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Amad, A., Seidman, J., Draper, S. B., Bruchhage, M. M. K., Lowry, R. G., Wheeler, J., Robertson, A., Williams, S. C. R. and Smith, M. S.et al (2017) Motor Learning Induces Plasticity in the Resting Brain—Drumming Up a Connection. Cerebral Cortex, 27 (3). pp. 2010-2021. ISSN 1460-2199

Anderson, M. (2012) Jonathan Little and the Importance of Ecstasy [Interview and CD review]. Fanfare, 36 (1). pp. 58-72. ISSN 0148-9364

B

Bailey, L. R. (2008) Little, Jonathan: Terpsichore and Other Works [CD Review]. Fanfare, 31 (5). pp. 179-180. ISSN 0148-9364

Barker, S. (2017) “Even damnation is poisoned with rainbows”: Conflict and Desire in Shakespeare’s Hamlet and the Songs of Leonard Cohen. In: Leonard Cohen: Spirituality and Desire in Leonard Cohen’s Songs and Poem: Visions from the Tower of Song. Cambridge Scholars Publishing, Cambridge, pp. 11-26. ISBN 9781443816861

Baseley, E. (2021) Music and Autism: Therapy and Learning for the Autistic Musician. Undergraduate thesis, University of Chichester.

Baysted, S. and Summers, T. (2020) The Creative Process of Composing for Video Games: From Pitching to Gold Master and Beyond. In: The Oxford Handbook of the Creative Process in Music. Oxford Handbooks, 42047 . Oxford University Press, online. ISBN 9780190636203

Baysted, S. (2011) Beam. [Compositions]

Baysted, S. (2011) Der Mann mit Dem Fagott. [Compositions]

Baysted, S. (2020) Fast and Furious: Crossroads. [Compositions]

Baysted, S. (2019) The Game within a game: the realities of composing for virtual realities. In: Cambridge Companion to Music and Digital Culture. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 204-208. ISBN 9781316676639

Baysted, S. (2015) The Impressionists and the man who made them. [Compositions]

Baysted, S. (2011) Need for Speed: Shift 2 Unleashed. [Compositions]

Baysted, S. (2016) Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed'. In: Ludomusicology - Approaches to Video Game Music. Equinox Publishing, Sheffield, pp. 132-171. ISBN 9781781791974

Baysted, S. (2012) Palimpsest, pragmatism and the aesthetics of genre transformation: Composing the hybrid score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed'. In: Royal Music Association Study Day: Ludomusicology: Game Music Research, Approaches and Aesthetics, 16 Apr 2012, St Catherine’s College, Oxford. (Unpublished)

Baysted, S. (2015) Project Cars. [Compositions]

Baysted, S. (2017) Project Cars 2. [Compositions]

Baysted, S. (2011) Shift 2 Unleashed: Attacking Corners Trailer. [Compositions]

Baysted, S. (2011) Shift 2 Unleashed: Dangerous Corners Trailer. [Compositions]

Baysted, S. (2017) Simulation: squaring the immersion, realism and gameplay circle. In: The Routledge Companion to Screen Music and Sound. Routledge Music Companions . Routledge, New York, pp. 328-338. ISBN 9781138855342

Baysted, S. (2013) Strange Factories. [Compositions]

Baysted, S. (2012) Test drive: Ferrari racing legends. [Compositions]

Baysted, S., Harvey, J. J. and Kirkman, R. (2012) The Walking Dead: Assault. [Compositions]

Baysted, S. and Legg, S. (2017) I, Claude Monet. [Compositions]

Baysted, S. and Legg, S. (2016) Renoir: revered and reviled. [Compositions]

Baysted, S. and Legg, S. (2019) Young Picasso. [Compositions]

Baysted, S. and Summers, T. (2018) The Creative Process of Composing for Video Games. In: The Oxford Handbook of the Creative Process in Music. Oxford University Press, Oxford. ISBN 9780190636197

Beech, C. (2022) Action heroines through the decades; What actors can learn from studying previous action heroines with a focus on body language. Undergraduate thesis, University of Chichester.

