Items where Subject is "PN0080 Criticism"

Group by: CreatorsPublication Type
Number of items at this level: 71.


Barker, S. (1994) “But you must learn to know such slanders of the age...” - Literary Theory in the Study of Shakespeare. In: Bridging the Gap: Literary Theory in the Classroom. Locust Hill, Connecticut. ISBN 9780933951600

Barker, S. (1986) Coriolanus: Texts and Histories. Assays: Critical Approaches to Medieval and Renaissance Texts, IV.

Barker, S. (2008) Faking it: Persuasion and the Renaissance military subject. In: Shakespeare and War. Palgrave Macmillan, Basingstoke. ISBN 9780230205086

Barker, S. (2018) Farce and Force: Shakespearean Comedy, Militarism, and Violence. In: The Oxford Handbook of Shakespearean Comedy. Oxford University Press, Oxford. ISBN 9780198727682

Barker, S. (2005) “It’s An Actor, Boss, Unarmed”: the Rhetoric of Julius Caesar. In: Julius Caesar: New Critical Essays. Shakespeare Criticism . Routledge, London and New York. ISBN 9780415649469

Barker, S. (2016) "Undoing Kyd”: the Texts of the Spanish Tragedy. In: Doing Kyd. Manchester University Press, Manchester, pp. 75-87. ISBN 9780719083822

Barker, S. (2001) “The drugs don’t work”: Theatre, Theory ... and After. Literature and History - Third Series, 10 (2). pp. 79-83. ISSN 03061973

Barsham, D., Brighton, T., Carter, J., Chandler, A., Everard, B., Hutchings, B., Kinsley, Z., Rounce, A., Salkeld, D., Sambrook, J. and Wyatt, J. (2009) William Collins poet, 1721-59. Otter Memorial Papers, 26 . University of Chichester, Chichester, West Sussex. ISBN 9780948765629

Bihet, F. (2013) Sprites, spiritualists and sleuths: the intersecting ownership of transcendent proofs in the Cottingley Fairy Fraud. In: Afterlife: 18th Postgraduate Religion and Theology Conference, 8-9 March 2013, University of Bristol. (Unpublished)


Dilks, K. (2008) Permission to speak? The postmodernist voice of Carol Shields. Doctoral thesis, University of Southampton; University of Chichester.

Duggan, R. (2009) Big-time Shakespeare and the joker in the pack: The intrusive author in Martin Amis’s 'Money'. Journal of Narrative Theory, 39 (1). pp. 86-108. ISSN 1549-0815

Duggan, R. (2010) Ghosts of Gotham: 9/11 mourning in Patrick McGrath’s 'Ghost Town' and Michael Cunningham’s 'Specimen Days'. Journal of Postcolonial Writing, 46 (3-4). pp. 381-393. ISSN 1744-9863

Duggan, R. (2011) Ghosts of Gotham: 9/11 mourning in Patrick McGrath’s 'Ghost Town' and Michael Cunningham’s 'Specimen Days'. In: Literature, Migration and the 'War on Terror'. Taylor & Francis: Routledge, Abingdon, Oxford. ISBN 9780415669290

Duggan, R. (2010) Green and Red Zones: Literary Form and the Politics of Space in Recent British Fiction. In: Contemporary Literature and its Contexts, 1-2 July 2010, Centre for New Writing, The University of Manchester. (Unpublished)

Duggan, R. (2013) The Grotesque in Contemporary British Fiction. Other. Manchester University Press.

Duggan, R. (2013) The geopolitics of inner space in contemporary British fiction. Textual Practice, 27 (4). ISSN 1470-1308 (Submitted)

Duggan, R. and Finnerty, P. (2007) The body of the terrorist in contemporary cinema. Reconstruction: Studies in Contemporary Culture, 7 (1). ISSN 1547-4348

Duncan, I. J. (2006) Disparity and deception in Alice Munro's 'Lichen'. British Journal of Canadian Studies, 19 (1). pp. 61-75. ISSN 0269-9222

Duncan, I. J. (2007) Travels through this place: Joan Barfoot's 'Gaining Ground' as quest narrative. Critique: Studies in Contemporary Fiction, 48 (3). pp. 219-229. ISSN 0011-1619

Dunkerley, H. (2020) Religious Poetry 1960-2015. In: A Companion to Contemporary British and Irish Poetry, 1960-2015. Wiley-Blackwell, Oxford. ISBN 9781118843208

Dunkerley, H. (2012) Translating wilderness: The poetry of Don McKay. In: Poetry and Voice: A Book of Essays. Cambridge Scholars Publishing, Cambridge. ISBN 9781443841092

Dunkerley, H. (2001) Unnatural relations? Language and nature in the poetry of Mark Doty and Les Murray. ISLE (Interdisciplinary Studies in Literature and Environment), 8 (1). pp. 73-82. ISSN 1076-0962


