Baker, J. (2016) Taboos in Children’s Theatre. Exeunt Magazine.
Brassett, J. and Sutton, A. (2017) British Satire, Everyday Politics: Chris Morris, Armando Iannucci and Charlie Brooker. British Journal of Politics and International Relations, 19 (2). pp. 245-262. ISSN 1467-856X
Hunter, V., Palmer, H., Foley, J. and Kucia, K. (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687
Lobel, B. (2012) Spokeswomen and posterpeople: Disability, advocacy and live art. Contemporary Theatre Review, 22 (1). pp. 79-93. ISSN 1048-6801
Ritchie, L. (2023) Multisensory Music Performance with Cymatic Images. Music & Science, 6. pp. 1-11. ISSN 2059-2043
Stamatiou, E. (2022) Joan Littlewood and Ariane Mnouchkine against the canon: Developing the actors’ social representations through clowning. Theatre, Dance and Performance Training. ISSN 1944-3927
Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927
Wilford, A. (2016) Between Beirut and Bethlehem (Confessions of a Tourorist). Liminalities: A Journal of Performance Studies, 12 (5). ISSN 1557-2935
Wilford, A., Skinner, J. and Antick, P. (2016) Terror and the Tour. Liminalities: A Journal of Performance Studies, 12 (5). pp. 1-9. ISSN 1557-2935
Bacon, J. (2013) Embodied and direct experience in performance studies. In: Performance and Ethnography: Dance, Drama, Music. Cambridge Scholars Publishing, Cambridge, pp. 113-130. ISBN 9781443847612
Baysted, S. and Summers, T. (2020) The Creative Process of Composing for Video Games: From Pitching to Gold Master and Beyond. In: The Oxford Handbook of the Creative Process in Music. Oxford Handbooks, 42047 . Oxford University Press, online. ISBN 9780190636203
Davidson, A. (2016) Extending the discourse of screendance: digital dance. In: The Oxford Handbook of Screendance Studies. Oxford Handbooks . Oxford University Press. ISBN 9780199981601
Kelly, J. (2007) Pop music, multimedia and live performance. In: Music, Sound and Multimedia: From the Live to the Virtual. Music & the Moving Image Series . Edinburgh University Press, Edinburgh, UK, pp. 105-120. ISBN 9780748625345
Lobel, B. (2016) Fun with Cancer Patients: The Affect of Cancer. In: Performance and the Medical Body. Performance/Science . Bloomsbury Methuen Drama, London. ISBN 9781472570796
Lobel, B. (2017) Proud Disclosures and Awkward Receptions: Between bodies with cancer and their audiences. In: Applied Theatre: Performing Health and Well-Being. Applied Theatre . Bloomsbury Methuen Drama. ISBN 9781472584595
Stamatiou, E. (2020) The Economic Communities of Edinburgh’s August Festivals: An Exclusive ‘Global Sense of Place’ and an Inclusive ‘Local Sense of Space’. In: Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol, UK. ISBN 9781789380767
Salkeld, D. (2018) Shakespeare & London. Other. Oxford University Press, Oxford.
Jenkins, L. (2011) Articulating the Scripted Body. In: Theatre & Performance Research Association Conference, 7-9 Sept 2011, University of Kingston. (Submitted)
Jenkins, L. (2011) Five Fragments: Exorcism, Erotica and Performance. In: 18th Lesbian Lives Conference: Revolting: Bodies, Politics & Genders, 11-12 Feb 2011, University of Brighton. (Submitted)
Rowland, N., Duffield, A. and Richter, S. (2014) Emerging Never Arriving - emergence as motif. In: Motif 2014, 15 November 2014, Centre for Creative Collaboration, London. (Submitted)
Daniels, R. (2014) D.I.Y. University of Chichester, Chichester, UK. ISBN 9781907852244
Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480
Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Research-Creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798
Kimmings, B., Lobel, B. and Parkinson, T. (2016) A Pacifist's Guide to the War on Cancer. Oberon Books, London. ISBN 9781786820600
Lobel, B. (2015) BALL & Other Funny Stories About Cancer. Oberon. ISBN 9781849433266
Lobel, B. (2016) Purge. Oberon Books, London. ISBN 9781783193295
Quin, E., Rafferty, S. and Tomlinson, C. (2015) Safe Dance Practice. An Applied Dance Science Perspective. Human Kinetics, Champaign, IL, United States. ISBN 9781450496452
Perry, A. J. (2022) Billy Connolly: windswept, interesting, and unwittingly a theologian? Masters thesis, University of Chichester.
Baker, J., Daniels, R., Roberts, A. and Haines, B. (2017) The Many Doors of Frank Feelbad. [Shows/Exhibitions]
Baker, J., Daniels, R., Roberts, A. and Haines, R. (2017) The JukeBoxes. [Shows/Exhibitions]
Daniels, R. (2011) The Incredible Book Eating Boy. [Shows/Exhibitions]
Daniels, R. (2013) La Boite Noir. [Shows/Exhibitions]
Daniels, R. (2009) Little Box of Horrors. [Shows/Exhibitions]
Daniels, R. (2011) Une Boite Andalouse. [Shows/Exhibitions]
Daniels, R., Baker, J. and Roberts, A. (2012) 30 Days to Edinburgh. [Shows/Exhibitions]
Jenkins, L. (2010) Five Fragments. [Shows/Exhibitions]
Jenkins, L. (2011) Smoke for Dust. [Shows/Exhibitions]
Lobel, B. (2013) Ball & Other Funny Stories About Cancer. [Shows/Exhibitions]
Lobel, B. (2015) Fun With Cancer Patients. [Shows/Exhibitions]
Phillips, P. (2012) Save Me. [Shows/Exhibitions]
Baysted, S. (2013) Strange Factories. [Compositions]
Swann, D. (2016) Live spoken word performance of short fiction and poetry. [Performances] (Unpublished)
Daniels, R. (2009) Bootworks: 'Little box of horrors' and 'Une boite andalouse'. [Videos] (Unpublished)
Zanotti, M. and Greig, D. (2011) Being Norwegian. [Videos]