Bountakis, G. and Callan, M. (2017) Judo rhythm through music and dance. In: Conference Proceedings - 4th European Science of Judo Research Symposium & 3rd Scientific and Professional Conference on Judo: “Applicable Research in Judo“. Croatian Judo Federation, Porec, Croatia.

C

Churchill, S., Jessop, D., Goodwin, S., Ritchie, L. and Harris, P.et al (2018) Self-affirmation improves music performance among performers high on the impulsivity dimension of sensation seeking. Psychology of Music, 46 (2). pp. 292-302. ISSN 0305-7356

Clarke, C. and Little, J. D. (2017) The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]. Fanfare, 41 (2). pp. 121-131. ISSN 0148-9364

Crisp, C. J. (2016) The Clarinet Comes of Age, c. 1760 – c. 1810: A Tale of Two Cities. Doctoral thesis, Royal College of Music, London.

Crisp, C. J. (2011) The Developing Roles of the Clarinet Teacher and Amateur Clarinettist in Paris, 1760-1810. In: Royal Musical Association Annual Research Students' Conference, 5 -7 Jan 2012, University of Hull, UK. (Unpublished)

Crisp, C. J. (2023) Masters, servants and the interactions of instrumental performance in 18th-century England, 1760-1800. In: NABMSA Online Symposium: Music and Ideas of the Popular: Reconsidering British Music and Musical Practices, 10-12 August, 2023, Online. (Unpublished)

Crisp, C. J. (2011) The Solo Clarinettist in London Concert Life, 1740-1800. In: Twenty-Seventh Annual Conference on Music in 18th-Century Britain, 25 Nov 2011, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2018) “Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810. Performance Practice Review. ISSN 1044-1638

Crisp, C. J. (2017) The clarinet in London's popular culture (c. 1760-c. 1810). In: Thirty-third Annual Conference on Music in Eighteenth-Century Britain, 24 Nov 2017, Foundling Museum, London. (Unpublished)

Crisp, C. J. (2016) A selection of music written for the clarinet in 18th- and early 19th-century Paris and London. [Audio] (Unpublished)

Crisp, C. J. (2021) The Clarinet and Clarinettists in London Orchestras from the 1760s to the 1790s. Handbook for Studies in 18th-Century English Music, XXV. pp. 27-52.

Crisp, C. J. (2019) Clarinet performance 1760-1810: Venues, audience attendance and reception. In: 35th Annual Music in Eighteenth-Century Britain, 29 Nov 2019, The Foundling Museum, 40 Brunswick Square, London, WC1N 1AZ. (Unpublished)

Crisp, C. J. (2009) The Classical Clarinet in Theory and Practice: Xavier Lefèvre’s Methode of 1802. In: CUK Research Students Conference, 7 July 2009, Trinity Laban Conservatoire of Music and Dance (Laban Campus). (Unpublished)

Crisp, C. J. (2021) Music-Making in the Hertfordshire Parish, 1760-1870. Hatfield: University of Hertfordshire Press,, America.

Crisp, C. J. (2019) Teachers and amateur players of the clarinet in London, ca 1750 - ca. 1810. In: A Handbook for studies in 18th-century English music XXIII 2019. Gerald Coke Handel Foundation, London, UK, pp. 1-32. ISBN 9780956099860

Crisp, C. J. (2022) The clarinet and its developing role in London’s popular culture (c. 1760-c. 1800): Recognition, perception and reception. In: The Tenth Biennial Conference of the North American British Music Studies Association, 21-24 July 2022, Illinois State University, Normal, Illinois. (Unpublished)

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Davies, J., Bentham, S. and Duah, F. (2023) The impact of group singing on children's subjective well‐being: Mixed methods research. Children & Society. pp. 1-22. ISSN 1099-0860

Debussy, C. (2014) La Mer: Trois esquisses symphoniques. BÄRENREITER VERLAG, Kassel, Germany.

de Jonge, J. and Little, J. D. (2018) Two Old Boys, Two Music Paths, One Common Artistic Drive. Encore.

