Items where Subject is "PN1560 Performing arts. Show business"

Group by: CreatorsPublication Type
Jump to: BDHJKLPQRSWZ
Number of items at this level: 44.

B

Bacon, J. (2013) Embodied and direct experience in performance studies. In: Performance and Ethnography: Dance, Drama, Music. Cambridge Scholars Publishing, Cambridge, pp. 113-130. ISBN 9781443847612

Baker, J. (2016) Taboos in Children’s Theatre. Exeunt Magazine.

Baker, J., Daniels, R., Roberts, A. and Haines, B. (2017) The Many Doors of Frank Feelbad. [Shows/Exhibitions]

Baker, J., Daniels, R., Roberts, A. and Haines, R. (2017) The JukeBoxes. [Shows/Exhibitions]

Baysted, S. and Summers, T. (2020) The Creative Process of Composing for Video Games: From Pitching to Gold Master and Beyond. In: The Oxford Handbook of the Creative Process in Music. Oxford Handbooks, 42047 . Oxford University Press, online. ISBN 9780190636203

Baysted, S. (2013) Strange Factories. [Compositions]

Brassett, J. and Sutton, A. (2017) British Satire, Everyday Politics: Chris Morris, Armando Iannucci and Charlie Brooker. British Journal of Politics and International Relations, 19 (2). pp. 245-262. ISSN 1467-856X

D

Daniels, R. (2009) Bootworks: 'Little box of horrors' and 'Une boite andalouse'. [Videos] (Unpublished)

Daniels, R. (2014) D.I.Y. University of Chichester, Chichester, UK. ISBN 9781907852244

Daniels, R. (2011) The Incredible Book Eating Boy. [Shows/Exhibitions]

Daniels, R. (2013) La Boite Noir. [Shows/Exhibitions]

Daniels, R. (2009) Little Box of Horrors. [Shows/Exhibitions]

Daniels, R. (2011) Une Boite Andalouse. [Shows/Exhibitions]

Daniels, R., Baker, J. and Roberts, A. (2012) 30 Days to Edinburgh. [Shows/Exhibitions]

Davidson, A. (2016) Extending the discourse of screendance: digital dance. In: The Oxford Handbook of Screendance Studies. Oxford Handbooks . Oxford University Press. ISBN 9780199981601

Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480

Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the prism of the senses: New Realities of the Body in Contemporary Performance. Technologies, Cognition and Emergent research-creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798 (In Press)

H

Hunter, V., Palmer, H., Foley, J. and Kucia, K. (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687

J

Jenkins, L. (2011) Articulating the Scripted Body. In: Theatre & Performance Research Association Conference, 7-9 Sept 2011, University of Kingston. (Submitted)

Jenkins, L. (2010) Five Fragments. [Shows/Exhibitions]

Jenkins, L. (2011) Five Fragments: Exorcism, Erotica and Performance. In: 18th Lesbian Lives Conference: Revolting: Bodies, Politics & Genders, 11-12 Feb 2011, University of Brighton. (Submitted)

Jenkins, L. (2011) Smoke for Dust. [Shows/Exhibitions]

K

Kelly, J. (2007) Pop music, multimedia and live performance. In: Music, Sound and Multimedia: From the Live to the Virtual. Music & the Moving Image Series . Edinburgh University Press, Edinburgh, UK, pp. 105-120. ISBN 9780748625345

Kimmings, B., Lobel, B. and Parkinson, T. (2016) A Pacifist's Guide to the War on Cancer. Oberon Books, London. ISBN 9781786820600

L

Lobel, B. (2015) BALL & Other Funny Stories About Cancer. Oberon. ISBN 9781849433266

Lobel, B. (2013) Ball & Other Funny Stories About Cancer. [Shows/Exhibitions]

Lobel, B. (2015) Fun With Cancer Patients. [Shows/Exhibitions]

Lobel, B. (2016) Fun with Cancer Patients: The Affect of Cancer. In: Performance and the Medical Body. Performance/Science . Bloomsbury Methuen Drama, London. ISBN 9781472570796

Lobel, B. (2017) Proud Disclosures and Awkward Receptions: Between bodies with cancer and their audiences. In: Applied Theatre: Performing Health and Well-Being. Applied Theatre . Bloomsbury Methuen Drama. ISBN 9781472584595

Lobel, B. (2016) Purge. Oberon Books, London. ISBN 9781783193295

Lobel, B. (2012) Spokeswomen and posterpeople: Disability, advocacy and live art. Contemporary Theatre Review, 22 (1). pp. 79-93. ISSN 1048-6801

P

Perry, A. J. (2022) Billy Connolly: windswept, interesting, and unwittingly a theologian? Masters thesis, University of Chichester.

Phillips, P. (2012) Save Me. [Shows/Exhibitions]

Q

Quin, E., Rafferty, S. and Tomlinson, C. (2015) Safe Dance Practice. An Applied Dance Science Perspective. Human Kinetics, Champaign, IL, United States. ISBN 9781450496452

R

Ritchie, L. (2023) Multisensory Music Performance with Cymatic Images. Music & Science, 6. pp. 1-11. ISSN 2059-2043

Rowland, N., Duffield, A. and Richter, S. (2014) Emerging Never Arriving - emergence as motif. In: Motif 2014, 15 November 2014, Centre for Creative Collaboration, London. (Submitted)

S

Salkeld, D. (2018) Shakespeare & London. Other. Oxford University Press, Oxford.

Stamatiou, E. (2022) Joan Littlewood and Ariane Mnouchkine against the canon: Developing the actors’ social representations through clowning. Theatre, Dance and Performance Training. ISSN 1944-3927

Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927

Stamatiou, E. (2020) The Economic Communities of Edinburgh’s August Festivals: An Exclusive ‘Global Sense of Place’ and an Inclusive ‘Local Sense of Space’. In: Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol, UK. ISBN 9781789380767 (In Press)

Swann, D. (2016) Live spoken word performance of short fiction and poetry. [Performances] (Unpublished)

W

Wilford, A. (2016) Between Beirut and Bethlehem (Confessions of a Tourorist). Liminalities: A Journal of Performance Studies, 12 (5). ISSN 1557-2935

Wilford, A., Skinner, J. and Antick, P. (2016) Terror and the Tour. Liminalities: A Journal of Performance Studies, 12 (5). pp. 1-9. ISSN 1557-2935

Z

Zanotti, M. and Greig, D. (2011) Being Norwegian. [Videos]

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