A

Aujla, I. and Needham-Beck, S. (2019) Subjective well-being among young dancers with disabilities. International Journal of Disability, Development and Education, 67 (5). pp. 563-570. ISSN 1034-912X

B

Bacon, J. (2017) Authentic Movement as a Practice for Wellbeing. In: The Oxford Handbook of Dance and Wellbeing. Oxford University Press, Oxford, pp. 148-164. ISBN 9780199949298

Bacon, J. (2009) The Choreographic Lab. [Shows/Exhibitions]

Bacon, J. (2012) Dance, movement and spiritualities. Journal of Dance and Somatic Practices, 4 (1). ISSN 1757-188X

Bacon, J. (2013) Embodied and direct experience in performance studies. In: Performance and Ethnography: Dance, Drama, Music. Cambridge Scholars Publishing, Cambridge, pp. 113-130. ISBN 9781443847612

Bacon, J. (2012) Her body finds a voice: authentic movement in an imaginal world. Body, Movement and Dance in Psychotherapy, 7 (2). pp. 115-127. ISSN 1743-2979

Bacon, J. (2018) Informed by the Goddess: Explicating a processual methodology. Dance, Movement & Spiritualities, 4 (1). pp. 41-55. ISSN 2051-7068

Bacon, J. (2009) Landscape and Art. [Shows/Exhibitions]

Bacon, J. (2004) Myths and Stories by Her. [Shows/Exhibitions]

Bacon, J. (2009) Myths and stories by her. In: Practice-as-Research in Performance and Screen. Palgrave Macmillan, Basingstoke. ISBN 9780230220010

Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Der Postfeministische Diskurs. Film, Medium, Diskurs, 17 . Königshausen & Neumann, Würzberg, pp. 63-78. ISBN 3826032306

Bacon, J. (2010) Psyche and artistic creativity. In: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International Conference: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, 10-14 August 2010, Cornell University, Ithaca, New York. (Unpublished)

Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy, 2 (1). pp. 17-28. ISSN 1743-2987

Bacon, J. (2010) Psyche’s Witness. [Shows/Exhibitions]

Bacon, J. (2011) Psyche’s Witness and Sensualities. [Shows/Exhibitions]

Bacon, J. (2010) Sitting Practice. [Shows/Exhibitions]

Bacon, J. (2009) Sitting practice: expansion earth. In: Theatre and Performance Research Association (TaPRA) Annual Conference, 2009, 07-09 September 2009, University of Plymouth. (Unpublished)

Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance, 31. pp. 1-5.

Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. In: Dance and Somatic Practices Conference, 08-10 July 2011, Coventry School of Art and Design - Performing Arts, Coventry University. (Unpublished)

Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Research Methodologies for Drama Education. Trentham Books, Stoke-on-Trent, pp. 135-158. ISBN 9781858563237

Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices, 2 (1). pp. 63-74. ISSN 1757-1871

Bacon, J., Adams, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Practice-as-Research: In Performance and Screen. Palgrave Macmillan, Basingstoke, pp. 98-111. ISBN 9780230220010

Bacon, J. and Midgelow, V. (2011) Articulating choreographic practices, locating the field: an introduction. Choreographic Practices, 1 (1). pp. 3-19. ISSN 2040-5677

Bacon, J. and Midgelow, V. (2014) Closer to the body: Reflections on skript and extracts from collected writings. Choreographic Practices, 5 (1). pp. 73-94. ISSN 2040-5669

Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. In: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), 20 June 2007, Paris, France. (Unpublished)

Bacon, J. and Wainwright, R. (2007) Authentic movement. In: Inspiring Transformations: The Arts and Health Conference, 3-7 September 2007, University of Northampton. (Unpublished)

Barbour, K., Hunter, V. and Kloetzel, M. (2019) (Re)Positioning Site Dance: Local Acts, Global Perspectives. Intellect, Bristol UK, pp. 189-218. ISBN 9781783209989

Beck, S., Redding, E. and Wyon, M. A. (2015) Methodological considerations for documenting the energy demand of dance activity: a review. Frontiers in psychology, 6. pp. 1-14. ISSN 1664-1078

Bountakis, G. and Callan, M. (2017) Judo rhythm through music and dance. In: Conference Proceedings - 4th European Science of Judo Research Symposium & 3rd Scientific and Professional Conference on Judo: “Applicable Research in Judo“. Croatian Judo Federation, Porec, Croatia.

Briginshaw, V. A. (2001) Dance, Space and Subjectivity. Palgrave, Basingstoke, UK, pp. 1-234. ISBN 9780333919736

Briginshaw, V. A. (2001) Dance, space and subjectivity. Doctoral thesis, University of Southampton; University of Chichester.

