Articles

Parfitt, C. (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Parfitt, C. (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Parfitt, C. and Hay, M. (2009) Book Reviews: Dance in a World of Change: Reflections on Globalization and Cultural Difference. Research in Dance Education, 10 (2). pp. 149-156. ISSN 1464-7893

Parfitt, C. (2005) The Spectator's Dancing Gaze in Moulin Rouge! Research in Dance Education, 6 (1/2). pp. 97-110. ISSN 1464-7893

Book Sections

Parfitt, C. (2019) Movements of freedom: performing popular liberty in the early cancan. In: Oxford Handbook of Improvisation in Dance. Oxford Handbooks . Oxford University Press, New York and Oxford. ISBN 9780199396986

Conference or Workshop Items

Parfitt, C. (2016) “I breathed on their dust”: Protean Memory and Tactile Media. In: Beyond Authenticity and Appropriation: Bodies, Authorship and Choreographies of Transmission, 3rd-6th November 2016, Pomona College, Claremont, California. (Submitted)

Parfitt, C. (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)

Parfitt, C. (2008) The contredanse, the quadrille, and the cancan: dancing around democracy in post-revolutionary Paris. In: The Established Scholars Conference, Society for Dance Research, 15 March 2008, Roehampton University, London. (Submitted)

Parfitt, C. (2007) Chahut: The mediation of rationalism and the unruly body in the cancan. In: Re-thinking Practice and Theory, Congress on Research in Dance/Society for Dance History Scholars Conference, 21-24 June 2007, Le Centre Nationale de la Danse, Paris, France. (Submitted)