B

Bacon, J. (2009) The Choreographic Lab. [Shows/Exhibitions]

Bacon, J. (2009) Landscape and Art. [Shows/Exhibitions]

Bowman, E. (2021) The art of gaming: a reimagining of the post-apocalyptic video game ‘The Last of Us’, and how its mechanical and storytelling features can be used as a choreographic blueprint. Masters thesis, University of Chichester.

C

Chubb, S. (2014) Pen Rest. In: Inspired by: your guide to art and the museum. Shrewsbury Museum and Art Gallery, pp. 23-29. ISBN 9780993014208

Chubb, S., Bryant, N., Moore, A. and Saber-Sheikh, K.et al (2014) Significant Walks. In: On Walking - An International, multidisciplinary conference, 26th - 29th June 2013, University of Sunderland.

Chubb, S., Bryant, N., Moore, A. and Saber-Sheikh, K.et al (2016) "Significant Walks" : Visualising Well-Being, Articulations of the Data and Experience of Chronic Low Back Pain. In: Well Being 2016, Third International Conference, 5th-6th September 2016, Birmingham City University.

Chubb, S., Bryant, N., Moore, A. and Saber-Sheikh, K.et al (2016) Significant Walks: Synthesizing Qualitative and Quantitative Reflections on Movement and Place. In: American Anthropological Association - Evidence Accident Discovery - 115th Annual Meeting, 16th - 20th November 2016, Minneapolis Convention Centre. (Unpublished)

Conway, A. (2020) An evening with Primrose. [Performances]

D

Davidson, A. (2006) D'annachronique... pavlova moi and Anaphorique(s). [Videos] (Unpublished)

Davidson, A. (2001) La morsure: a digital interactive choreography. In: La scena digitale: nuovi media per la danza. Marsilio Editori, Venezia, pp. 247-260. ISBN 88-317-7709-2

F

Flexer, Y. and Sandiland, N. (2017) Digital Traces. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2010) Orbital. [Shows/Exhibitions]

P

Parfitt, C. (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

R

Ritchie, L. (2018) Do Not Bend: The Photographic Life of Bill Jay. [Audio]

Rubidge, S. F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 596-623. ISBN 9780415490870

Rubidge, S. F. (2008) Towards an understanding of liminal imagery in the digital domain. In: Dance Dialogues: Conversations Across Cultures, Artforms and Practices, 13-16 July 2008, Queensland University of Technology, Brisbane, Australia.

Z

Zanotti, M. (2019) Digital spaces, analogue thinking: Some thoughts on screendance. The International Journal of Screendance. ISSN 2154-6878

Zanotti, M. (2016) The Pan's People Papers: A Glamorous Archive. In: Digital Echoes 2016, 4 March 2016, C-DaRE Coventry University. (Unpublished)

Zanotti, M. and Anderson, L. (2016) The Pan's People Papers. [Artefacts]

Zarevich, A. (2023) Dissertation vlog. Masters thesis, University of Chichester.