Briginshaw, V. A. (2006) Deconstruction in die orchidee: mischievous plays in the spaces between language and meanings. In: Anarchic Dance. Routledge, Abingdon, UK, pp. 61-71. ISBN 9780415365161

Briginshaw, V. A. (2005) From performance through narrative to interconnected subjectivities. In: Performing Nature: Explorations in Ecology and the Arts. Peter Lang, Bern, Switzerland, pp. 235-250. ISBN 9783039105571

Brown, M. A., Howatson, G., Quin, E., Redding, E. and Stevenson, E. J.et al (2017) Energy intake and energy expenditure of pre-professional female contemporary dancers. PLOS ONE, 12 (2). ISSN 1932-6203

Burt, R. M. B. (1994) Representations of masculinity in theatre dance with special reference to British new dance. Doctoral thesis, University of Southampton; University of Chichester.

C

Cahalan, R., Comber, L., Gaire, D., Quin, E., Redding, E., Ni Bhriain, O. and O’Sullivan, K.et al (2019) Biopsychosocial characteristics of characteristics of contemporary and Irish university-level student dancers: A pilot study. Journal of Dance Medicine and Science. ISSN 1089-313X

Cahalan, R., Kearney, P. E., Ni Bhriain, O., Redding, E., Quin, E., McLaughlin, L. C. and O' Sullivan, K.et al (2018) Dance exposure, well-being and injury in collegiate Irish and contemporary dancers: A prospective study. Physical therapy in sport: official journal of the Association of Chartered Physiotherapists in Sports Medicine, 34. pp. 77-83. ISSN 1873-1600

Childs, C. (2018) Embedding work based learning opportunities into an undergraduate curriculum through participation in a touring dance company. In: Enhancing Employability in Higher Education through Work Based Learning. Palgrave Macmillan, Switzerland, pp. 113-132. ISBN 9783319751658

Childs, C. (2014) The Identity of Dance in Higher Education in the UK. In: World Dance Alliance, 6 - 11 July 2014, University of Anger, France. (Submitted)

Childs, C. and Clegg, A. (2016) Dance Map - The Employability Journey. Documentation. Higher Education Academy, York.

Childs, C. and Clegg, A. (2016) Dance Map - The Employability Journey. [Teaching Resources]

Childs, C., Reed, S., Holt, D., Preece, K. and Pickard, A.et al (2015) Dance in Higher Education in the UK. In: Contemporising the past: envisioning the future 2014 WORLD DANCE ALLIANCE GLOBAL SUMMIT, 2015, Angers.

Chopra, S., Needham-Beck, S. and Ambegaonkar, J. P. (2023) Blood lactate and heart rate responses between active and passive recovery modes over a 15-minute recovery period in female dancers after Kathak dance. Journal of Dance Medicine & Science. pp. 1-28. ISSN 2374-8060

Clements, L. and Nordin-Bates, S. M. (2020) Inspired or Inhibited? Choreographers’ Views on How Classical Ballet Training Shaped Their Creativity. Journal of Dance Education, 22 (1). pp. 1-12. ISSN 1529-0824

Clements, L., Redding, E., Sell, N. L. and May, J.et al (2018) Expertise in Evaluating Choreographic Creativity: An Online Variation of the Consensual Assessment Technique. Frontiers in psychology, 9 (1448). pp. 1-8. ISSN 1664-1078

Clements, L. and Weber, R. (2018) Making Space for the Psychology of Creativity in Dance Science. International Journal of Art, Culture and Design Technologies, 7 (1). pp. 30-45. ISSN 2155-4196

D

Davidson, A. (2001) Body images and new media: towards a laboratory of dance and new media at Université Paris 8. Teatro al Sur Buenos Aires, 18. pp. 21-28. ISSN 1514-7916

Davidson, A. (2006) D'annachronique... pavlova moi and Anaphorique(s). [Videos] (Unpublished)

Davidson, A. (2017) Deslocamentos ontológicos: multissensorialidade e corporalização na terceira onda das interfaces digitais (trans. in Portuguese, Maria Albertina Silva Grebler, Diego Pizarro). Revista Repetório: Teatro & Dança, 20 (28). pp. 11-46. ISSN 2175-8131

Davidson, A. (2016) Extending the discourse of screendance: digital dance. In: The Oxford Handbook of Screendance Studies. Oxford Handbooks . Oxford University Press. ISBN 9780199981601

Davidson, A. (2011) Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation. Body, Space and Technology Journal, 10 (1). ISSN 1470-9120

Davidson, A. (2015) Isabelle Choiniere: Corps Mediatises. Parcours L'Informateur des Arts (86). p. 58.

