A

Aggs, C. and Wyatt, J. (1987) The wall paintings at Hardham. Otter Memorial Papers, 2 . Bishop Otter College Trustees, Chichester, West Sussex. ISBN 0948765232

B

Baysted, S. (2015) The Impressionists and the man who made them. [Compositions]

Baysted, S. and Legg, S. (2017) I, Claude Monet. [Compositions]

Baysted, S. and Legg, S. (2016) Renoir: revered and reviled. [Compositions]

Baysted, S. and Legg, S. (2019) Young Picasso. [Compositions]

F

Foster, P. and Williams, G. (2006) David Goodman: artist and essayist. Otter Memorial Papers, 20 . University of Chichester, Chichester, West Sussex. ISBN 9780948765988

L

Lindo, M. (2022) The multifaceted world of Renaissance art: a comparison of the symbolic and allegorical dimension of Italian and Germanic-Netherlandish Renaissance paintings from 1400 to the 1560s. Undergraduate thesis, University of Chichester.

M

Marriott, H. J. (2019) The Van Eyck brothers and The Virgin Mother: a comparative discussion on the Annunciation (Luke 1:26-38) and its portrayal in Flemish Renaissance Marian artwork by Hubert van Eyck and Jan van Eyck. Undergraduate thesis, University of Chichester.

McDade, S. (2011) Entrance to a Lane. [Shows/Exhibitions]

McDade, S. (2012) Margins of the Lane artist statement. [Shows/Exhibitions]

P

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

S

Salkeld, D. (2019) Shakespeare and the arts of painting and music. In: The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture. Routledge, Abingdon. ISBN 9781317044178