. ISBN 9780956099860

Crisp, C. J. (2022) The clarinet and its developing role in London’s popular culture (c. 1760-c. 1800): Recognition, perception and reception. In: The Tenth Biennial Conference of the North American British Music Studies Association, 21-24 July 2022, Illinois State University, Normal, Illinois. (Unpublished)

D

de Jonge, J. and Little, J. D. (2018) Two Old Boys, Two Music Paths, One Common Artistic Drive. Encore.

F

Fletcher, B., Graham-Jones, I., Iden, R., McCann, A., McCann, T., Moore, P., Plumley, N., Robins, B., Thomas, E. and Thurlow, A.et al (2004) Marsh of Chichester (1752-1828): gentleman, composer, musician, writer. Otter Memorial Papers, 19 . University College Chichester, Chichester, West Sussex. ISBN 0948765348

L

Little, J. D. (2011) Achieving Coherence and Cross-Promotion in Academic and Creative Work: An International Research Output Strategy embracing Monographs, Musical Scores and Recordings. In: First Annual Research & Scholarship Conference, University of Chichester, 6 Jul 2011, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2016) Anatomy of Musical Composition. In: Fourth Annual Research & Scholarship Conference, University of Chichester, 17 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2001) Celestial Jukebox. American Outlook. pp. 42-44. ISSN 1099-8896

Little, J. D. (2012) The Legacy of Polyhymnia: Towards Understanding the Reception of a New Musical Work. In: Second Annual Research & Scholarship Conference, University of Chichester, 24 Jul 2012, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2002) The Sound of Money. American Outlook, V (3). pp. 41-45. ISSN 1099-8896

Little, J. D. (1994) Sources of Nineteenth-Century Musical Orientalism, or, From "Oriental" Inspiration to Exotic Orchestration: The Extra-Musical Stimuli behind Composers' Attempts to Achieve "Exotic" Programmatic Effects in Orchestral Music, ca. 1840-1920 [565pp. (170,000 words, in 2 parts bound as one), illus., tbls., mus. exx., works lst., discog., bibliog.]. Doctoral thesis, Monash University.

Little, J. D. (2016) Twenty-First Century Cori Spezzati: An International Polychoral Music Composition and Recording Project. In: Sixth Annual Research & Scholarship Conference, University of Chichester, 8 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

R

Rice, A. R. and Crisp, C. J. (2023) John and William Mahon, the earliest British clarinet soloists. Royal Musical Association Research Chronicle, 53. pp. 1-30. ISSN 2167-4027

T

Turner, A. (2022) How Does the Creative Process Produce Two Very Different Musicals from the Same Original Source Text? Undergraduate thesis, University of Chichester.