Davidson, A. (2001) La morsure: a digital interactive choreography. In: La scena digitale: nuovi media per la danza. Marsilio Editori, Venezia, pp. 247-260. ISBN 88-317-7709-2

Davidson, A. (2001) Maâlem Experience. [Shows/Exhibitions]

Davidson, A. (2016) Mediated Bodies and Intercorporeality: Isabelle Choiniere's Flesh Waves. Editions Archee. ISSN 1710-0402

Davidson, A. (2016) Ontological shifts: Multi-sensoriality and embodiment in a third wave of digital interfaces. Journal of Dance and Somatic Practices, 8 (1). pp. 21-42. ISSN 1757-1871

Davidson, A. (2009) Paroles trouvées. [Shows/Exhibitions]

Davidson, A. (2009) Paroles trouvées. [Videos] (Unpublished)

Davidson, A. (2009) Scenes Saint-Denis. [Videos] (Unpublished)

Davidson, A. (2014) Somatics and technology. In: Posthuman Corporealities #0 Symposium, 28/11/2014, Lisbon.

Davidson, A. (2014) Telematics in dance: 'Machines for seeing modify perception'. In: The Spaces of Theatre, 19/09/2014, Royal Central School of Speech and Drama, London.

Davidson, A., Chen, C.-Y., Poissant, L. and Bret, M.et al (2006) Bains Numeriques # 1: Danse et Nouvelles Technologies. Centre des Arts Enghien les Bains, France. ISBN 2-916639-01-2

Davidson, A., Choinière, I. and Pitozzi, E. (2017) New Realities of the Body in Contemporary Performance: Québec, European and Latin American Perspectives. In: International Symposium on Electronic Art 2017 Biocreation and Peace, 11-18 June 2017, Universidad de Caldas, Manizales, Colombia.

Davidson, A., Choinière, I. and Pitozzi, E. (2019) Par le prisme des sens : médiation et nouvelles réalités du corps dans les arts performatifs. Technologies, cognition et méthodologies émergentes de recherche-création. Collection Esthétique directed by Louise Poissant . Presses de l’Université du Québec (PUQ), Montreal, Canada. ISBN 9782760551480

Davidson, A., Choinière, I. and Pitozzi, E. (2020) Through the prism of the senses: New Realities of the Body in Contemporary Performance. Technologies, Cognition and Emergent research-creation Methodologies. Intellect Books, Bristol, UK. ISBN 9781789380798 (In Press)

Davidson, A. and Kelly, J. (2011) Digital perception, time and memory: towards a new model of narration in dance. International Symposium on Electronic Art webpage.

Davidson, A. and Kelly, J. (2009) Inter_views. [Shows/Exhibitions]

Davidson, A. and Kelly, J. (2009) Inter_views: an interactive telematic research project for internet. [Videos]

F

Farman, V. (2006) Bicycle Ballet. [Videos] (Unpublished)

Farman, V. (2006) Bicycle Ballet. [Shows/Exhibitions] (Unpublished)

Farman, V. (2002) Blush. [Shows/Exhibitions]

Farman, V. (2016) Dances On Street Corners. [Performances]

Farman, V. (2013) Everyday Hero. [Shows/Exhibitions]

Farman, V. (2009) Shoe Nail Dance. [Shows/Exhibitions]

Farman, V. (2010) Smorgasboard. [Shows/Exhibitions]

Farman, V. (2012) Tandem Ballet; re-envisioning of Bicycle Ballet for blind and visually impaired performers. [Shows/Exhibitions]

Flexer, Y. and Liss, G. (2023) Acting our age. [Shows/Exhibitions]

Flexer, Y. (2015) Awakening. [Shows/Exhibitions]

Flexer, Y. (2016) Disappearing Acts. [Shows/Exhibitions]

Flexer, Y. (2003) Exit Plan. [Shows/Exhibitions]

Flexer, Y. (2003) Exit Plan. [Videos]

Flexer, Y. (2003) Flexible Shorts. [Shows/Exhibitions]

Flexer, Y. (2003) Flexible Shorts. [Videos]

Flexer, Y. (2017) Imagining Otherwise (or The Rucksack Club). [Performances]

Flexer, Y. (2013) In-Between dancing and the everyday: A Choreographic Investigation. Doctoral thesis, University of Chichester.

Flexer, Y. (2010) The Living Room. [Shows/Exhibitions]

Flexer, Y. (2010) The Living Room. [Videos]

Flexer, Y. (2011) Not About Love. [Shows/Exhibitions]

Flexer, Y. (2017) Re|Place (or the thing I miss most). [Performances]

Flexer, Y. (2007) Shrink'd. [Shows/Exhibitions]

Flexer, Y. (2007) Shrink'd. [Videos]

Flexer, Y. (2015) Vortex - Project Y 2015. [Shows/Exhibitions]

Flexer, Y. (2018) Vortex- Maslool, Israel. [Shows/Exhibitions]

Flexer, Y. (2013) Weightless. [Videos]

Flexer, Y. (2010) What If. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2017) Digital Traces. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2020) Disappearing Acts. Liminalities: A Journal of Performance Studies, 16 (2). pp. 1-12. ISSN 1557-2935

Flexer, Y. and Sandiland, N. (2007) Doing, Done & Undone. [Shows/Exhibitions]

