Articles

Bacon, J. and Midgelow, V. (2011) Articulating choreographic practices, locating the field: an introduction. Choreographic Practices, 1 (1). pp. 3-19. ISSN 2040-5677

Clements, L. and Nordin-Bates, S. M. (2020) Inspired or Inhibited? Choreographers’ Views on How Classical Ballet Training Shaped Their Creativity. Journal of Dance Education, 22 (1). pp. 1-12. ISSN 1529-0824

Clements, L., Redding, E., Sell, N. L. and May, J.et al (2018) Expertise in Evaluating Choreographic Creativity: An Online Variation of the Consensual Assessment Technique. Frontiers in psychology, 9 (1448). pp. 1-8. ISSN 1664-1078

Davidson, A. (2016) Mediated Bodies and Intercorporeality: Isabelle Choiniere's Flesh Waves. Editions Archee. ISSN 1710-0402

Flanagan, L., Quin, E. and Smith, N. A. (2025) Increased leap performance with no change to knee-drop landing kinetics, following a verbal cueing intervention. Journal of Dance Medicine & Science, 30 (1). pp. 41-49. ISSN 2374-8060

Flexer, Y. and Sandiland, N. (2020) Disappearing Acts. Liminalities: A Journal of Performance Studies, 16 (2). pp. 1-12. ISSN 1557-2935

Needham-Beck, S. C., Smith, M. S., West, A. T. and Quin, E.et al (2024) A descriptive exploration of heart rate response to live professional Irish dance performance. Journal of Dance Medicine & Science, 29 (1). pp. 13-21. ISSN 2374-8060

Rubidge, S. F. (2011) Nomadic diagrams: Choreographic topologies. Choreographic Practices, 1 (1). pp. 43-56. ISSN 2040-5669

Zanotti, M. (2019) Digital spaces, analogue thinking: Some thoughts on screendance. The International Journal of Screendance. ISSN 2154-6878

Zanotti, M. (2019) Scores, Stills and Screens: Documentation in Artist Doctorates. Researching (in/as) Motion: A Resource Collection (10).

Zanotti, M. (2013) A meeting place: Translating Ben Wright’s 'Passing Strange and Wonderful' to the screen. Choreographic Practices, 4 (1). pp. 47-58. ISSN 2040-5669

Book Sections

Bacon, J. (2019) Informed by the Goddess: explicating a processual methodology. In: Spiritual Herstories: Call of the soul in Dance Research. Intellect Press, Bristol UK. ISBN 9781789380828

Davidson, A. (2001) La morsure: a digital interactive choreography. In: La scena digitale: nuovi media per la danza. Marsilio Editori, Venezia, pp. 247-260. ISBN 88-317-7709-2

Flexer, Y. and Liss, G. (2026) Maybe You Could Close Your Eyes While I Dance: ‘Age’, ‘Ageing’ and ‘In/visibility’ as choreographic drivers in Yael Flexer & Galit Liss’s Acting Our Age. In: Contemporary Choreography: A Critical Reader: 3rd Edition. Contemporary Choreography: A Critical Reader, 3 (3). Routledge, Taylor and Francis Group, Abingdon, Oxfordshire, pp. 1-13. ISBN 9781032645704

Harman, G. (2025) Centring the ‘subjective’ when examining performance in the field of dance medicine and science. In: Routledge Companion to Performance and Science. Routledge, London, pp. 1-20. ISBN 9781032138992

Hunter, V. (2020) Dancing-Walking with Trees. In: Walking Bodies: Papers, Provocations, Actions from Walking's New Movements, the Conference. Triarchy Press Ltd, Bristol. ISBN 9781913743093

Hunter, V. (2009) Experiencing space: The implications for site-specific choreography. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 9780415490870

Hunter, V. (2015) Moving Sites. In: Moving sites: Investigating Site-Specific Dance Performance. Routledge, London, pp. 1-21. ISBN 9780415713252

Hunter, V. (2019) Scoring and Siting: Improvisatory Approaches to Site-Specific Dance. In: The Oxford Handbook of Improvisation in Dance. Oxford University Press, USA. ISBN 9780199396986

McKee, J. and Harman, G. (2024) Subjective Perspectives: Foregrounding (the) self in dance practice. In: The Female Dancer: A Soma-scientific Approach. Routledge, London, pp. 237-248. ISBN 9781032466897

Nugent, A. (2021) WILLIAM FORSYTHE, Ballet; Stuttgart Frankfurt, and the Forsythescape. In: The Oxford Handbook of Contemporary Ballet. Oxford Handbooks . Oxford University Press, New York, pp. 12-28. ISBN 9780190871499

Parfitt-Brown, C. (2014) An Australian in Paris: techno-choreographic bohemianism in 'Moulin Rouge!'. In: The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Oxford. ISBN 9780199897827

Rowland, N. (2021) Vertical knowledge: exploring the potential of vertical dance as a scenographic strategy in the performance of site. In: Dramatic Architectures: Theatre and Performing Arts in Motion. Centro de Estudos Arnaldo Araújo, Porto, Portugal, pp. 231-243. ISBN 9789728784928

Rubidge, S. F. (2002) Identity in flux: A practice-based interrogation of the ontology of the open dance work. In: Dance and the Performative: A Choreological Perspective - Laban and Beyond. Verve Publishing, London, UK, pp. 135-163. ISBN 9780950985923

Rubidge, S. F. (2013) On choreographic space. In: Dance Spaces: Practices of Movement. University Press of Southern Denmark, Odense. ISBN 9788776746896

Rubidge, S. F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 596-623. ISBN 9780415490870

Rubidge, S. F. (2009) Towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 362-378. ISBN 9780415490870

Monographs

Hayes, J. (2010) Dancers in a Dance Movement Therapy Group: Links between Personal Process, Choreography and Performance. Manual. Lambert Academic Publishing.

