B

Bacon, J. (2019) Informed by the Goddess: explicating a processual methodology. In: Spiritual Herstories: Call of the soul in Dance Research. Intellect Press, Bristol UK. ISBN 9781789380828

Bacon, J. and Midgelow, V. (2011) Articulating choreographic practices, locating the field: an introduction. Choreographic Practices, 1 (1). pp. 3-19. ISSN 2040-5677

Briginshaw, V. A. (2001) Dance, space and subjectivity. Doctoral thesis, University of Southampton; University of Chichester.

C

Clements, L. and Nordin-Bates, S. M. (2020) Inspired or Inhibited? Choreographers’ Views on How Classical Ballet Training Shaped Their Creativity. Journal of Dance Education, 22 (1). pp. 1-12. ISSN 1529-0824

Clements, L., Redding, E., Sell, N. L. and May, J.et al (2018) Expertise in Evaluating Choreographic Creativity: An Online Variation of the Consensual Assessment Technique. Frontiers in psychology, 9 (1448). pp. 1-8. ISSN 1664-1078

D

Davidson, A. (2001) La morsure: a digital interactive choreography. In: La scena digitale: nuovi media per la danza. Marsilio Editori, Venezia, pp. 247-260. ISBN 88-317-7709-2

Davidson, A. (2016) Mediated Bodies and Intercorporeality: Isabelle Choiniere's Flesh Waves. Editions Archee. ISSN 1710-0402

F

Farman, V. (2020) Souvenir; site-situated choreography (Farman 2020). In: Dance and Somatic Practices Conference 2023, 13 - 16 July 2023, University of Coventry.

Farman, V. (2016) Dance on Street Corners. [Shows/Exhibitions]

Farman, V. (2013) Everyday Hero. [Shows/Exhibitions]

Flexer, Y. and Liss, G. (2023) Acting our age. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2023) Imagining otherwise. [Performances]

Flexer, Y. (2015) Awakening. [Shows/Exhibitions]

Flexer, Y. (2016) Disappearing Acts. [Shows/Exhibitions]

Flexer, Y. (2017) Re|Place (or the thing I miss most). [Performances]

Flexer, Y. (2015) Vortex - Project Y 2015. [Shows/Exhibitions]

Flexer, Y. (2018) Vortex- Maslool, Israel. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2017) Digital Traces. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2020) Disappearing Acts. Liminalities: A Journal of Performance Studies, 16 (2). pp. 1-12. ISSN 1557-2935

Flexer, Y., Sandiland, N., Dybwik, S. and Fossdal, N.et al (2019) Curiouser. [Performances]

Flexer, Y., Wright, B. and Charmock, N. (2011) Consequences. [Shows/Exhibitions]

H

Harman, G. (2022) Centring the ‘subjective’ when examining performance in the field of dance medicine and science. In: Routledge Companion to Performance and Science. Routledge, London, pp. 1-20. (In Press)

Hayes, J. (2010) Dancers in a Dance Movement Therapy Group: Links between Personal Process, Choreography and Performance. Manual. Lambert Academic Publishing.

Howe, D. (2014) sometimes. [Shows/Exhibitions]

Howe, D. and Tomos, C. (2014) yes I am, no I'm not (here right now). [Shows/Exhibitions]

Hunter, V. (2015) A Dance For You. [Shows/Exhibitions]

Hunter, V. (2020) Dancing-Walking with Trees. In: Walking Bodies: Papers, Provocations, Actions from Walking's New Movements, the Conference. Triarchy Press Ltd, Bristol. ISBN 9781913743093

Hunter, V. (2009) Experiencing space: The implications for site-specific choreography. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 9780415490870

Hunter, V. (2015) Moving Sites. In: Moving sites: Investigating Site-Specific Dance Performance. Routledge, London, pp. 1-21. ISBN 9780415713252

Hunter, V. (2019) Scoring and Siting: Improvisatory Approaches to Site-Specific Dance. In: The Oxford Handbook of Improvisation in Dance. Oxford University Press, USA. ISBN 9780199396986

Hunter, V. (2021) Site, Dance and Body: Movement, Materials and Corporeal Engagement. Documentation. Palgrave Macmillan, London, UK.

M

McKee, J. and Harman, G. (2024) Subjective Perspectives: Foregrounding (the) self in dance practice. In: The Female Dancer: A Soma-scientific Approach. Routledge, London, pp. 237-248. ISBN 9781032466897

Merrett, M. (2020) An exploration into how imagery can be used as a choreographic tool during the creative process and to lead toward embodiment in performance. Undergraduate thesis, University of Chichester.