Flexer, Y. and Sandiland, N. (2007) Doing, Done & Undone. [Videos]

Flexer, Y. and Sandiland, N. (2010) Orbital. [Shows/Exhibitions]

Flexer, Y., Wright, B. and Charmock, N. (2011) Consequences. [Shows/Exhibitions]

H

Harman, G., Redding, E. and Holmes, P. (2018) Investigating the phenomenon of dance and music performance through the experience of the performer. In: International Association of Dance Medicine and Science 28th Annual Conference, October 25-28, 2018, Helsinki, Finland. (Unpublished)

Harman, G., Redding, E. and Holmes, P. (2018) Performance enhancement: a performer's perspective. In: International Association of Dance Medicine and Science 28th Annual Conference, October 25-28, 2018, Helsinki, Finland. (Unpublished)

Hayes, J. (2006) Dance movement therapy with undergraduate dance students: 'special ingredients' in the development of playfulness, self-confidence and relationship. In: Dance Movement Therapy: Theory, Research and Practice. Routledge, Hove, UK, pp. 207-231. ISBN 9781583917039

Hayes, J. (2010) Dancers in a Dance Movement Therapy Group: Links between Personal Process, Choreography and Performance. Manual. Lambert Academic Publishing.

Hayes, J. (2011) Moving the metaphor: An act of surrender. Body, Movement and Dance in Psychotherapy, 6 (2). pp. 117-127. ISSN 1743-2979

Hayes, J. (2007) Performing the Dreams of Your Body: Plays of Animation and Compassion. Archive Publishing, Wimborne, UK. ISBN 9781906289003

Hayes, J. (2011) The creative arts in dementia care. In: Outcomes Matter in Dementia Care: Annual Journal of Dementia Care and Dementia Care Matters Conference, 22 September 2011, Birmingham. (Submitted)

Hayes, J. (2011) The expressive body as point of contact in dementia care. Journal of Dementia Care, 19 (5). pp. 22-23. ISSN 1351-8372

Holman, P. (2020) Fear after dark : exploring women’s experiences of urban space at night through site dance film. Undergraduate thesis, University of Chichester.

Howe, D. (2013) The Body and Being in Performance - deep awareness to enrich a dance practice. Masters thesis, University of Chichester.

Howe, D. (2016) Doing dancing... Being in dance: undoing the danced body - Feldenkrais and awareness in motion. In: DanceHE Early Career Symposium, 07/04/2016, University of Bedfordshire, Polhill Avenue, Bedford. (Unpublished)

Howe, D. (2011) Fine Tuning the Art of Noticing - a practical study to explore attention, awareness and presence in a dancing body through practice and performance. Masters thesis, University of Chichester.

Howe, D. (2011) Seeing, Being, Being Seen. [Shows/Exhibitions]

Howe, D. (2019) To know slowly: How the Feldenkrais Method® has informed a dance performance and pedagogic pathway. IFF Feldenkrais Research Journal, 6. pp. 1-18. ISSN 1817-4000

Howe, D. (2017) Unknown Choices Unspoken Voices - Unpacking Creative Potential. IFF Feldenkrais Research Journal, 6. ISSN 1817-4000 (Submitted)

Howe, D. (2014) sometimes. [Shows/Exhibitions]

Howe, D. and Tomos, C. (2014) yes I am, no I'm not (here right now). [Shows/Exhibitions]

Hunter, A. (2023) Subject matters(s): perception as an experience. Masters thesis, University of Chichester.

Hunter, V. (2015) A Dance For You. [Shows/Exhibitions]

Hunter, V. (2020) Dancing-Walking with Trees. In: Walking Bodies: Papers, Provocations, Actions from Walking's New Movements, the Conference. Triarchy Press Ltd, Bristol. ISBN 9781913743093

Hunter, V. (2009) Experiencing space: The implications for site-specific choreography. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 9780415490870

Hunter, V. (2019) Material Touchstones: Weaving histories through site-specific dance performance. In: (Re)Positioning Site Dance: Local Acts, Global Perspectives. Intellect, Bristol, pp. 135-158. ISBN 9781783209989

Hunter, V. (2015) Moving Sites. In: Moving sites: Investigating Site-Specific Dance Performance. Routledge, London, pp. 1-21. ISBN 9780415713252

Hunter, V. (2012) ‘Moving Sites’: Transformation and re-location in site-specific dance performance. Contemporary Theatre Review, 22 (2). pp. 259-266. ISSN 1048-6801

Hunter, V. (2017) Perecquian Perspectives: Dialogues with Site-Dance (Or, ‘On being here and there’). Literary Geographies, 3 (1). pp. 27-49. ISSN 2397-1797

Hunter, V. (2019) Performing Parks and Squares. In: (Re)Positioning Site Dance: Local Acts, Global Perspectives. Intellect, Bristol UK, pp. 189-218. ISBN 9781783209989

Hunter, V. (2016) Radicalizing Institutional Space: Revealing the Site through Phenomenological Movement Inquiry. In: Radical Space: Exploring Politics and Practice,. Radical Cultural Studies, 1 (1). Rowman and Littlefield, London.

