Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 67.


Baetens, Jan and Frey, Hugo (2017) ‘Layouting’ for the plot: Charles Burns and the clear line revisited. Journal of Graphic Novels and Comics, 8 (2). pp. 193-202. ISSN 2150-4865

Brown, Victoria (2010) Monologues: Victoria Brown. Pairings - A Conversation: Exploring Collaborative Creative Practice.

Davidson, Andrea (2017) Deslocamentos ontológicos: multissensorialidade e corporalização na terceira onda das interfaces digitais (trans. in Portuguese, Maria Albertina Silva Grebler, Diego Pizarro). Revista Repetório: Teatro & Dança, 20 (28). pp. 11-46. ISSN 2175-8131

Davidson, Andrea (2011) Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation. Body, Space and Technology Journal, 10 (1). ISSN 1470-9120

Davidson, Andrea and Kelly, Jem (2011) Digital perception, time and memory: towards a new model of narration in dance. International Symposium on Electronic Art webpage.

Frey, Hugo (2002) History and memory in Franco-Belgian Bande Dessinée (BD). Rethinking History: The Journal of Theory and Practice, 6 (3). pp. 293-304. ISSN 1364-2529

Frey, Hugo and Baetens, Jan (2019) Comics Culture and Roy Lichtenstein. Art History, 42 (1). pp. 126-152. ISSN 0141-6790

Harper, Catherine (2019) Lucy Brown: Secrets She Keeps from Herself. Journal of Textile Design Research and Practice. pp. 1-14. ISSN 2051-1787

Johnston, Rachel (2013) Making stories. Making Futures, 3. ISSN 2042-1664

Johnston, Rachel (2015) Therapeutic endeavours? Pallant House Gallery Magazine, 35. pp. 36-39.

Johnston, Rachel (2019) 'What I need my hands to talk about': reflections on the Graylingwell Heritage Project. Making Futures Journal 2017, 5. pp. 1-14. ISSN 2042-1664

Marsh, Peter, Chubb, Shirley, Hooker, Charlie, Moore, Ann and Saber-Sheikh, Kambiz (2016) A Gadamerian approach to interpreting pain: model-making metaphors through embodied cognitive theory. Digital Creativity, 27 (4). pp. 347-357. ISSN 1462-6268

Noys, Benjamin (2014) The art of the absolute: relations, objects, and immanence. Angelaki: Journal of the Theoretical Humanities, 19 (1). pp. 171-185. ISSN 0969-725X

Parfitt, Clare (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Rowland, Natalie (2014) Lighting the lit; Luminosity as protagonist in mediated performance. Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference. pp. 49-53.

Rowland, Natalie (2014) Looking up while looking down: mobile technologies as an essential interface to the geography of our city. The Mediated City Conference, Ravensbourne College, presented by the Architechture Media Politics.

Wilson, Ross (2015) The Past and Present War: Political Cartoons and the Memory of the First World War in Britain. European Comic Art, 8 (2). pp. 83-102.

Book Section

Briginshaw, Valerie A. (2006) Deconstruction in die orchidee: mischievous plays in the spaces between language and meanings. In: Anarchic Dance. Routledge, Abingdon, UK, pp. 61-71. ISBN 9780415365161

Briginshaw, Valerie A. (2005) From performance through narrative to interconnected subjectivities. In: Performing Nature: Explorations in Ecology and the Arts. Peter Lang, Bern, Switzerland, pp. 235-250. ISBN 9783039105571

Chubb, Shirley (2017) One Hour - Visual Practice Exploring a Collective History. In: Wonder in Contemporary Artistic Practice. Routledge Advances in Art and Visual Studies . Routledge, London, pp. 36-54. ISBN 9781138855816

Chubb, Shirley (2014) Pen Rest. In: Inspired by: your guide to art and the museum. Shrewsbury Museum and Art Gallery, pp. 23-29. ISBN 9780993014208

Chubb, Shirley, Barnes, Amy Jane, Binnie, Jennifer, Petrov, Julia and Walklate, Jennifer (2011) Location and intervention: Visual practice enabling a synchronic view of artefacts and sites. In: The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge, London, UK, pp. 199-213. ISBN 9780415679046

Frey, Hugo (2008) Trapped in the past: The persistence of anti-semitism in Hergé’s 'Flight 714'. In: History and Politics in French-Language Comics and Graphic Novels. University Press of Mississippi, Jackson, pp. 34-51. ISBN 9781604730043

Kelly, Jem (2007) Pop music, multimedia and live performance. In: Music, Sound and Multimedia: From the Live to the Virtual. Music & the Moving Image Series . Edinburgh University Press, Edinburgh, UK, pp. 105-120. ISBN 9780748625345

Noys, Benjamin (2014) Film-of-Life: Agamben’s Profanation of the Image. In: Cinema and Agamben: Ethics, Politics and the Moving Image. Bloomsbury Academic, pp. 89-101. ISBN 9781623561253 (In Press)


Rubidge, Sarah F. (2010) Fugitive moments: Artist's report of research project undertaken as part of the Wellcome Trust People's Award (2004-2006). Project Report. Sarah Rubidge. (Unpublished)

Conference or Workshop Item

Chubb, Shirley, Bryant, Neil, Moore, Ann and Saber-Sheikh, Kambiz (2014) Significant Walks. In: On Walking - An International, multidisciplinary conference, 26th - 29th June 2013, University of Sunderland.

