B

Bacon, J. (2009) The Choreographic Lab. [Shows/Exhibitions]

Bacon, J. (2004) Myths and Stories by Her. [Shows/Exhibitions]

Bacon, J. (2009) Myths and stories by her. In: Practice-as-Research in Performance and Screen. Palgrave Macmillan, Basingstoke. ISBN 9780230220010

Bacon, J. (2010) Psyche and artistic creativity. In: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International Conference: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, 10-14 August 2010, Cornell University, Ithaca, New York. (Unpublished)

Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy, 2 (1). pp. 17-28. ISSN 1743-2987

Bacon, J. (2011) Psyche’s Witness and Sensualities. [Shows/Exhibitions]

Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. In: Dance and Somatic Practices Conference, 08-10 July 2011, Coventry School of Art and Design - Performing Arts, Coventry University. (Unpublished)

Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices, 2 (1). pp. 63-74. ISSN 1757-1871

Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. In: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), 20 June 2007, Paris, France. (Unpublished)

C

Clements, L. and Nordin-Bates, S. M. (2020) Inspired or Inhibited? Choreographers’ Views on How Classical Ballet Training Shaped Their Creativity. Journal of Dance Education, 22 (1). pp. 1-12. ISSN 1529-0824

N

Nugent, A. (2021) WILLIAM FORSYTHE, Ballet; Stuttgart Frankfurt, and the Forsythescape. In: The Oxford Handbook of Contemporary Ballet. Oxford Handbooks . Oxford University Press, New York, pp. 12-28. ISBN 9780190871499

Nugent, A. (2015) Spirit of the New: William Forsythe and the Disruption of Ballet's Structural Organization. Conversations Across the Field of Dance Studies: Network of Pointes, XXXV. pp. 5-9.

W

Wyon, M. A., Allen, N., Cloak, R., Beck, S., Davies, P. and Clarke, F.et al (2016) Assessment of maximum aerobic capacity and anaerobic threshold of elite ballet dancers. Medical Problems of Performing Artists, 31 (3). pp. 145-150. ISSN 0885-1158