Hunter, V. (2019) Scoring and Siting: Improvisatory Approaches to Site-Specific Dance. In: The Oxford Handbook of Improvisation in Dance. Oxford University Press, USA. ISBN 9780199396986

Hunter, V. (2021) Site, Dance and Body: Movement, Materials and Corporeal Engagement. Documentation. Palgrave Macmillan, London, UK.

Hunter, V. (2019) Sited English Folk dance as a form of site dance: Heritage, tradition and resistance. In: (Re)Positioning Site Dance: Local Acts, Global Perspectives. Intellect, Bristol UK, pp. 79-104. ISBN 9781783209989

Hunter, V. (2011) Spatial translation and 'present-ness' in site-specific dance performance. New Theatre Quarterly, 27 (1). pp. 28-40. ISSN 0266-464X

Hunter, V. (2022) Traversing Terrain and Staying Put: Performing Endurance. In: Contemporary Meanings of Endurance: An Interdisciplinary Approach. Routledge, London. ISBN 9781032343846

Hunter, V. (2019) Vernacular Mapping: Site-Dance and Embodied Urban Cartographies. Choreographic Practices, 10 (1). pp. 127-144. ISSN 2040-5669

Hunter, V. and Gladstone-Barrett, P. (2016) The power of dance to transform the lives of disadvantaged youth. In: The Oxford Textbook of Creative Arts, Health and Wellbeing: International Perspectives on Practice, Policy and Research. Oxford Textbooks in Public Health . Oxford University Press, Oxford. ISBN 9780199688074

Hunter, V., Palmer, H., Foley, J. and Kucia, K.et al (2018) Situated Knowledge, Transmissions of Practice and Parasitic Endeavour. RUUKKU: Studies in Artistic Research (9). ISSN 2341-9687

J

Jannides, C. (2013) The SocioKinetic-bodymAPP: An Improvisation Tool for a Dance and Movement Practice. Doctoral thesis, University of Chichester.

K

Kimber, L. (2020) Can dance effectively engage an audience when used as a platform to address the climate emergency? Undergraduate thesis, University of Chichester.

Knight, C. J., Clements, L. and Calahan, R. (2020) Parental Role in Optimizing Dancer Wellness. In: Complete Irish Dancer: Optimization of Health and Performance in Irish Dance. Sports and Athletics Preparation, Performance, and Psychology . Nova Science Publishers, New York, USA. ISBN 9781536173895

L

Lucznik, K., Jackson, A. and Sakuta, A. (2017) Let's Improv It: The Embodied Investigation of Social Collaboration. In: Off the Lip 2017, 16-18 August 2017, Plymouth University.

Lucznik, K., Jackson, A., Sakuta, A. and Eleonora, S.et al (2017) 'Let's Improv It' - Introducing Somatic Experience to a Wider Audience. In: Dance & Somatic Practices Conference "Moving the Sensate: Questions of Affect and Embodiment for the 21st Century", 7-9 July 2017, Coventry University, UK. (Unpublished)

Lucznik, K., Jackson, A., Sakuta, A. and Siarava, E.et al (2017) Let’s Improv It: The Embodied Investigation of Social Collaboration. AVANT. Trends in Interdisciplinary Studies, VIII. pp. 301-311. ISSN 2082-6710

M

McKee, J. (2015) Fascia and Dance: Exploring the Science Behind the Somatics. In: 3rd International Dance and Somatic Practices Conference, 10-12 July 2015, Centre for Dance Research (C-DaRE), Coventry School of Art & Design, Coventry, UK. (Unpublished)

McKee, J. (2015) Students as Partners in Dance Research: Changing My Approach to Teaching. In: Teaching & Learning Conference, May, 2015, University of Chichester.

Merrett, M. (2020) An exploration into how imagery can be used as a choreographic tool during the creative process and to lead toward embodiment in performance. Undergraduate thesis, University of Chichester.

Midgelow, V. and Bacon, J. (2014) Creative Articulations Process (CAP). Choreographic Practices, 5 (1). pp. 7-31. ISSN 2040-5669

Monteiro, C. L. (2020) Bruk Out Feminism in the Intercultural Dancehall Queen Scene. Doctoral thesis, University of Chichester.