Frey, H. (2020) Pop Art and Nostalgia: The New Lessons of David Vandermeulen’s Ric Remix. Recherches sémiotiques, 38 (1-2). pp. 221-236. ISSN 1923-9920

Frey, H. (2008) “For All to See": Yvan Alagbé’s 'Nègres jaunes' and the representation of the contemporary social crisis in the Banlieue. In: Writing and the Image Today. Yale French Studies, 114 . Yale University Press, New Haven, Conneticut ; London, pp. 116-129. ISBN 9780300118216

Frey, H. (2007) Paul Sérant and the extreme right's rhetoric of antithesis. Journal of European Studies, 37 (4). pp. 373-389. ISSN 0047-2441


Gray, W. (2008) Death and Fantasy: Essays on Philip Pullman, C. S. Lewis, George MacDonald and R. L. Stevenson. Other. Cambridge Scholars Publishing, Newcastle.

Gray, W. (2011) Fantasy, Art and Life: Essays on George MacDonald, Robert Louis Stevenson and Other Fantasy Writers. Other. Cambridge Scholars Publishing, Newcastle.

Gray, W. (2008) Fantasy, Myth and the Measure of Truth: Tales of Pullman, Lewis, Tolkien, MacDonald and Hoffmann. Other. Palgrave Macmillan, Basingstoke.

Gray, W. (2008) On the road: Robert Louis Stevenson's views on nature. New Formations: A Journal of Culture, Theory & Politics (64). ISSN 1741-0789

Gray, W. (2007) Pullman, Lewis, MacDonald, and the anxiety of influence. Mythlore, 25 (3/4). pp. 117-132. ISSN 0146-9339

Gray, W. (2004) Robert Louis Stevenson: A Literary Life. Palgrave Macmillan, Basingstoke, UK. ISBN 9780333984017

Gray, W. (2002) Stevenson's "Auld Alliance": France, art theory and the breath of money in The Wrecker. Scottish Studies Review, 3 (2). pp. 54-65. ISSN 1475-7737


Hart, S. (2007) Derrida and postmodernity: At the end(s) of history. Doctoral thesis, University of Southampton; University of Chichester.


Leeson, M. (2018) Avuncular ambiguity: Ethical virtue in Iris Murdoch's The Black Prince (1973) and Simone de Beauvoir's The Mandarins (1954). In: Incest in Contemporary Literature. Manchester University Press, Manchester. ISBN 9781526122162

Leeson, M. (2018) Incest in Contemporary Literature. Manchester University Press, Manchester. ISBN 9781526122162

Leeson, M. (2019) Iris Murdoch: A Centenary Celebration. Saberstorm Fiction, Devizes. ISBN 9781912972005

Leeson, M. (2012) The engendered and dis-engendered other in Iris Murdoch's early fiction. In: Cross-Gendered Literary Voices: Appropriating, Resisting, Embracing. Palgrave MacMillan, Basingstoke, pp. 113-131. ISBN 978-0-230-29978-0

Leeson, M. and Miller, E. (2018) “[T]he thing that makes us different from other people”: Narrating incest through “difference” in the work of Angela Carter, A.S. Byatt and Doris Lessing. In: Incest in Contemporary Literature. Manchester University Press, Manchester. ISBN 9781526122162


Norgate, S. and Piddington, E. (2012) Poetry and Voice: A Book of Essays. Cambridge Scholars Publishing, Cambridge. ISBN 9781443841092

Noys, B. (2008) Crimes of the Near Future: Baudrillard / Ballard. International Journal of Baudrillard Studies, 5 (1). ISSN 1705-6411

Noys, B. (2007) Destroy cinema!/destroy capital!: Guy Debord's 'The Society of the Spectacle' (1973). Quarterly Review of Film and Video, 24 (5). pp. 395-402. ISSN 1050-9208

Noys, B. (2016) Full Spectrum Offense: Savoy’s Reverbstorm and the Weirding of Modernity. Genre: Forms of Discourse and Culture, 49 (2). pp. 231-253. ISSN 0016-6928

Noys, B. (2000) Georges Bataille: A Critical Introduction. Modern European Thinkers . Pluto Press, London. ISBN 9780745315928

Noys, B. (2011) 'Grey in Grey': Crisis, critique, change. Journal of Critical Globalisation Studies, 4. pp. 45-60. ISSN 2040-8498

Noys, B. (2007) La libido réactionnaire? The recent fiction of J. G. Ballard. Journal of European Studies, 37 (4). pp. 391-406. ISSN 0047-2441

Noys, B. (2009) ‘Monumental Construction’: Badiou and the politics of aesthetics. Third Text, 23 (4). pp. 383-392. ISSN 1475-5297

Noys, B. (2018) The Peculiarities of English Culture. Historical Materialism, 26 (1). pp. 165-174. ISSN 1569-206X