Hunter, V. (2021) Site, Dance and Body: Movement, Materials and Corporeal Engagement. Documentation. Palgrave Macmillan, London, UK.

Conference or Workshop Items

Farman, V. (2020) Souvenir; site-situated choreography (Farman 2020). In: Dance and Somatic Practices Conference 2023, 13 - 16 July 2023, University of Coventry.

Rubidge, S. F. (2011) Choreographing in the digital domain. In: Contribution to Research Lecture Series, 2011, Hong Kong Academy of Performing Arts. (Submitted)

Rubidge, S. F. (1998) Embodying theory. In: Practice as Research and Research as Practice, June 1998, Laban Centre, London. (Unpublished)

Rubidge, S. F. (2009) Nomadic Diagrams: Choreographic Topologies. In: Society of Dance History Scholars Annual Conference 2009: Topographies: Sites, Bodies, Technologies, 19-22 June 2009, Stanford University, USA.

Rubidge, S. F. (2011) On choreographic space. In: 10th International NOFOD Conference: Spacing Dance(s) – Dancing Space(s), 27-30 Jan 2011, University of Southern Denmark.

Rubidge, S. F. (2008) Towards an understanding of liminal imagery in the digital domain. In: Dance Dialogues: Conversations Across Cultures, Artforms and Practices, 13-16 July 2008, Queensland University of Technology, Brisbane, Australia.

Zanotti, M. (2016) The Pan's People Papers: A Glamorous Archive. In: Digital Echoes 2016, 4 March 2016, C-DaRE Coventry University. (Unpublished)

Books

Harman, G. (2025) Practitioner perspectives on dance research. Routledge, London. ISBN 9781032566795

Theses

Briginshaw, V. A. (2001) Dance, space and subjectivity. Doctoral thesis, University of Southampton; University of Chichester.

Farman, V. (2025) Interior/exterior landscape dialogues in site-situated choreographic compositional practices; an investigation of creative processes. Doctoral thesis, University of Chichester.

Merrett, M. (2020) An exploration into how imagery can be used as a choreographic tool during the creative process and to lead toward embodiment in performance. Undergraduate thesis, University of Chichester.

Milburn, G. R. L. (2012) Being between: Empathy and presence in the performance of 'open' improvisational dance. Doctoral thesis, University of Southampton; University of Chichester.

Sadot, P. C. (2019) Unsteady state: hip hop dance artists in the space(s) of UK dance theatre. Doctoral thesis, University of Chichester.

Artefacts

Zanotti, M. and Anderson, L. (2016) The Pan's People Papers. [Artefacts]

Zanotti, M. and Whiteside, M. (2018) Entangled. [Artefacts]

Zanotti, M. and Whiteside, M. (2017) we are all made of stars. [Artefacts]

Shows/Exhibitions

Farman, V. (2016) Dance on Street Corners. [Shows/Exhibitions]

Farman, V. (2013) Everyday Hero. [Shows/Exhibitions]

Flexer, Y. (2015) Awakening. [Shows/Exhibitions]

Flexer, Y. (2016) Disappearing Acts. [Shows/Exhibitions]

Flexer, Y. (2015) Vortex - Project Y 2015. [Shows/Exhibitions]

Flexer, Y. (2018) Vortex- Maslool, Israel. [Shows/Exhibitions]

Flexer, Y. and Liss, G. (2023) Acting our age. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2017) Digital Traces. [Shows/Exhibitions]

Flexer, Y., Wright, B. and Charmock, N. (2011) Consequences. [Shows/Exhibitions]

Howe, D. (2014) sometimes. [Shows/Exhibitions]

Howe, D. and Tomos, C. (2014) yes I am, no I'm not (here right now). [Shows/Exhibitions]

Hunter, V. (2015) A Dance For You. [Shows/Exhibitions]

Whitaker, C. and Mortimer, A. (2024) Fault lines. [Shows/Exhibitions]

Performances

Flexer, Y. (2017) Re|Place (or the thing I miss most). [Performances]

Flexer, Y. and Sandiland, N. (2023) Imagining otherwise. [Performances]

Flexer, Y., Sandiland, N., Dybwik, S. and Fossdal, N.et al (2019) Curiouser. [Performances]

Mortimer, A., Whitaker, C. and Evans, D. (2017) The Deluge. [Performances]

Whitaker, C., Mortimer, A. and Evans, D. (2018) The Hotel Experience. [Performances]

Audio

Harman, G. (2021) ResDance Podcast Series 1 - Episodes 1-11. [Audio]

Experiments

Zanotti, M. and Lobel, B. (2015) Documenting Intimacy. [Experiments]

Other

Mortimer, K. (2016) Grad-Lab. The Point. (Unpublished)