Mortimer, A., Whitaker, C. and Evans, D. (2017) The Deluge. [Performances]

Mortimer, K. (2014) Elevate Summer School. In: Elevate Summer School, 1-5 August 2015, The Point, Leigh Road, Eastleigh, Hampshire. (Unpublished)

Mortimer, K. (2016) Grad-Lab. The Point. (Unpublished)

Mortimer, K. (2014) Professional Dance Class. [Teaching Resources] (Unpublished)

Mortimer, K. (2014) Retrospectif Dance Company. [Teaching Resources] (Unpublished)

N

Needham-Beck, S. and Aujla, I. (2020) Development of a Performance Evaluation Tool to Track Progress in an Inclusive Dance Syllabus. Research in Dance Education, 22 (2). pp. 150-158. ISSN 1464-7893

Needham-Beck, S., McKee, J. and Harman, G. (2018) Training load and injury occurrence in undergraduate dance students. In: International Association of Dance Medicine and Science 28th Annual Conference, October 25-28, 2018, Helsinki, Finland. (Unpublished)

Needham-Beck, S., Wyon, M. A. and Redding, E. (2018) Changes in Energy Demand of Dance Activity and Cardiorespiratory Fitness During One Year of Vocational Contemporary Dance Training. Journal of Strength and Conditioning Research, 32 (3). pp. 841-848. ISSN 1064-8011

Needham-Beck, S., Wyon, M. A. and Redding, E. (2019) The Relationship Between Performance Competence and Cardiorespiratory Fitness in Contemporary Dance. Medical Problems of Performing Artists, 34 (2). pp. 79-84. ISSN 0885-1158

Nugent, A. (2021) WILLIAM FORSYTHE, Ballet; Stuttgart Frankfurt, and the Forsythescape. In: The Oxford Handbook of Contemporary Ballet. Oxford Handbooks . Oxford University Press, New York, pp. 12-28. ISBN 9780190871499

Nugent, A. (2009) Extending critical voices between the lecture room and the dance studio. Dance Research Journal, 41 (02). pp. 95-98. ISSN 0149-7677

Nugent, A. (2015) Spirit of the New: William Forsythe and the Disruption of Ballet's Structural Organization. Conversations Across the Field of Dance Studies: Network of Pointes, XXXV. pp. 5-9.

Nugent, A. (2010) William Forsythe and the model viewer. In: Society of Dance History Scholars, 9-11 July 2010, University of Surrey. (Unpublished)

Nugent, A. (2010) The dancing texts of William Forsythe. The Sense of Dance: Dance Research and Transmedia Practices, 141.

P

Parfitt, C. (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: Topographies: Sites, Bodies and Technologies, Society of Dance History Scholars Conference, 19-22 June 2009, Stanford University, California, US. (Submitted)

Parfitt, C. (2016) “I breathed on their dust”: Protean Memory and Tactile Media. In: Beyond Authenticity and Appropriation: Bodies, Authorship and Choreographies of Transmission, 3rd-6th November 2016, Pomona College, Claremont, California. (Submitted)

Parfitt, C. (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema. International Journal of Performance Arts and Digital Media, 5 (2-3). pp. 107-120. ISSN 1479-4713

Parfitt, C. (2019) Movements of freedom: performing popular liberty in the early cancan. In: Oxford Handbook of Improvisation in Dance. Oxford Handbooks . Oxford University Press, New York and Oxford. ISBN 9780199396986

Parfitt, C. (2005) The Spectator's Dancing Gaze in Moulin Rouge! Research in Dance Education, 6 (1/2). pp. 97-110. ISSN 1464-7893

Parfitt, C. (2008) The contredanse, the quadrille, and the cancan: dancing around democracy in post-revolutionary Paris. In: The Established Scholars Conference, Society for Dance Research, 15 March 2008, Roehampton University, London. (Submitted)

Parfitt, C. and Hay, M. (2009) Book Reviews: Dance in a World of Change: Reflections on Globalization and Cultural Difference. Research in Dance Education, 10 (2). pp. 149-156. ISSN 1464-7893

Parfitt-Brown, C. (2011) First kicks: Translating early sources on the cancan. In: Dance Dramaturgy: Catalyst, Perspective and Memory. Society of Dance History Scholars Annual Conference, 23-26 June 2011, York University, Toronto, Canada. (Submitted)

Parfitt-Brown, C. (2012) Paris Dansant? Improvising across urban, racial and international geographies in the early cancan. In: Dance and the Social City, 14-17 June 2012, Philadelphia, US. (Submitted)

Parfitt-Brown, C. (2010) Popular past, popular present, post-popular? Conversations Across the Field of Dance Studies, XXX. pp. 18-20.

