Summertime France as Ethno-Sociological Experiment Finding the Extraordinary in the Ordinary in Jacques Rozier’s "Du côté d’Orouët" (1969)

Frey, H. (2022) Summertime France as Ethno-Sociological Experiment Finding the Extraordinary in the Ordinary in Jacques Rozier’s "Du côté d’Orouët" (1969). Imaginaires, 24. pp. 131-147. ISSN 2780-1896

[thumbnail of © Copyright Owner Author. Published in 'Imaginaires', ÉPURe.]
Preview
Text (© Copyright Owner Author. Published in 'Imaginaires', ÉPURe.)
Summertime Frrance as Ethno-Sociological experiment.pdf - Published Version
Available under License Creative Commons Attribution Non-commercial Share Alike 4.0.

Download (202kB) | Preview

Abstract

This article provides an original close reading of Nouvelle Vague filmmaker, Jacques Rozier’s major contribution to the representation of the summer holiday in post-war French cinema, Du côté d’Orouët (1969, released 1973). It analyses how Rozier’s comedy provides a unique sociology of changing gender and class structures, after the confrontations of May ’68. It suggests that the work is a forgotten masterpiece that has too often been overlooked in favour of Rozier’s own heritage as a figure from the Nouvelle Vague or in preference for work from more familiar contemporary directors who were working with the popular film stars of the period (a world that Rozier himself eschewed). Against that mainstream tradition of cinema, the deliberately minor, quasi ethnographic or sociological work of Rozier invented an original social-fiction which captured the trials and tribulations of the lower middle class youth who had gained some freedoms compared to in the 1950s, but who remained economically and culturally marginalized. Yet this group are not patronized by the filmmaker’s method which prefers empathy with its subjects, a position supported by Rozier’s powerful photography of the Atlantic ocean.

Publication Type: Articles
Uncontrolled Keywords: Jacques Rozier, Du côté d’Orouët, Adieu Philippine, Summer, holidays/vaca-tions, provincial France, social class, lower-middle class, comedy, realist aesthetics, youth and leisure, ethnographic film, found footage and amateur film, Pierre Bourdieu
Subjects: B Philosophy. Psychology. Religion > BH Aesthetics
D History General and Old World > DC France, Andorra, and Monaco
H Social Sciences > HQ The family. Marriage. Women
H Social Sciences > HT Communities. Classes. Races
Divisions: Academic Areas > Institute of Arts and Humanities > History
Research Entities > Chichester Centre for Critical and Creative Writing
Related URLs:
Depositing User: Hugo Frey
Date Deposited: 07 Mar 2023 15:28
Last Modified: 17 May 2024 13:00
URI: https://eprints.chi.ac.uk/id/eprint/6734

Actions (login required)

View Item
View Item
▲ Top

Our address

I’m looking for