This article develops a critical engagement with the politics of British satire. After first engaging the mainstream critique of satire—that it promotes cynicism and apathy by portraying politicians in stereotypically corrupt terms—we develop a performative approach to comedy as an everyday vernacular of political life. Beyond a focus on ‘impact’, we suggest that satire can be read as an everyday form of political reflection that performs within a social context. This yields an image of Morris, Iannucci and Brooker as important critics of contemporary British politics, a point which
we explore through their interventions on media form, political tragedy and political agency.