H

Hornsby, I. (2018) And All Around Was Darkness. Punk & Post Punk, 7 (1). pp. 126-127. ISSN 2044-1983

Hunter, V. (2017) Perecquian Perspectives: Dialogues with Site-Dance (Or, ‘On being here and there’). Literary Geographies, 3 (1). pp. 27-49. ISSN 2397-1797

K

Kelly, J. (2005) Auditory space: emergent modes of apprehension and historical representations in Three Tales. International Journal of Performance Arts and Digital Media, 1 (3). pp. 207-236. ISSN 1479-4713

Kelly, J. (2007) Pop music, multimedia and live performance. In: Music, Sound and Multimedia: From the Live to the Virtual. Music & the Moving Image Series . Edinburgh University Press, Edinburgh, UK, pp. 105-120. ISBN 9780748625345

Khan-Panni, R., Horwood, M., Sandrone, P., Giles, T., Rix, M., Oliver, L., Thomas, L., Heasman, R. and Ritchie, L.et al (2009) Tale to Tell, by The Mummers. [Audio]

Khan-Panni, R., Horwood, M., Sandrone, P., Giles, T., Rix, M., Oliver, L., Thomas, L., Heasman, R. and Ritchie, L.et al (2009) Wonderland and March of the Dawn, from Tale to Tell album, by The Mummers. [Performances]

King, L. (2022) ‘Hell Hath no Fury…’ An analytical study of female actors’ portrayal of psychological issues in selected examples of psychological thriller films. Undergraduate thesis, University of Chichester.

L

Legg, S. (2011) Mahler: Das Klagende Lied. [Shows/Exhibitions]

Legg, S. (2011) Need for Speed: Shift 2 Unleashed. [Performances]

Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]

Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]

Legg, S. (2011) Recital of Peter Pope songs. [Shows/Exhibitions]

Legg, S. and Martin-Davis, A. (2010) Heaven-Haven: The Songs of Peter Pope. [Audio]

Leow, A. (2022) How do Early Years Practitioners support children’s creativity through music provision? Undergraduate thesis, University of Chichester.

Leslie, V. and Little, J. D. (2017) Undine - in Music, Words and Illustration [a collaborative concert at Chichester Council Assembly Rooms, staged by the Departments of Music, and English & Creative Writing, under the auspices of the Sussex Centre for Folklore, Fairy Tales and Fantasy]. [Performances]

Little, J. D. (2011) Achieving Coherence and Cross-Promotion in Academic and Creative Work: An International Research Output Strategy embracing Monographs, Musical Scores and Recordings. In: First Annual Research & Scholarship Conference, University of Chichester, 6 Jul 2011, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2016) Anatomy of Musical Composition. In: Fourth Annual Research & Scholarship Conference, University of Chichester, 17 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2005) Basque Lullaby, Op.1a. [Compositions]

Little, J. D. (2001) Celestial Cinema; or, From Celluloid to Silicon: eCinema, Cyberentertainment and the Napsterization of Hollywood. American Outlook, IV (4). pp. 28-33. ISSN 1099-8896

Little, J. D. (2001) Celestial Jukebox. American Outlook. pp. 42-44. ISSN 1099-8896

Little, J. D. (1990) Cultural Years [SCRIPT 1 of 7]. "Music, the Arts and Society at the time of the Great Exhibition of 1851" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 2 of 7]. "Music, the Arts and Society at the time of the Weltausstellung Wien of 1873" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 3 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1889" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 4 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1900" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 5 of 7]. "Music, the Arts and Society to the eve of the First World War (Exposition Universelle et Industrielle, Ghent - 1913)" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 6 of 7]. "Music, the Arts and Society at the time of the Expositión Internacional de Barcelona in 1929" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years [SCRIPT 7 of 7]. "Music, the Arts and Society at the time of the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris of 1837" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Cultural Years: An Artistic Treasure Hunt. Libretto [3MBS-FM Fine Music Melbourne Programme Guide]. p. 7.

