Evi Stamatiou
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My Latest As Author
- Stamatiou, E., Kildow, E., Spearing, F., Nodding, G. and Price, J.-P. (2022) Developing the Critical Verbatim Theater Artist during the Pandemic: A Transatlantic Collaboration. ArtsPraxis, 9 (1). pp. 13-33. ISSN 1552-5236
- Stamatiou, E. (2022) Pierre Bourdieu and actor training: Towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. pp. 96-114. ISSN 1944-3927
- Stamatiou, E. (2022) Joan Littlewood and Ariane Mnouchkine against the canon: Developing the actors’ social representations through clowning. Theatre, Dance and Performance Training. ISSN 1944-3927
- Stamatiou, E. (2020) Inclusive Casting Debunked: Towards Holistic Interventions in Staged Performance. Interdisciplinary Perspectives on Equality and Diversity, 6 (2). pp. 1-31. ISSN 2396-8532
- Stamatiou, E. (2020) Stepping Forward: An Exploration of Devised Theatre’s Democratic Designs in an Actor-Training Setting. In: World Political Theatre and Performance. Themes in Theatre, 11 . Brill, pp. 98-113. ISBN 9789004430990
- Stamatiou, E. (2020) The Economic Communities of Edinburgh’s August Festivals: An Exclusive ‘Global Sense of Place’ and an Inclusive ‘Local Sense of Space’. In: Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Intellect, Bristol, UK. ISBN 9781789380767
- Stamatiou, E. (2019) A Brechtian Perspective on London Road: class representations, dialectics and the Gestic character of music from stage to screen. Studies in Musical Theatre, 13 (3). pp. 287-298. ISSN 1750-3159
- Stamatiou, E. (2019) A Materialist Feminist Perspective on Time in Actor-Training: the commodity of illusion. In: Time and Performer Training. Routledge, London and New York, pp. 50-62. ISBN 9780815396284
- Stamatiou, E. (2017) Caryatid Unplugged: A cabaret on negotiating belonging and otherness in exile. In: Performing Exile. Intellect, Bristol and Chicago, pp. 195-216. ISBN 978-1-78320-818-0
- Stamatiou, E. (2017) Writing for Comedy (Frogging). In: The Global Playwriting Workbook. Bloomsbury Methuen Drama.
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