Articles

Bacon, J. (2015) Authentic Movement A Field of Practices. Journal for Dance and Somatic Practices, 7 (2).

Brown, V. (2010) Monologues: Victoria Brown. Pairings - A Conversation: Exploring Collaborative Creative Practice.

Burkitt, E. and Watling, D. (2024) How children draw, write and tell about portraying mixed emotions in themselves and others children. The International Journal of Art & Design Education. pp. 1-29. ISSN 1476-8070 (In Press)

Burkitt, E. and Barrett, M. (2010) Child and adult reports of graphic strategies used to portray figures with contrasting emotional characteristics. The Journal of Creative Behavior, 44 (3). pp. 169-190. ISSN 0022-0175

Burkitt, E., Jolley, R. and Rose, S. (2010) The attitudes and practices that shape children's drawing experience at home and at school. International Journal of Art & Design Education, 29 (3). pp. 257-270. ISSN 1476-8062

Harper, C. (2019) Lucy Brown: Secrets She Keeps from Herself. Journal of Textile Design Research and Practice. pp. 1-14. ISSN 2051-1787

Hunter, V. (2005) 'Embodying the Site: The here and Now in Site-Specific Dance Performance'. New Theatre Quarterly, 24 (4). ISSN 0266-464X

Hunter, V. (2010) 'Getting Lost: Site-specific Performance and Relocation'. Performance Research, 12 (2). pp. 31-34.

Hunter, V. (2022) A Holding Space. Ecocene Arts, 3 (1). pp. 93-96. ISSN 2717-8943

Hunter, V. (2012) ‘Moving Sites’: Transformation and Re-location in Site-specific Dance Performance. Contemporary Theatre Review, 22 (2). pp. 259-266. ISSN 1048-6801

Hunter, V. (2017) Perecquian Perspectives: Dialogues with Site-Dance (Or, ‘On being here and there’). Literary Geographies, 3 (1). pp. 27-49. ISSN 2397-1797

Hunter, V. (2011) 'Spatial Translation and 'Present-ness' in Site-Specific Dance Performance'. New Theatre Quarterly, 27 (1). ISSN 0266-464X

Hunter, V. and Gladstone, P. (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability. The International Journal of the Arts in Society, 4 (2). ISSN 1833-1866

Hunter, V., Palmer, H., Foley, J. and Kucia, K.et al (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687

Hunter, V. and Pellitero, A. M. (2018) The Somatic Landscape of Urban Migrant Identities: Mapping Emotional Engagements of Site, Dance and Body in Raval, Barcelona, as Case Study. ATINER'S Conference Paper Series. ISSN 2241-2891

Johnston, R. (2019) 'What I need my hands to talk about': reflections on the Graylingwell Heritage Project. Making Futures Journal 2017, 5. pp. 1-14. ISSN 2042-1664

Joinson, S. (2023) Rev. of Image of a Man A. BELSEY, Liverpool University Press, 2020, 262 pp., £90.00, (Hardback), ISBN 9781789620290. a/b: Auto/Biography Studies, 39 (1). pp. 489-492. ISSN 0898-9575

Kelly, S. J., Kelly, J. S., Gardner, E., Baker, J., Monk, C. and Julian, A.et al (2023) Improving attitudes towards adders (Vipera berus) and nature connectedness in primary‐age group children. People and Nature, 5 (6). pp. 1908-1921. ISSN 2575-8314

Little, J. D. (1990) Cultural Years [SCRIPT 1 of 7]. "Music, the Arts and Society at the time of the Great Exhibition of 1851" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 2 of 7]. "Music, the Arts and Society at the time of the Weltausstellung Wien of 1873" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 3 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1889" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 4 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1900" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 5 of 7]. "Music, the Arts and Society to the eve of the First World War (Exposition Universelle et Industrielle, Ghent - 1913)" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 6 of 7]. "Music, the Arts and Society at the time of the Expositión Internacional de Barcelona in 1929" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 7 of 7]. "Music, the Arts and Society at the time of the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris of 1837" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years: An Artistic Treasure Hunt. Libretto [3MBS-FM Fine Music Melbourne Programme Guide]. p. 7.

Little, J. D. (1992) Nostalgia, Exoticism and Brilliant Colour. Arts Rondo. pp. 25-31.