Little, J. D. (2007) DJs. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 129-130. ISBN 9780713684728

Little, J. D. (2001) Digital Distribution and the Music Industry [DDMI Europe 2000]. Music Business Journal. pp. 1-14. ISSN 1473-6233

Little, J. D. (2006) Duo Sonata on Elizabethan Themes, Op.4. [Compositions]

Little, J. D. (2001) Exoticism Globalised in a New Century: The Forgotten Roots of World Music. Music Business Journal. ISSN 1473-6233

Little, J. D. (2006) Fanfare, Op.3. [Compositions]

Little, J. D. (2017) Fanfare, Op.3. [Audio]

Little, J. D. (2016) Fanfare, Op.3a. [Performances]

Little, J. D. (2004) Fanfare, Op.3a. [Audio]

Little, J. D. (2016) The Feast of Kings and Martyrs, Op.8. [Performances]

Little, J. D. (2007) The Feast of Kings and Martyrs, Op.8. [Compositions]

Little, J. D. (2007) Financing New Music-Business Ventures. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 322-325. ISBN 9780713684728

Little, J. D. (2016) Gloria, Op.18 ("Et in Arcadia ego: An Apotheosis") (from 'Missa Temporis Perditi'). [Compositions]

Little, J. D. (2007) History of Copyright: A Chronology in Relation to Music [1455-2006]. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 339-345. ISBN 9780713684728

Little, J. D. (2001) History of Copyright: a Chronology in Relation to Music. Music Business Journal. ISSN 1473-6233

Little, J. D. (2010) The Influence of European Literary and Artistic Representations of the "Orient" on Western Orchestral Compositions, ca.1840-1920: From Oriental Inspiration to ‘Exotic’ Orchestration. Edwin Mellen Press, Lewiston, N.Y.. ISBN 9780773414266

Little, J. D. (2016) Kyrie, Op.5. [Performances]

Little, J. D. (2005) Kyrie, Op.5. [Performances]

Little, J. D. (2005) Kyrie, Op.5. [Performances]

Little, J. D. (2007) Kyrie, Op.5. [Performances]

Little, J. D. (2005) Kyrie, Op.5. [Compositions]

Little, J. D. (2017) Kyrie, Op.5 (from "Missa Temporis Perditi"). [Shows/Exhibitions]

Little, J. D. (2017) Kyrie, Op.5 (from "Missa Temporis Perditi"). [Performances]

Little, J. D. (2007) Labels and Distribution. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 259-260. ISBN 9780713684728

Little, J. D. (2012) The Legacy of Polyhymnia: Towards Understanding the Reception of a New Musical Work. In: Second Annual Research & Scholarship Conference, University of Chichester, 24 Jul 2012, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2011) Literary Sources of Nineteenth Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period. hors série . The Edwin Mellen Press, Lampeter, Ceredigion, Wales. ISBN 9780773415539

Little, J. D. (2007) Marketing, Management and Finance. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 285-286. ISBN 9780713684728

Little, J. D. (2016) The Materials and Mechanics of Music Composition. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)

Little, J. D. (2016) The Music of Jonathan David Little: Exploring Influences and Stylistic Labels. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)

Little, J. D. (2007) New Artistic Projects: Some Methods of Proceeding. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 121-122. ISBN 9780713684728

Little, J. D. (2007) Performing. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, p. 63. ISBN 9780713684728

Little, J. D. (2012) Polyhymnia: String, Orchestral and Choral Works of Jonathan Little. [Audio]

Little, J. D. (2010) Recordare Domine, or, "On Ixion’s Wheel", Op.9 (A Prayer for Mercy). [Compositions]

Little, J. D. (2007) Recording and Production. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, pp. 173-174. ISBN 9780713684728

Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 1 of 4]. "Norman Times to the Renaissance" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 2 of 4]. "The Late Renaissance" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 3 of 4]. "Late Renaissance and Traditional" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (1990) Requiem, Lament, Consolation: A Musical Survey from the Middle Ages [SCRIPT 4 of 4]. "War Requiem" [RADIO SERIES]. For 3MBS-FM Fine Music Melbourne.

