B

Beech, C. (2022) Action heroines through the decades; What actors can learn from studying previous action heroines with a focus on body language. Undergraduate thesis, University of Chichester.

C

Crisp, C. J. (2022) The clarinet and its developing role in London’s popular culture (c. 1760-c. 1800): Recognition, perception and reception. In: The Tenth Biennial Conference of the North American British Music Studies Association, 21-24 July 2022, Illinois State University, Normal, Illinois. (Unpublished)

K

King, L. (2022) ‘Hell Hath no Fury…’ An analytical study of female actors’ portrayal of psychological issues in selected examples of psychological thriller films. Undergraduate thesis, University of Chichester.

M

McCaroll, K.-M. (2022) Musical Theatre Adapting to a Mediatized Audience Shown Through The Analysis of Dear Evan Hansen. Undergraduate thesis, University of Chichester.

T

Turner, A. (2022) How Does the Creative Process Produce Two Very Different Musicals from the Same Original Source Text? Undergraduate thesis, University of Chichester.

W

Warren, R. (2022) How and Why John Williams Revived the Classical Style of Hollywood Film Music using the Romantic Dialect of the Nineteenth Century. Undergraduate thesis, University of Chichester.