Items where Subject is "P Language and Literature > PN Literature (General) > PN1600 Drama > PN1993 Motion pictures"

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Duggan, Robert and Finnerty, Páraic (2007) The body of the terrorist in contemporary cinema. Reconstruction: Studies in Contemporary Culture, 7 (1). ISSN 1547-4348

Little, Jonathan D. (2001) Celestial Cinema; or, From Celluloid to Silicon: eCinema, Cyberentertainment and the Napsterization of Hollywood. American Outlook, IV (4). pp. 28-33. ISSN 1099-8896

Noys, Benjamin (2011) Agamben: Filming life, profaning the image. Fata Morgana, 13.

Noys, Benjamin (2007) Antiphusis: Werner Herzog’s 'Grizzly Man'. Film-Philosophy Journal, 11 (3). pp. 38-51. ISSN 1466-4615

Noys, Benjamin (2007) Destroy cinema!/destroy capital!: Guy Debord's 'The Society of the Spectacle' (1973). Quarterly Review of Film and Video, 24 (5). pp. 395-402. ISSN 1050-9208

Noys, Benjamin (2013) ‘Guy Debord’s Time-Image: In girum imus nocte et consumimur igni (1978). Grey Room, 52. pp. 94-107. ISSN 1526-3819

Noys, Benjamin (2005) Tulse Luper Database: Peter Greenaway, the New Media Object and the Art of Exhaustion. Image & Narrative: Online Magazine of the Visual Narrative, 6 (2 (12)). ISSN 1780-678X

Parfitt, Clare (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Parfitt, Clare (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Parfitt, Clare (2005) The Spectator's Dancing Gaze in Moulin Rouge! Research in Dance Education, 6 (1/2). pp. 97-110. ISSN 1464-7893

Zanotti, Marisa (2010) When dance is imagined in cinema: Disclosure in dance practice. The International Journal of Screendance, 1 (1). pp. 91-96. ISSN 2154-6878

Book Section

Bacon, Jane, Adams, John and Thynne, Lizzie (2009) Peer review and criteria: a discussion. In: Practice-as-Research: In Performance and Screen. Palgrave Macmillan, Basingstoke, pp. 98-111. ISBN 9780230220010

Baysted, Stephen (2017) Simulation: squaring the immersion, realism and gameplay circle. In: The Routledge Companion to Screen Music and Sound. Routledge Music Companions . Routledge, New York, pp. 1-633. ISBN 9781138855342

Davidson, Andrea (2016) Extending the discourse of screendance: digital dance. In: The Oxford Handbook of Screendance Studies. Oxford Handbooks . Oxford University Press. ISBN 9780199981601

Frey, Hugo (2008) Cannes 1956/1979: Riviera reflections on nationalism and cinema. In: Narrating the Nation: Representations in History, Media and the Arts. Making Sense of History (11). Berghahn Books, Oxford ; New York, pp. 181-203. ISBN 9781845454241

Frey, Hugo (2007) Shutting out the city: reflections on the portrayal of London in 1960s Auteur Cinema. In: London Eyes: Reflections in Text and Image. Berghahn, Oxford, UK, pp. 135-147. ISBN 9781845454074

Locks, Adam (2010) Anglo Argento: A critical reassessment of the films of Norman J. Warren. In: British Culture and Society in the 1970s: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 213-224. ISBN 9781443817349

Noys, Benjamin (2012) Attenuating Austria: The construction of Bourgeois Space in The Seventh Continent. In: The Cinema of Michael Haneke: Europe Utopia. Directors' Cuts (Wallflower Press) . Columbia University Press, pp. 141-150. ISBN 9781906660307

Noys, Benjamin (2011) Psychopathology as a game: J. G. Ballard and conceptual crime. In: Crime Cultures: Figuring Criminality in Fiction and Film. Continuum Literary Studies . Bloomsbury, London, UK, p. 36. ISBN 9780826432353

Parfitt-Brown, Clare (2014) An Australian in Paris: techno-choreographic bohemianism in 'Moulin Rouge!'. In: The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Oxford. ISBN 9780199897827

Zanotti, Marisa (2009) Moving Screens. In: Opensource Videodance Symposium 2007: Findhorn, Scotland 21st-24th November 200. Goat Media. ISBN 9780955583414

Conference or Workshop Item

Locks, Adam (2010) Dead posh: Reappraising the films of Hammer actor John Carson. In: Bloodlines: British Horror Past and Present, An International Conference and Film Festival, 4-5 March 2010, De Montfort University, Leicester. (Submitted)

Locks, Adam (2009) Flayed animals in an abattoir: The bodybuilder as body-guarde. In: International Society of Sports Nutrition Conference, June 2009, New Orleans, USA. (Submitted)

Locks, Adam (2010) Ripped mass monsters: Professional bodybuilding and the cult(ivation) of the freak. In: Cine-Excess IV: Cult Bodies and Bodies of Knowledge, 29 April - 1 May 2010, The Odeon, Covent Garden, London. (Submitted)

Noys, Benjamin (2013) Derailing the train: Brutal accelerations and brutal interruptions. In: Brute Symposium, 3 May 2013, Centre for Creative Collaboration, London. (Unpublished)

Noys, Benjamin (2013) My own public Germany: Notes on Michael Haneke’s 'The White Ribbon' (2009). In: The White Ribbon, Screening and Discussion, 15 April 2013, University of Sussex. (Unpublished)

Noys, Benjamin (2012) Western nihilism. In: Historical Materialism Ninth Annual Conference, 8-11 Nov 2012, SOAS, London. (Unpublished)

Parfitt, Clare (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)


Frey, Hugo (2004) Louis Malle. French Film Directors . Manchester University Press, Manchester, UK. ISBN 9780719064562


Student, A. (2016) An Exploration into the Formation of Sexuality and Lesbianism, with an analysis of the film ‘But I’m Cheerleader’. Undergraduate thesis, University of Chichester.


Bacon, Jane (2009) The Choreographic Lab. [Show/Exhibition]

This list was generated on Sat Mar 6 09:37:02 2021 GMT.