Noys, B. (2010) The Persistence of the Negative: A Critique of Contemporary Continental Theory. Edinburgh University Press, Edinburgh. ISBN 9780748638635

Noys, B. (2011) Psychopathology as a game: J. G. Ballard and conceptual crime. In: Crime Cultures: Figuring Criminality in Fiction and Film. Continuum Literary Studies . Bloomsbury, London, UK, p. 36. ISBN 9780826432353

Noys, B. (2017) Skimming the surface: critiquing anti-critique. Journal for Cultural Research, 21 (4). pp. 295-308. ISSN 1479-7585

Noys, B. (2018) Übermenschen and Untermenschen: Global Nietzsche and Postcolonial Fiction. In: History, Imperialism, Critique: New Essays in World Literature. Routledge, London, pp. 205-220. ISBN 9781138217508

Noys, B. (2008) ‘The end of the monarchy of sex’: Sexuality and contemporary nihilism. Theory, Culture & Society, 25 (5). pp. 104-122. ISSN 1460-3616

Noys, B. (2010) The horror of the real: Zizek's modern gothic. International Journal of Zizek Studies, 4 (4). ISSN 1751-8229

Noys, B. (2012) The recirculation of negativity: theory, literature, and the failures of affirmation. Stasis, 1. pp. 140-155.


O'Connor, S. (2011) The 'forest of form': Organic 'means of expression' in Margaret Laurence's Manawaka books. Masters thesis, University of Southampton; University of Chichester.

Orr, K. (2015) The inland sea: liminality, metamorphic experience and the short story form. Doctoral thesis, University of Southampton; University of Chichester.


Price, F. (2021) Performing history: theatricality, gender, the early historical novel and Scott. In: Walter Scott at 250: looking forward. Edinburgh University Press, Edinburgh, pp. 124-141. ISBN 9781474429870

Price, F. (2011) Ancient liberties? Rewriting the historical novel: Thomas Leland, Horace Walpole and Clara Reeve. Journal of Eighteenth-Century Studies, 34 (1). pp. 19-38.

Price, F. (2012) “Experiments made by the airpump”: Jane West's 'The Loyalists' (1812) and the science of history. Women's Writing, 19 (3). pp. 315-382. ISSN 1747-5848

Price, F. (2012) “A great deal of history”: Romantic women writers and historical fiction. Women's Writing, 19 (3). pp. 259-272. ISSN 1747-5848

Price, F. (2012) The uses of history: the historical novel in the post-French Revolution debate and Cornelia Ellis Knight’s "Marcus Flaminius", 1792. In: Reading Historical Fiction: The Revenant and Remembered Past. Palgrave Macmillan, Basingstoke. ISBN 9780230343139


Richardson, C. (2019) The influence of Sartrean existentialism on Iris Murdoch’s early novels. Undergraduate thesis, University of Chichester.


Salkeld, D. (2018) Shakespeare & London. Other. Oxford University Press, Oxford.

Salkeld, D. (2010) Shakespeare and ‘the I-word'. Style, 44 (3). pp. 328-341. ISSN 0039-4238

Salkeld, D. (2009) Shakespeare studies, presentism and micro-history. Cahiers Élisabéthains (76). pp. 35-44. ISSN 0184-7678

Salkeld, D. (2011) Silence, seeing and performativity: Shakespeare and the Paragone. In: Shakespeare and Renaissance Literary Theories: Anglo-Italian Transactions. Anglo-Italian Renaissance Studies . Ashgate, Farnham, Surrey, pp. 247-264. ISBN 9781409421498

Salkeld, D. (2007) The texts of Henry V. Shakespeare, 3 (2). pp. 161-182. ISSN 1745-0918

Strømmen, H. (2020) “always a potent object”? The Shifting Role of the Bible in Margaret Atwood’s Novels. In: “Who Knows What We’d Ever Make of It, If We Ever Got Our Hands on It?”: The Bible and Margaret Atwood. Biblical Intersections 18 . Gorgias Press LLC, Piscataway, NJ, pp. 27-53. ISBN 9781463241353

Swann, D. (2017) The Mathematics of the Heart: Mary Robison Considered as a Flash Fiction Novelist. In: Critical Insights: Flash Fiction. H.W. Wilson Publishing Co. Salem Press/Grey House Publishing, Amenia, New York. ISBN 9781682172704

Swann, D. (2012) A choir of trees. In: Poetry and Voice: A Book of Essays. Cambridge Scholars Publishing, Cambridge. ISBN 9781443841092


Warwick, R. (2014) Gaining leadership insights from literature – an exploration of paradoxical processes and how we might make sense of them. In: The New Romantics of Responsible Leadership: 6th Developing Leadership Capacity Conference, 7-9 July 2014, Lancaster Management School, Lancaster University, UK. (Unpublished)

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