Milburn, G. R. L. (2012) Being between: Empathy and presence in the performance of 'open' improvisational dance. Doctoral thesis, University of Southampton; University of Chichester.

Mortimer, A., Whitaker, C. and Evans, D. (2017) The Deluge. [Performances]

Mortimer, K. (2016) Grad-Lab. The Point. (Unpublished)

N

Needham-Beck, S. C., Smith, M. S., West, A. T. and Quin, E.et al (2024) A descriptive exploration of heart rate response to live professional Irish dance performance. Journal of Dance Medicine & Science. pp. 1-9. ISSN 2374-8060

Nugent, A. (2021) WILLIAM FORSYTHE, Ballet; Stuttgart Frankfurt, and the Forsythescape. In: The Oxford Handbook of Contemporary Ballet. Oxford Handbooks . Oxford University Press, New York, pp. 12-28. ISBN 9780190871499

P

Parfitt-Brown, C. (2014) An Australian in Paris: techno-choreographic bohemianism in 'Moulin Rouge!'. In: The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Oxford. ISBN 9780199897827

R

Rowland, N. (2021) Vertical knowledge: exploring the potential of vertical dance as a scenographic strategy in the performance of site. In: Dramatic Architectures: Theatre and Performing Arts in Motion. Centro de Estudos Arnaldo Araújo, Porto, Portugal, pp. 231-243. ISBN 9789728784928

Rubidge, S. F. (2011) Choreographing in the digital domain. In: Contribution to Research Lecture Series, 2011, Hong Kong Academy of Performing Arts. (Submitted)

Rubidge, S. F. (1998) Embodying theory. In: Practice as Research and Research as Practice, June 1998, Laban Centre, London. (Unpublished)

Rubidge, S. F. (2002) Identity in flux: A practice-based interrogation of the ontology of the open dance work. In: Dance and the Performative: A Choreological Perspective - Laban and Beyond. Verve Publishing, London, UK, pp. 135-163. ISBN 9780950985923

Rubidge, S. F. (2009) Nomadic Diagrams: Choreographic Topologies. In: Society of Dance History Scholars Annual Conference 2009: Topographies: Sites, Bodies, Technologies, 19-22 June 2009, Stanford University, USA.

Rubidge, S. F. (2011) Nomadic diagrams: Choreographic topologies. Choreographic Practices, 1 (1). pp. 43-56. ISSN 2040-5669

Rubidge, S. F. (2011) On choreographic space. In: 10th International NOFOD Conference: Spacing Dance(s) – Dancing Space(s), 27-30 Jan 2011, University of Southern Denmark.

Rubidge, S. F. (2013) On choreographic space. In: Dance Spaces: Practices of Movement. University Press of Southern Denmark, Odense. ISBN 9788776746896

Rubidge, S. F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 596-623. ISBN 9780415490870

Rubidge, S. F. (2009) Towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 362-378. ISBN 9780415490870

Rubidge, S. F. (2008) Towards an understanding of liminal imagery in the digital domain. In: Dance Dialogues: Conversations Across Cultures, Artforms and Practices, 13-16 July 2008, Queensland University of Technology, Brisbane, Australia.

S

Sadot, P. C. (2019) Unsteady state: hip hop dance artists in the space(s) of UK dance theatre. Doctoral thesis, University of Chichester.

W

Whitaker, C. and Mortimer, A. (2024) Fault lines. [Shows/Exhibitions]

Whitaker, C., Mortimer, A. and Evans, D. (2018) The Hotel Experience. [Performances]

Z

Zanotti, M. (2019) Digital spaces, analogue thinking: Some thoughts on screendance. The International Journal of Screendance. ISSN 2154-6878

Zanotti, M. (2016) The Pan's People Papers: A Glamorous Archive. In: Digital Echoes 2016, 4 March 2016, C-DaRE Coventry University. (Unpublished)

Zanotti, M. (2019) Scores, Stills and Screens: Documentation in Artist Doctorates. Researching (in/as) Motion: A Resource Collection (10).

Zanotti, M. (2013) A meeting place: Translating Ben Wright’s 'Passing Strange and Wonderful' to the screen. Choreographic Practices, 4 (1). pp. 47-58. ISSN 2040-5669

Zanotti, M. and Anderson, L. (2016) The Pan's People Papers. [Artefacts]

Zanotti, M. and Lobel, B. (2015) Documenting Intimacy. [Experiments]

Zanotti, M. and Whiteside, M. (2018) Entangled. [Artefacts]

Zanotti, M. and Whiteside, M. (2017) we are all made of stars. [Artefacts]