Little, J. D. (2017) Sacred Prelude, Op. 1. [Shows/Exhibitions]

Little, J. D. (2005) Sacred Prelude, Op.1. [Audio]

Little, J. D. (2006) Sacred Prelude, Op.1 [String Quintet version]. [Compositions]

Little, J. D. (2016) Sacred Prelude, Op.15 [Full String Orchestra version]. [Compositions]

Little, J. D. (2018) Sacred Prelude, Op.15a [SIMPLIFIED VERSION]. [Compositions]

Little, J. D. (2018) Sacred Prelude, Op.15a [SIMPLIFIED VERSION]. [Performances]

Little, J. D. (2007) Songwriting and Composing. In: The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. A&C Black, London, p. 1. ISBN 9780713684728

Little, J. D. (2002) The Sound of Money. American Outlook, V (3). pp. 41-45. ISSN 1099-8896

Little, J. D. (2008) Terpischore and Other Works. [Audio]

Little, J. D. (2006) Terpsichore, Op.7. [Audio]

Little, J. D. (2006) Terpsichore, Op.7: "The Whirler", or Muse of Dance (from "The Nine Muses" - No.7 of 9). [Compositions]

Little, J. D. (2004) That Time of Year, Op.2. [Compositions]

Little, J. D. (2004) That Time of Year, Op.2. [Audio]

Little, J. D. (2017) That Time of Year, Op.2 (thou mayst in me behold). [Performances]

Little, J. D. (2016) That Time of Year, Op.2 (thou mayst in me behold). [Performances]

Little, J. D. (2017) That Time of Year, Op.2 and Woefully Arrayed, Op.13. [Shows/Exhibitions]

Little, J. D. (2005) Themes on a Variation, Op.3. [Audio]

Little, J. D. (2007) Themes on a Variation, Op.3. [Compositions]

Little, J. D. (2016) Twenty-First Century Cori Spezzati: An International Polychoral Music Composition and Recording Project. In: Sixth Annual Research & Scholarship Conference, University of Chichester, 8 Jul 2016, The Dome, Bognor Regis Campus. (Unpublished)

Little, J. D. (2017) Wasted and Worn, Op.6. [Shows/Exhibitions] (In Press)

Little, J. D. (2016) Wasted and Worn, Op.6 ["And calm of mind all passion spent."]. [Compositions]

Little, J. D. (2017) Woefully Arrayed, Op.13. [Shows/Exhibitions]

Little, J. D. (2016) Woefully Arrayed, Op.13 ["Wofully Araide"], or "Crucifixus pro vobis". [Compositions]

Little, J. D. (2017) Woefully Arrayed: Sacred and Secular Choral and Polychoral Works of Jonathan David Little (b.1965) ["Woefully Arrayed", Op.13; "Kyrie", Op.5; "Gloria", Op.18; “Wasted and Worn”, Op.6; “That Time of Year", Op.2]. [Audio]

Little, J. D. (2016) The Work of a Composer. In: CNU Contemporary Music Festival 2016, 28-30 Mar 2016, Ferguson Center for the Arts, Virginia, USA. (Unpublished)

Little, J. D. (2010) The Work of a Composer. In: The Work of a Composer, 27 Oct 2010, Chapel of the Ascension, University of Chichester, UK. (Unpublished)

Little, J. D. and Chatburn, K. (2006) The Musicians’ and Songwriters’ Yearbook 2007: The Essential Resource for Anyone Working in the Music Industry. Musicians’ and Songwriters’ Yearbook . A&C Black, London. ISBN 978-0713675313

Little, J. D. and Chatburn, K. (2007) The Musicians’ and Songwriters’ Yearbook 2008: The Essential Resource for Anyone Working in the Music Industry. Musicians’ and Songwriters’ Yearbook . A&C Black, London. ISBN 9780713684728

Little, J. D. and Gould, J. (2001) Music Business Journal [2001-2006]. Ligo Publishing Ltd., High Wycombe, Bucks., UK.