Parfitt-Brown, C. (2013) The problem of popularity: the cancan between the French and digital revolutions. In: Bodies of Sound: Studies Across Popular Music and Dance. Ashgate Popular and Folk Music Series . Ashgate, Surrey. ISBN 9781409445173

Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. In: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, 15-16 July 2011, School of Oriental and African Studies, University of London, UK. (Unpublished)

Q

Quin, E., Rafferty, S. and Tomlinson, C. (2015) Safe Dance Practice. An Applied Dance Science Perspective. Human Kinetics, Champaign, IL, United States. ISBN 9781450496452

R

Rubidge, S. F. (2010) Diagramming movement between the cartographic and the choreographic: research report. Project Report. Sarah Rubidge. (Unpublished)

Rubidge, S. F. (2010) Fugitive moments. [Videos] (Unpublished)

Rubidge, S. F. (2010) Fugitive moments: Artist's report of research project undertaken as part of the Wellcome Trust People's Award (2004-2006). Project Report. Sarah Rubidge. (Unpublished)

Rubidge, S. F. (2006) Global Drifts. [Shows/Exhibitions]

Rubidge, S. F. (2006) Global Drifts. [Videos]

Rubidge, S. F. (2010) How art matters. In: The Athens Dialogues Conference, 24-27 Nov 2010, Onassis Cultural Centre, Athens.

Rubidge, S. F. (2010) How art matters. Athens Dialogues e-Journal.

Rubidge, S. F. (2002) Identity in flux: A practice-based interrogation of the ontology of the open dance work. In: Dance and the Performative: A Choreological Perspective - Laban and Beyond. Verve Publishing, London, UK, pp. 135-163. ISBN 9780950985923

Rubidge, S. F. (2009) Nomadic Diagrams: Choreographic Topologies. In: Society of Dance History Scholars Annual Conference 2009: Topographies: Sites, Bodies, Technologies, 19-22 June 2009, Stanford University, USA.

Rubidge, S. F. (2011) On choreographic space. In: 10th International NOFOD Conference: Spacing Dance(s) – Dancing Space(s), 27-30 Jan 2011, University of Southern Denmark.

Rubidge, S. F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 596-623. ISBN 9780415490870

Rubidge, S. F. (2003) Sensuous Geographies. [Videos] (Unpublished)

Rubidge, S. F. (2003) Sensuous Geographies: An interactive installation. [Shows/Exhibitions]

Rubidge, S. F. (2006) Sensuous geographies and other installations: interfacing the body and technology. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Palgrave Macmillan, Hampshire, UK, pp. 112-126. ISBN 9781403999078

Rubidge, S. F. (2003) Spaces of sensation: The immersive installation and corporal literacy. In: International AILA Conference on Literacy, 23-26th September 2003, University of Ghent. (Unpublished)

Rubidge, S. F. (2009) Towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 362-378. ISBN 9780415490870

Rubidge, S. F. (2008) Towards an understanding of liminal imagery in the digital domain. In: Dance Dialogues: Conversations Across Cultures, Artforms and Practices, 13-16 July 2008, Queensland University of Technology, Brisbane, Australia.

Rubidge, S. F. (2008) Understanding in our bodies: nonrepresentational imagery and dance. In: Dance, Neuroscience, Transmediality, Sept 2008, University of Modena and Reggio Emilia (Italy), Department of Social, Cognitive and Quantitative Sciences; Faculty of Science, Comunicatione and Economics. (Unpublished)

Rubidge, S. F. and Jannides, C. (2008) In/extensive topologies. In: Symposium to explore relationships between performativity and space, 30 Oct 2008, Canterbury School of Architecture University for the Creative Arts at Canterbury. (Unpublished)

Rubidge, S. F. and MacDonald, A. (2003) Sensuous Geographies: research report. Project Report. Sarah Rubidge. (Unpublished)

Rubidge, S. F. and Sky, H. (2006) Global Drifts: Final artistic research report. Project Report. Sarah Rubidge. (Unpublished)

Rubidge, S. F. and Sky, H. (2006) Global Drifts: interim research report: creative development stage 1. Project Report. Sarah Rubidge. (Unpublished)

Rubidge, S. F. and Stones, A. (2009) Sensing Sounding Place. In: Royal Geographical Society Annual Conference, 26 Aug 2009, University of Manchester. (Unpublished)

Rubidge, S. F. and Wijnans, S. (2007) A preliminary exploration of the choreographic potential of new motion tracking technologies in conjunction with interactive ambisonic surround sound. Project Report. University of Chichester, Chichester. (Unpublished)

S

Sadot, P. C. (2019) Unsteady state: hip hop dance artists in the space(s) of UK dance theatre. Doctoral thesis, University of Chichester.

Sakuta, A. (2020) Interdisciplinary investigation into meditative Flow states and their roles in movement performance. Doctoral thesis, University of Chichester.

Sakuta, A. (2016) Meditative Dancing and 'Flow'. In: Body of Work II, 09/06/2016, University of Chichester, Bishop Otter Campus. (Unpublished)

Sakuta, A. (2018) ‘No mind’: A Zen Buddhist perspective on embodied consciousness. Dance, Movement & Spiritualities, 5 (1). pp. 119-136. ISSN 2051-7068

Sakuta, A. (2017) Embodied Consciousness During Meditative Moving: Neurocognitive Theories. In: MOCO 2017 4th International Conference on Movement Computing, 28-30 June 2017, Goldsmiths, University of London.

