B

Bacon, J. (2009) The Choreographic Lab. [Shows/Exhibitions]

Bacon, J. (2009) Landscape and Art. [Shows/Exhibitions]

Baetens, J. and Frey, H. (2017) ‘Layouting’ for the plot: Charles Burns and the clear line revisited. Journal of Graphic Novels and Comics, 8 (2). pp. 193-202. ISSN 2150-4865

Berry-Mcintosh, E. (2020) Therapeutic Tactility in the Contempory Artworks of Antony Gormley and Richard long with Lessons from Art Therapy. Undergraduate thesis, University of Chichester.

Bonnie, A. S. (2021) How art and choreographic objects can be used as a catalyst for environmental change: specifically, in relation to the plastic pollution crisis. Masters thesis, University of Chichester.

Bowman, E. (2021) The art of gaming: a reimagining of the post-apocalyptic video game ‘The Last of Us’, and how its mechanical and storytelling features can be used as a choreographic blueprint. Masters thesis, University of Chichester.

Briginshaw, V. A. (2006) Deconstruction in die orchidee: mischievous plays in the spaces between language and meanings. In: Anarchic Dance. Routledge, Abingdon, UK, pp. 61-71. ISBN 9780415365161

Briginshaw, V. A. (2005) From performance through narrative to interconnected subjectivities. In: Performing Nature: Explorations in Ecology and the Arts. Peter Lang, Bern, Switzerland, pp. 235-250. ISBN 9783039105571

Brown, V. (2010) Monologues: Victoria Brown. Pairings - A Conversation: Exploring Collaborative Creative Practice.

Brown, V. and Groppel-Wegener, A. C. (2012) Pairings - A Conversation: Exploring Collaborative Creative Practice. [Shows/Exhibitions]

C

Chubb, S. (2011) One Hour. [Shows/Exhibitions]

Chubb, S. (2017) One Hour - Visual Practice Exploring a Collective History. In: Wonder in Contemporary Artistic Practice. Routledge Advances in Art and Visual Studies . Routledge, London, pp. 36-54. ISBN 9781138855816

Chubb, S. (2011) One Minute. [Shows/Exhibitions]

Chubb, S. (2014) Pen Rest. In: Inspired by: your guide to art and the museum. Shrewsbury Museum and Art Gallery, pp. 23-29. ISBN 9780993014208

Chubb, S. (2017) Significant Walks Video. [Videos] (Submitted)

Chubb, S., Barnes, A. J., Binnie, J., Petrov, J. and Walklate, J.et al (2011) Location and intervention: Visual practice enabling a synchronic view of artefacts and sites. In: The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge, London, UK, pp. 199-213. ISBN 9780415679046

Chubb, S., Bryant, N., Moore, A. and Saber-Sheikh, K.et al (2014) Significant Walks. In: On Walking - An International, multidisciplinary conference, 26th - 29th June 2013, University of Sunderland.

Cutler, V. (2014) Harmony- Dylan Thomas International Glass Prize 2014. [Shows/Exhibitions]

Cutler, V. (2019) Return to Analogue. [Shows/Exhibitions]

Cutler, V. (2020) Silica Valley. [Shows/Exhibitions]

D

Daniels, R. (2018) We Could Be Heroes. [Shows/Exhibitions]

Davidson, A. (2017) Deslocamentos ontológicos: multissensorialidade e corporalização na terceira onda das interfaces digitais (trans. in Portuguese, Maria Albertina Silva Grebler, Diego Pizarro). Revista Repetório: Teatro & Dança, 20 (28). pp. 11-46. ISSN 2175-8131

Davidson, A. (2011) Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation. Body, Space and Technology Journal, 10 (1). ISSN 1470-9120

Davidson, A. (2009) Paroles trouvées. [Shows/Exhibitions]

Davidson, A. (2009) Paroles trouvées. [Videos] (Unpublished)

Davidson, A. and Kelly, J. (2011) Digital perception, time and memory: towards a new model of narration in dance. International Symposium on Electronic Art webpage.

Davidson, A. and Kelly, J. (2009) Inter_views. [Shows/Exhibitions]

Davidson, A. and Kelly, J. (2009) Inter_views: an interactive telematic research project for internet. [Videos]

F

Farman, V. (2002) Blush. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2017) Digital Traces. [Shows/Exhibitions]

Foster, P. and Williams, G. (2006) David Goodman: artist and essayist. Otter Memorial Papers, 20 . University of Chichester, Chichester, West Sussex. ISBN 9780948765988

Frey, H. and Baetens, J. (2019) Comics Culture and Roy Lichtenstein. Art History, 42 (1). pp. 126-152. ISSN 0141-6790

Frey, H. (2002) History and memory in Franco-Belgian Bande Dessinée (BD). Rethinking History: The Journal of Theory and Practice, 6 (3). pp. 293-304. ISSN 1364-2529

Frey, H. (2004) Louis Malle. French Film Directors . Manchester University Press, Manchester, UK. ISBN 9780719064562

Frey, H. (2008) Trapped in the past: The persistence of anti-semitism in Hergé’s 'Flight 714'. In: History and Politics in French-Language Comics and Graphic Novels. University Press of Mississippi, Jackson, pp. 34-51. ISBN 9781604730043

H

Haddon, M. and Johnston, R. (2016) FLY catalogue. [Artefacts]

Harper, C. (2019) Lucy Brown: Secrets She Keeps from Herself. Journal of Textile Design Research and Practice. pp. 1-14. ISSN 2051-1787

Hobday, M. (2019) Learning from the Lion : is Disney’s the Lion King an effective teaching tool for Christianity? Undergraduate thesis, University of Chichester.

