Items where Subject is "N61 Theory. Philosophy. Aesthetics of the arts"

Group by: CreatorsPublication Type
Jump to: BCDFHJMNPR
Number of items at this level: 17.

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Baetens, J. and Frey, H. (2017) ‘Layouting’ for the plot: Charles Burns and the clear line revisited. Journal of Graphic Novels and Comics, 8 (2). pp. 193-202. ISSN 2150-4865

Berry-Mcintosh, E. (2020) Therapeutic Tactility in the Contempory Artworks of Antony Gormley and Richard long with Lessons from Art Therapy. Undergraduate thesis, University of Chichester.

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Chubb, S. (2017) One Hour - Visual Practice Exploring a Collective History. In: Wonder in Contemporary Artistic Practice. Routledge Advances in Art and Visual Studies . Routledge, London, pp. 36-54. ISBN 9781138855816

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Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480

Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the prism of the senses: New Realities of the Body in Contemporary Performance. Technologies, Cognition and Emergent research-creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798 (In Press)

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Frey, H. (2020) Pop Art and Nostalgia: The New Lessons of David Vandermeulen’s Ric Remix. Recherches sémiotiques, 38 (1-2). pp. 221-236. ISSN 1923-9920

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Hunter, A. (2023) Subject matters(s): perception as an experience. Masters thesis, University of Chichester.

Hunter, V., Palmer, H., Foley, J. and Kucia, K. (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687

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Johnston, R. (2014) Fine Art Beyond the Studio: Fine Art External Projects. In: NAFAE conference, 31st March 2014, Swedenborg Society, London WC1A. (Submitted)

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Madore, A. (2022) An Investigation and exploration into home and the sense of belonging through Nomadism. Masters thesis, University of Chichester.

Marsh, P., Chubb, S., Hooker, C., Moore, A. and Saber-Sheikh, K. (2016) A Gadamerian approach to interpreting pain: model-making metaphors through embodied cognitive theory. Digital Creativity, 27 (4). pp. 347-357. ISSN 1462-6268

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Noys, B. (2022) Crisis and Transition: The Late Foucault and the Vocation of Philosophy. South Atlantic Quarterly, 121 (4). pp. 675-691. ISSN 0038-2876

Noys, B. (2014) The art of the absolute: relations, objects, and immanence. Angelaki: Journal of the Theoretical Humanities, 19 (1). pp. 171-185. ISSN 0969-725X

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Parfitt, C. (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

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Richmond, C. (2022) A feast for artistic bookworms - Tom Phillips's a Humument and the creation of art riddled with literature. Undergraduate thesis, University of Chichester.

Rowland, N. (2014) The language of light in twenty-first century performance. In: University Research Conference, 17 July 2014, University of Chichester. (Unpublished)

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