Parfitt, C. (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Parfitt, C. (2005) The Spectator's Dancing Gaze in Moulin Rouge! Research in Dance Education, 6 (1/2). pp. 97-110. ISSN 1464-7893

Parfitt-Brown, C. (2016) Cancan. Routledge Encyclopedia of Modernism.

Stamatiou, E. (2022) Joan Littlewood and Ariane Mnouchkine against the canon: Developing the actors’ social representations through clowning. Theatre, Dance and Performance Training. ISSN 1944-3927

Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927

Book Sections

Bacon, J. (2019) Informed by the Goddess: explicating a processual methodology. In: Spiritual Herstories: Call of the soul in Dance Research. Intellect Press, Bristol UK. ISBN 9781789380828

Baysted, S. (2016) Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed'. In: Ludomusicology - Approaches to Video Game Music. Equinox Publishing, Sheffield, pp. 132-171. ISBN 9781781791974

Hunter, V. (2022) Traversing Terrain and Staying Put: Performing Endurance. In: Contemporary Meanings of Endurance: An Interdisciplinary Approach. Routledge, London. ISBN 9781032343846

Hunter, V. (2013) Creative Pathways: Developing Lifelong Learning for Community Dance Practitioners. In: Lifelong Learning, the arts and Community Cultural engagement in the Contemporary University: International Perspectives, Manchester University Press. Manchester University Press, Manchester. ISBN ISBN: 978-0-7190-8801-8

Hunter, V. (2013) Creative pathways: Developing lifelong learning for community dance practitioners. In: Lifelong Learning, the Arts and Community Cultural Engagement in the Contemporary University: International Perspectives. Universities and Lifelong Learning . Manchester University Press, Manchester. ISBN 9780719088018

Hunter, V. (2015) 'Dancing the Beach: Between Land, Sea and Sky'. In: Moving Sites: Investigating Site-Specific Dance Performance. ROUTLEDGE, London.

Hunter, V. (2017) Experiencing Space: Some Implications for Site-Specific dance Performance. In: Contemporary Choreography: A Critical Reader. Routledge, London. ISBN ISBN 9781317191575

Hunter, V. (2009) 'Experiencing Space: The Implications for Site-Specific Choreography'. In: Contermporary Choreography: A Critical Reader. ROUTLEDGE, London.

Monographs

Johnston, R. (2015) Art in Mind. Project Report. University of Chichester. (Unpublished)

Conference or Workshop Items

Bacon, J. and Wainwright, R. (2007) Authentic movement. In: Inspiring Transformations: The Arts and Health Conference, 3-7 September 2007, University of Northampton. (Unpublished)

Chubb, S., Bryant, N., Moore, A. and Saber-Sheikh, K.et al (2016) Significant Walks: Synthesizing Qualitative and Quantitative Reflections on Movement and Place. In: American Anthropological Association - Evidence Accident Discovery - 115th Annual Meeting, 16th - 20th November 2016, Minneapolis Convention Centre. (Unpublished)

Farman, V. (2020) Souvenir; site-situated choreography (Farman 2020). In: Dance and Somatic Practices Conference 2023, 13 - 16 July 2023, University of Coventry.

Hornsby, I. (2010) Art and Politics 'to come'. In: Chichester University Arts and Humanities Research papers, 10 March 2010, University of Chichester. (Unpublished)

Johnston, R. (2014) Fine Art Beyond the Studio: Fine Art External Projects. In: NAFAE conference, 31st March 2014, Swedenborg Society, London WC1A. (Submitted)

Parfitt, C. (2007) Chahut: The mediation of rationalism and the unruly body in the cancan. In: Re-thinking Practice and Theory, Congress on Research in Dance/Society for Dance History Scholars Conference, 21-24 June 2007, Le Centre Nationale de la Danse, Paris, France. (Submitted)

Parfitt, C. (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)

Parfitt-Brown, C. (2014) Cancan vs. the State: archival traces of the battle for Parisian bodies. In: Writing Dancing/Dancing Writing, 13-16 November 2014, University of Iowa, Iowa.

Parfitt-Brown, C. (2012) Paris Dansant? Improvising across urban, racial and international geographies in the early cancan. In: Dance and the Social City, 14-17 June 2012, Philadelphia, US. (Submitted)

Parfitt-Brown, C., McMains, J. and Robinson, D. (2011) Current Problems & Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction. In: Dance Dramaturgy: catalyst, perspective, + memory, 23rd-26th June 2011, York University and the University of Toronto, Toronto, Canada.

