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Noys, B. (2013) My own public Germany: Notes on Michael Haneke’s 'The White Ribbon' (2009). In: The White Ribbon, Screening and Discussion, 15 April 2013, University of Sussex. (Unpublished)
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Abstract
A critical discussion of Michael Haneke's 'The White Ribbon' in terms of its consideration of place and politics in regards to fanaticism and Nazism. The paper reflects on the tension between Haneke's claims for specificity and generality for the film and how these might occlude the political and aesthetic stakes of a consideration of Nazism and fanaticism.
| Publication Type: | Conference or Workshop Items (Lecture) |
|---|---|
| Uncontrolled Keywords: | Fascism, Nazi, film, Second World War |
| Subjects: | B Philosophy. Psychology. Religion > BH Aesthetics D History General and Old World > D History (General) > D731 World War II D History General and Old World > DB Austria P Language and Literature > PN Literature (General) > PN1600 Drama > PN1993 Motion pictures |
| Divisions: | Academic Areas > Institute of Arts and Humanities > English and Creative Writing |
| Event Title: | The White Ribbon, Screening and Discussion |
| Event Location: | University of Sussex |
| Event Dates: | 15 April 2013 |
| Depositing User: | Benjamin Noys |
| Date Deposited: | 03 Oct 2013 15:03 |
| Last Modified: | 04 Aug 2017 09:51 |
| URI: | https://eprints.chi.ac.uk/id/eprint/994 |
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