Parker, David, Bacon, Jane and Evans, Michael (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

Rachel, Johnston (2017) Intertwined - Narrative Cloth. In: Craft History Conference, 15th March 2017, UCA Farnham. (Unpublished)

Rowland, Natalie (2014) Looking up while looking down - workshop. In: Mediated City conference, 1-3 April 2014, Ravensbourne College. (Unpublished)

Rowland, Natalie (2014) The language of light in twenty-first century performance. In: University Research Conference, 17 July 2014, University of Chichester. (Unpublished)


Locks, Adam and Richardson, Niall, eds. (2011) Critical Readings in Bodybuilding. Routledge Research in Sport, Culture and Society . Routledge, London. ISBN 9780415878524

Foster, Paul and Williams, Gaynor (2006) David Goodman: artist and essayist. Otter Memorial Papers, 20 . University of Chichester, Chichester, West Sussex. ISBN 9780948765988

Frey, Hugo (2004) Louis Malle. French Film Directors . Manchester University Press, Manchester, UK. ISBN 9780719064562

Noys, Benjamin (2014) Malign Velocities: Accelerationism and Capitalism. Zero Books, Winchester. ISBN 9781782793007 (In Press)


Eynon, Mary (2017) How Ernesto Neto make his artwork interactive. Undergraduate thesis, University of Chichester.

Leigh, Rebecca (2017) Performance Anxiety : Perception and Interpretation. Masters thesis, University of Chichester.

Student, A (2015) Unbearable darkness of being... : a research-led performance exploring trauma, dissociation and the study of human survival. Undergraduate thesis, University of Chichester.

Student, A. (2015) The Dance archive : life, death and the afterlife. Undergraduate thesis, University of Chichester.

Student, A. (2015) An Exploration into the effectiveness of dance movement psychotherapy with people who have dementia. Undergraduate thesis, University of Chichester.

Student, A. (2016) Where time has been cancelled. An analysis of, “Weight”, by Michael Borremans. Undergraduate thesis, University of Chichester.

Student, A. (2016) An exploration of a child’s inner world through art. Undergraduate thesis, University of Chichester.

Student, A., (2015) Hannah Wilke fourth wave pioneer. Undergraduate thesis, University of Chichester.

Student, A., (2015) How Does the Notion of Ruin Underlie Works by Anselm Kiefer and Frank Auerbach? Undergraduate thesis, University of Chichester.

Student, A., (2015) What constitutes Installation from Sculpture? Undergraduate thesis, University of Chichester.

Student, A., (2015) What is the definition of a Filmmaker in comparison to an Artist working in film? Steve McQueen: Fimmaker or Artist? Undergraduate thesis, University of Chichester.


Haddon, Mark and Johnston, Rachel (2016) FLY catalogue. [Artefact]


Bacon, Jane (2009) The Choreographic Lab. [Show/Exhibition]

Bacon, Jane (2009) Landscape and Art. [Show/Exhibition]

Brown, Victoria and Groppel-Wegener, A. C. (2012) Pairings - A Conversation: Exploring Collaborative Creative Practice. [Show/Exhibition]

Chubb, Shirley (2011) One Hour. [Show/Exhibition]

Chubb, Shirley (2011) One Minute. [Show/Exhibition]

Daniels, Robert (2018) We Could Be Heroes. [Show/Exhibition]

Davidson, Andrea (2009) Paroles trouvées. [Show/Exhibition]

Davidson, Andrea and Kelly, Jem (2009) Inter_views. [Show/Exhibition]

Farman, Virginia (2002) Blush. [Show/Exhibition]

Flexer, Yael and Sandiland, Nic (2017) Digital Traces. [Show/Exhibition]

Johnston, Rachel (2019) 2019 Cordis Prize for Tapestry Exhibition. [Show/Exhibition]

Johnston, Rachel (2011) One Kilogramme of Red Wool (Sea). [Show/Exhibition]

Johnston, Rachel, Neville, Richard and Lawlor, Emily (2009) Unpacking the Past. [Show/Exhibition]

Magliveras, Elena and Johnston, Rachel (2016) The Cordis Prize for Tapestry 2016. [Show/Exhibition]

McDade, Steven (2012) Margins of the Lane artist statement. [Show/Exhibition]


Chubb, Shirley (2017) Significant Walks Video. [Video] (Submitted)

Davidson, Andrea (2009) Paroles trouvées. [Video] (Unpublished)

Davidson, Andrea and Kelly, Jem (2009) Inter_views: an interactive telematic research project for internet. [Video]

Rubidge, Sarah F. (2010) Fugitive moments. [Video] (Unpublished)


Ritchie, Laura (2018) Do Not Bend: The Photographic Life of Bill Jay. [Audio]

This list was generated on Thu Dec 5 15:29:10 2019 GMT.