Little, J. D., Striggio, A., Tallis, T., Hanson, R. and Cooke, M.et al (2006) Thomas Tallis 500th Anniversary Celebration Concert [1505-2005]. [Audio]

M

Matei, R. and Ginsborg, J. (2023) Why do music students attend counselling? A longitudinal study of reasons in one UK conservatoire. Journal of Research in Music Education, 71 (4). pp. 418-439. ISSN 0022-4294

Matei, R. and Phillips, K. (2023) Critical thinking in musicians’ health education. Findings from four workshops with experts (Part I). Health Promotion International, 38 (2). ISSN 0957-4824 1460-2245

Matei, R. and Phillips, K. (2023) Health education in conservatoires: what should it consist of? Findings from workshops with experts (Part II). Health Promotion International, 38 (1). ISSN 0957-4824

McCaroll, K.-M. (2022) Musical Theatre Adapting to a Mediatized Audience Shown Through The Analysis of Dear Evan Hansen. Undergraduate thesis, University of Chichester.

Muggleton, D. (2012) Just another Saturday night: Sussex 1960 - eine folkmusikszene? In: They Say I'm Different...: Popularmusik, Szenen und ihre AkteurInnen. Locker Verlag, Germany. ISBN 9783854095700

N

Noys, B. (2013) Days of phuture past: accelerationism in the present moment. In: Accelerationism – A Symposium on Tendencies in Capitalism, 14 Dec 2013, Berlin. (Unpublished)

Noys, B. (1995) Into the “Jungle”. Popular Music, 14 (3). pp. 321-331. ISSN 0261-1430

Noys, B. (2015) Intoxication and Acceleration: The Politics of Immanence. In: Literature and Intoxication: Writing, Politics and the Experience of Excess. Palgrave Macmillan, Basingstoke, pp. 185-201. ISBN 9781137487650

Noys, B. (2010) ‘Remain true to the earth!’: remarks on the politics of Black Metal. In: Hideous Gnosis: Black Metal Theory Symposium 1. Glossator: Black Metal Theory, Lexington, pp. 105-128. ISBN 9781450572163

P

Paton, R. (2011) Jazz Concert. [Performances] (Submitted)

Paton, R. (2011) Lifemusic workshops. In: Sound Sense Community Music Event, 2011, South Bank Centre, London. (Submitted)

Paton, R. (2011) Lifemusic: Sounding out university community engagement. International Journal of Community Music, 4 (2). ISSN 1752-6299

Plowright, J. (2012) Brahms - Handel Variations. [Audio]

Plowright, J. (2010) Dobrzynski, Schumann and Zarebski. [Performances] (Submitted)

Plowright, J. (2011) Homage to Paderewski. [Audio]

Plowright, J. (2010) Hommage à Chopin. [Audio]

Plowright, J. (2010) Paderewski Piano Concerto / Artur Rubenstein Philharmonia and Solo Recital. [Performances] (Submitted)

Plowright, J. (2011) Solo Recital. [Performances] (Submitted)

R

Rehfeldt, R. A., Tyndall, I. and Belisle, J. (2021) Music as a Cultural Inheritance System: A Contextual-Behavioral Model of Symbolism, Meaning, and the Value of Music. Behavior and Social Issues, 71. pp. 291-306. ISSN 1064-9506

Reynolds, N. (2023) Charting the spiritual experience in jazz. Religions, 14 (7). pp. 1-13. ISSN 2077-1444