Rowland, N. (2015) Lighting the lit: luminosity as protagonist in mediated performance. In: DRHA 2014, 31st Aug - 3rd Sept 2014, University of Greenwich, London.

Rowland, N. (2015) Lost in Translation? compromises and assumptions in lighting programming syntaxes. In: TaPRA PGR Symposium on People and Processes Backstage, 7th February 2015, University of Manchester. (Unpublished)

Rubidge, S. F. (2010) How art matters. In: The Athens Dialogues Conference, 24-27 Nov 2010, Onassis Cultural Centre, Athens.

Books

Foster, P., ed. (2004) Chichester and the arts, 1944-2004: a celebration. Otter Memorial Papers, 18 . University College Chichester, Chichester, West Sussex. ISBN 094876581X

Allen, H., Chubb, S., Dickinson, R., Majerus, M., Rielly, J., Sekules, V. and Tickle, L.et al (1997) Collections and Reflections: The Transformative and Assimilative Uses of Art Objects. Arts Council of England, London, UK. ISBN 9780728707382

Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480

Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Research-Creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798

Little, J. D. (2010) The Influence of European Literary and Artistic Representations of the "Orient" on Western Orchestral Compositions, ca.1840-1920: From Oriental Inspiration to ‘Exotic’ Orchestration. Edwin Mellen Press, Lewiston, N.Y.. ISBN 9780773414266

Patrizio, A. and Theophilius, L. (1998) New Work: Polly Binns and Shirley Chubb. King's Lynn Arts Centre, King's Lynn, Norfolk. ISBN 9781898328056

Shelton, A., Reason, D. and Hilty, G. (1995) Hold: Acquisition, Representation, Perception: Work by Shirley Chubb. Catalogues and Occasional Papers Series, 2 . Green Centre for Non-Western Art and Culture at the Royal Pavilion, Art Gallery and Museums, Brighton. ISBN 9780948723230

Theses

Berry-Mcintosh, E. (2020) Therapeutic Tactility in the Contempory Artworks of Antony Gormley and Richard long with Lessons from Art Therapy. Undergraduate thesis, University of Chichester.

Bowman, E. (2021) The art of gaming: a reimagining of the post-apocalyptic video game ‘The Last of Us’, and how its mechanical and storytelling features can be used as a choreographic blueprint. Masters thesis, University of Chichester.

Kimber, L. (2020) Can dance effectively engage an audience when used as a platform to address the climate emergency? Undergraduate thesis, University of Chichester.

Madore, A. (2022) An Investigation and exploration into home and the sense of belonging through Nomadism. Masters thesis, University of Chichester.

Pocknell, R. J. (2023) Representations of minorities in Europe and the Mediterranean in art. Undergraduate thesis, University of Chichester.

Richmond, C. (2022) A feast for artistic bookworms - Tom Phillips's a Humument and the creation of art riddled with literature. Undergraduate thesis, University of Chichester.

Student, A. (2019) Developing consciousness: a choreographic exploration into Damasio’s ‘Object and Organism’. Undergraduate thesis, University of Chichester.

Student, A. (2019) How might a choreographer use concepts of landscape as a vehicle for autobiographical expression? Undergraduate thesis, University of Chichester.

Student, A. (2019) Queer implications: an Investigation into Loie Fuller’s performance identity. Undergraduate thesis, University of Chichester.

Student, A. (2019) Waltzing women: looking back at the Nineteenth Century. Undergraduate thesis, University of Chichester.

Wakeley, E. (2022) In Western Europe, how did Art and Medicine Interact During the Renaissance Period Between 1420 – 1699? Undergraduate thesis, University of Chichester.

in ‘t Veld, L., C. (2016) Considering Kitsch: The Representation of Genocide in Graphic Narratives. Doctoral thesis, UNIVERSITY OF CHICHESTER.

Artefacts

Zanotti, M. and Anderson, L. (2016) The Pan's People Papers. [Artefacts]

Videos

Hunter, V. (2014) The Abbots Dances (2014) Abstracts. [Videos]

Hunter, V. (2014) Dancing The Beach - Film. [Videos]

Experiments

Zanotti, M. and Lobel, B. (2015) Documenting Intimacy. [Experiments]