A descriptive exploration of heart rate response to live professional Irish dance performance

Needham-Beck, S. C., Smith, M. S., West, A. T. and Quin, E. (2024) A descriptive exploration of heart rate response to live professional Irish dance performance. Journal of Dance Medicine & Science. pp. 1-9. ISSN 2374-8060

[thumbnail of Needham-Beck SC, Smith MS, West AT, Quin E. A Descriptive Exploration of Heart Rate Response to Live Professional Irish Dance Performance. Journal of Dance Medicine & Science. 2024;0(0). doi:10.1177/1089313X241264689. Reprinted by permission of SAGE Pub.]
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Abstract

Introduction: Research investigating the physiological demands of dance performance has documented exercise intensity and time spent in work and rest; however, available data are across limited dance genres and often use rehearsal or simulated conditions. Real-time data recorded during live performance with an audience are limited. The aim of the study is to provide a detailed description of the physiological demands of live professional Irish dance performance. Method: The entire Irish dance cast of Riverdance participated in the study (n = 24). Approval was granted by the Institutional Research Ethics Committee. Matinee and evening performances on the first day of a tour were examined in a descriptive, cross-sectional design. Heart rate (HR) monitors worn discretely under costumes recorded data every 5-seconds. Video analysis allowed calculation of time spent in work and rest. All descriptive analyses were split by role (troupe/lead) and sex (male/female). Results: Dancers worked at hard/very hard intensities (mean > 72%, peak > 91% HRmax) for ~3 minutes at a time for 3-9 individual dance numbers. There was a high variation in overall demand experienced by individual dancers due to variation in both duration and intensity of on-stage time, dependent upon their role. Mean total on-stage time was 18.18 ± 5.82 minutes, 19.43 ± 5.80 minutes, 29.71 ± 0.62 minutes, 20.00 ± 0.00 minutes for male troupe, female troupe, male lead, and female lead dancers, respectively. Recovery periods were varied in terms of duration, activity undertaken, and HR response. Conclusion: Individual dance numbers within a professional Irish dance show were high intensity for a short duration when considered in isolation, but overall physiological demand experienced by any one dancer across the entire show varied dependent upon their role and off-stage/recovery practices. Future research investigating the physiological demands of dance performance should ensure analysis accounts for the individual dancer’s role and should capture the entire show duration in repeated exposures.

Publication Type: Articles
Additional Information: © The Author(s) 2024.
Uncontrolled Keywords: heart rate, performance demands, Irish dance, dance science, dance physiology, performing arts, performing science, exercise physiology
Subjects: G Geography. Anthropology. Recreation > GV Recreation Leisure > GV1580 Dance > GV1782.5 Choreography
G Geography. Anthropology. Recreation > GV Recreation Leisure > GV557 Sports
G Geography. Anthropology. Recreation > GV Recreation Leisure > GV1580 Dance
Q Science > QP Physiology
Divisions: Academic Areas > Department of Dance
Academic Areas > Institute of Sport
Research Entities > Centre for Health and Allied Sport and Exercise Science Research (CHASER)
Research Entities > POWER Centre
SWORD Depositor: Publications Router Jisc
Depositing User: Publications Router Jisc
Date Deposited: 16 Sep 2024 09:36
Last Modified: 16 Sep 2024 09:36
URI: https://eprints.chi.ac.uk/id/eprint/7643

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