J

Johnston, R. (2017) Intertwined - Narrative Cloth. In: Craft History Conference, 15th March 2017, UCA Farnham. (Unpublished)

Johnston, R. (2019) 2019 Cordis Prize for Tapestry Exhibition. [Shows/Exhibitions]

Johnston, R. (2013) Making stories. Making Futures, 3. ISSN 2042-1664

Johnston, R. (2011) One Kilogramme of Red Wool (Sea). [Shows/Exhibitions]

Johnston, R. (2015) Therapeutic endeavours? Pallant House Gallery Magazine, 35. pp. 36-39.

Johnston, R. (2019) 'What I need my hands to talk about': reflections on the Graylingwell Heritage Project. Making Futures Journal 2017, 5. pp. 1-14. ISSN 2042-1664

Johnston, R., Neville, R. and Lawlor, E. (2009) Unpacking the Past. [Shows/Exhibitions]

Joinson, S. (2023) Rev. of Image of a Man A. BELSEY, Liverpool University Press, 2020, 262 pp., £90.00, (Hardback), ISBN 9781789620290. a/b: Auto/Biography Studies, 39 (1). pp. 489-492. ISSN 0898-9575

K

Kelly, J. (2007) Pop music, multimedia and live performance. In: Music, Sound and Multimedia: From the Live to the Virtual. Music & the Moving Image Series . Edinburgh University Press, Edinburgh, UK, pp. 105-120. ISBN 9780748625345

L

Leigh, R. (2017) Performance Anxiety : Perception and Interpretation. Masters thesis, University of Chichester.

M

Ma, Z. (2021) Shenyun: restoring, cultivating, and teaching chinese classical dance to children. Masters thesis, University of Chichester.

Magliveras, E. and Johnston, R. (2016) The Cordis Prize for Tapestry 2016. [Shows/Exhibitions]

Marsh, P., Chubb, S., Hooker, C., Moore, A. and Saber-Sheikh, K.et al (2016) A Gadamerian approach to interpreting pain: model-making metaphors through embodied cognitive theory. Digital Creativity, 27 (4). pp. 347-357. ISSN 1462-6268

McDade, S. (2012) Margins of the Lane artist statement. [Shows/Exhibitions]

McKee, J. (2020) Dancing the Fascial Body: A New ‘Line of Flight’? Masters thesis, University of Chichester.

Merrett, M. (2020) An exploration into how imagery can be used as a choreographic tool during the creative process and to lead toward embodiment in performance. Undergraduate thesis, University of Chichester.

N

Noys, B. (2014) Film-of-Life: Agamben’s Profanation of the Image. In: Cinema and Agamben: Ethics, Politics and the Moving Image. Bloomsbury Academic, pp. 89-101. ISBN 9781623561253

Noys, B. (2014) Malign Velocities: Accelerationism and Capitalism. Zero Books, Winchester. ISBN 9781782793007

Noys, B. (2014) The art of the absolute: relations, objects, and immanence. Angelaki: Journal of the Theoretical Humanities, 19 (1). pp. 171-185. ISSN 0969-725X

P

Parfitt, C. (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

Perkins, C. (2021) Dance in diversity training : an investigation into inclusive pedagogical practices. Masters thesis, University of Chichester.

R

Richmond, C. (2022) A feast for artistic bookworms - Tom Phillips's a Humument and the creation of art riddled with literature. Undergraduate thesis, University of Chichester.

Ritchie, L. (2018) Do Not Bend: The Photographic Life of Bill Jay. [Audio]

Rowland, N. (2014) Lighting the lit; Luminosity as protagonist in mediated performance. Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference. pp. 49-53.

Rowland, N. (2014) Looking up while looking down - workshop. In: Mediated City conference, 1-3 April 2014, Ravensbourne College. (Unpublished)

Rowland, N. (2014) Looking up while looking down: mobile technologies as an essential interface to the geography of our city. The Mediated City Conference, Ravensbourne College, presented by the Architechture Media Politics.

Rowland, N. (2014) The language of light in twenty-first century performance. In: University Research Conference, 17 July 2014, University of Chichester. (Unpublished)

Rubidge, S. F. (2010) Fugitive moments. [Videos] (Unpublished)

Rubidge, S. F. (2010) Fugitive moments: Artist's report of research project undertaken as part of the Wellcome Trust People's Award (2004-2006). Project Report. Sarah Rubidge. (Unpublished)

S

Student, A. (2019) Developing consciousness: a choreographic exploration into Damasio’s ‘Object and Organism’. Undergraduate thesis, University of Chichester.

Student, A. (2019) How might a choreographer use concepts of landscape as a vehicle for autobiographical expression? Undergraduate thesis, University of Chichester.

Student, A. (2019) Interculturalism : rethinking historical boundaries through dance. Undergraduate thesis, University of Chichester.

Student, A. (2019) Queer implications: an Investigation into Loie Fuller’s performance identity. Undergraduate thesis, University of Chichester.

Student, A. (2019) Staging the self : autobiography and the creative process. Undergraduate thesis, University of Chichester.

Student, A. (2019) Waltzing women: looking back at the Nineteenth Century. Undergraduate thesis, University of Chichester.

W

Wilson, R. (2015) The Past and Present War: Political Cartoons and the Memory of the First World War in Britain. European Comic Art, 8 (2). pp. 83-102.