Items where Subject is "N61 Theory. Philosophy. Aesthetics of the arts"

Group by: CreatorsPublication Type
Number of items at this level: 17.

Articles

Baetens, J. and Frey, H. (2017) ‘Layouting’ for the plot: Charles Burns and the clear line revisited. Journal of Graphic Novels and Comics, 8 (2). pp. 193-202. ISSN 2150-4865

Frey, H. (2020) Pop Art and Nostalgia: The New Lessons of David Vandermeulen’s Ric Remix. Recherches sémiotiques, 38 (1-2). pp. 221-236. ISSN 1923-9920

Hunter, V., Palmer, H., Foley, J. and Kucia, K. (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687

Marsh, P., Chubb, S., Hooker, C., Moore, A. and Saber-Sheikh, K. (2016) A Gadamerian approach to interpreting pain: model-making metaphors through embodied cognitive theory. Digital Creativity, 27 (4). pp. 347-357. ISSN 1462-6268

Noys, B. (2022) Crisis and Transition: The Late Foucault and the Vocation of Philosophy. South Atlantic Quarterly, 121 (4). pp. 675-691. ISSN 0038-2876

Noys, B. (2014) The art of the absolute: relations, objects, and immanence. Angelaki: Journal of the Theoretical Humanities, 19 (1). pp. 171-185. ISSN 0969-725X

Parfitt, C. (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age. The Korean Journal of Dance, 61. pp. 403-418. ISSN 1598-4672

Book Sections

Chubb, S. (2017) One Hour - Visual Practice Exploring a Collective History. In: Wonder in Contemporary Artistic Practice. Routledge Advances in Art and Visual Studies . Routledge, London, pp. 36-54. ISBN 9781138855816

Conference or Workshop Items

Johnston, R. (2014) Fine Art Beyond the Studio: Fine Art External Projects. In: NAFAE conference, 31st March 2014, Swedenborg Society, London WC1A. (Submitted)

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

Rowland, N. (2014) The language of light in twenty-first century performance. In: University Research Conference, 17 July 2014, University of Chichester. (Unpublished)

Books

Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480

Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the prism of the senses: New Realities of the Body in Contemporary Performance. Technologies, Cognition and Emergent research-creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798 (In Press)

Theses

Berry-Mcintosh, E. (2020) Therapeutic Tactility in the Contempory Artworks of Antony Gormley and Richard long with Lessons from Art Therapy. Undergraduate thesis, University of Chichester.

Hunter, A. (2023) Subject matters(s): perception as an experience. Masters thesis, University of Chichester.

Madore, A. (2022) An Investigation and exploration into home and the sense of belonging through Nomadism. Masters thesis, University of Chichester.

Richmond, C. (2022) A feast for artistic bookworms - Tom Phillips's a Humument and the creation of art riddled with literature. Undergraduate thesis, University of Chichester.

This list was generated on Thu Mar 28 23:42:24 2024 UTC.
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