Rice, A. R. and Crisp, C. J. (2023) John and William Mahon, the earliest British clarinet soloists. Royal Musical Association Research Chronicle. pp. 1-30. ISSN 2167-4027

Ritchie, L. (2023) Multisensory Music Performance with Cymatic Images. Music & Science, 6. pp. 1-11. ISSN 2059-2043

Ritchie, L. (2018) Do Not Bend: The Photographic Life of Bill Jay. [Audio]

Ritchie, L. (2021) English Home Podcast Music. [Compositions]

Ritchie, L. (2016) Shadow, Echo, Memory. [Audio]

Ritchie, L. and Kearney, P. E. Transfer of practice strategies: From primary to secondary instrument. In: Proceedings of the International Symposium on Performance Science 2013. Association Europeenne des Conservatoires, pp. 111-116. ISBN 978-2-9601378-0-4

Ritchie, L. and Williamon, A. (2011) Measuring distinct types of musical self-efficacy. Psychology of Music, 39 (3). pp. 328-344. ISSN 0305-7356

Ritchie, L. and Williamon, A. (2012) Self-efficacy as a predictor of musical performance quality. Psychology of Aesthetics, Creativity, and the Arts, 6 (4). pp. 334-340. ISSN 1931-3896

Robson, A. (2009) Beethoven Mass in C. [Performances] (Submitted)

Robson, A. (2010) Child of Our Time by Michael Tippet. [Performances] (Submitted)

Robson, A. (2010) Vivaldi, "Magnificat" and Schubert, "Mass in G". [Performances] (Submitted)

Rubidge, S. F. and Wijnans, S. (2007) A preliminary exploration of the choreographic potential of new motion tracking technologies in conjunction with interactive ambisonic surround sound. Project Report. University of Chichester, Chichester. (Unpublished)

S

Sakuta, A. and Maloney, L. (2017) Mediated self-sensing - live sonification of the mover's heart rate. In: Dance & Somatic Practices Conference "Moving the Sensate: Questions of Affect and Embodiment for the 21st Century", 7-9 July 2017, Coventry University, UK. (Unpublished)

Salkeld, D. (2019) Shakespeare and the arts of painting and music. In: The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture. Routledge, Abingdon. ISBN 9781317044178

Smith, O. (2021) “Beauty or Beast?” Female representation, the social construct, and gender relations in seventeenth century English ballads. Undergraduate thesis, University of Chichester.

Stamatiou, E. (2019) A Brechtian Perspective on London Road: class representations, dialectics and the Gestic character of music from stage to screen. Studies in Musical Theatre, 13 (3). pp. 287-298. ISSN 1750-3159

Student,, A. (2021) Does music hold the key to unlock your potential? A pilot study to explore the association between music lessons and self-regulated learning. Undergraduate thesis, University of Chichester.

Swayne, A. (2011) Beatbox Concerto. [Performances] (Submitted)

Swayne, A. (2008) The Book of Buried Streams, by Geoffrey Poole. [Performances]

Swayne, A. (2011) Go Down Hoe Down. [Performances] (Submitted)

Swayne, A. (2011) Isms for piano. [Performances] (Submitted)

Swayne, A. (2014) The People United Will Never Be Defeated! [Performances]

Swayne, A. (2008) Six Studies (Study-Variations) by Kenneth Leighton. [Performances]

Swayne, A. (2012) Tarantella. [Audio]

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Turner, A. (2022) How Does the Creative Process Produce Two Very Different Musicals from the Same Original Source Text? Undergraduate thesis, University of Chichester.

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Ward, C. and Thompson, S. (2011) Schmidt Kowalski Viola Concerto, in Reivers 12. [Videos]

Warren, R. (2022) How and Why John Williams Revived the Classical Style of Hollywood Film Music using the Romantic Dialect of the Nineteenth Century. Undergraduate thesis, University of Chichester.