Sakuta, A. (2018) Embodied Flow States and its Role in Movement Performance. In: Off The Lip 2018 - Crossing the Void: Exploring Interdisciplinary Impact, 19 June 2018, Plymouth University.

Sakuta, A. (2018) Embodied Flow States and its Role in Movement Performance. In: Cognitive Futures in the Arts and Humanities 2018, 1-4 July 2018, University of Kent.

Sakuta, A. (2013) Exhibit 1-6. [Shows/Exhibitions]

Sakuta, A. (2016) 'Flow' Experience in Dance. In: Vitae 3 Minute Thesis Competition, 25/05/2016, University of Chichester, Bishop Otter Campus. (Unpublished)

Sakuta, A. (2016) Lecture: Neurophenomenology of Flow and Meditative Moving. In: Lecture: Neurophenomenology of Flow and Meditative Moving. (Unpublished)

Sakuta, A. (2016) Meditation in Movement: Kin(a)esthetic Flow. In: PGR Dance Fields Un-Symposium, 8 - 9 Dec. 2016, Coventry University.

Sakuta, A. (2017) Meditation in Movement: Kin(a)esthetic Flow. In: Dance Fields: Staking a Claim for Dance Studies in the 21st Century, 19-22 April 2017, University of Roehampton. (Unpublished)

Sakuta, A. (2015) Motion - Perception - Motion: dance & mental states. In: This Body of Work, 18/06/2015, University of Chichester, Bishop Otter Campus. (Unpublished)

Sakuta, A. (2015) Multidisciplinary Research on Japanese Dance Training and 'Flow'. In: PGR session, 09/12/2015, University of Chichester, Bishop Otter Campus. (Unpublished)

Sakuta, A. and Jackson, A. (2018) 'Flocking' as an Embodied Sharing of Situational Conditions. In: Embodied Practice and Performance in the Arts, 5-6 April 2018, Canterbury Christ Church University.

Sakuta, A. and Maloney, L. (2017) Mediated self-sensing - live sonification of the mover's heart rate. In: Dance & Somatic Practices Conference "Moving the Sensate: Questions of Affect and Embodiment for the 21st Century", 7-9 July 2017, Coventry University, UK. (Unpublished)

T

Taylor, V. C. (2003) BALLERINAS IN THE CHURCH HALL: IDEOLOGIES OF FEMININITY, BALLET, AND DANCING SCHOOLS. Doctoral thesis, University of Chichester.

V

van Merkensteijn, G. G. and Quin, E. (2015) Assessment of Compensated Turnout Characteristics and their Relationship to Injuries in University Level Modern Dancers. Journal of Dance Medicine and Science, 19 (2). pp. 57-62. ISSN 1089-313X

W

Wallis, F. From 'The Green Table' to 'The Refugees': A journey between texts. [Videos] (Unpublished)

Whitaker, C., Mortimer, A. and Evans, D. (2018) The Hotel Experience. [Performances]

Wyon, M. A., Allen, N., Cloak, R., Beck, S., Davies, P. and Clarke, F.et al (2016) Assessment of maximum aerobic capacity and anaerobic threshold of elite ballet dancers. Medical Problems of Performing Artists, 31 (3). pp. 145-150. ISSN 0885-1158

Z

Zanotti, M. (2005) At the End of the Sentence. [Videos]

Zanotti, M. (2019) Digital spaces, analogue thinking: Some thoughts on screendance. The International Journal of Screendance. ISSN 2154-6878

Zanotti, M. (2006) Edges 2. [Shows/Exhibitions]

Zanotti, M. (2006) Edges 2. [Videos]

Zanotti, M. (2009) Moving Screens. In: Opensource Videodance Symposium 2007: Findhorn, Scotland 21st-24th November 200. Goat Media. ISBN 9780955583414

Zanotti, M. (2010) Myth and legend. Dance Theatre Journal, 24 (1). pp. 17-19. ISSN 0264-9160

Zanotti, M. (2016) The Pan's People Papers: A Glamorous Archive. In: Digital Echoes 2016, 4 March 2016, C-DaRE Coventry University. (Unpublished)

Zanotti, M. (2011) Passing Strange and Wonderful. [Videos]

Zanotti, M. (2003) San Diego. [Shows/Exhibitions]

Zanotti, M. (2003) San Diego. [Videos]

Zanotti, M. (2019) Scores, Stills and Screens: Documentation in Artist Doctorates. Researching (in/as) Motion: A Resource Collection (10).

Zanotti, M. (2011) What if... [Shows/Exhibitions]

Zanotti, M. (2010) When dance is imagined in cinema: Disclosure in dance practice. The International Journal of Screendance, 1 (1). pp. 91-96. ISSN 2154-6878

Zanotti, M. (2007) Wipe Out. [Videos]

Zanotti, M. (2007) Wipe Out/Edges. [Shows/Exhibitions]

Zanotti, M. and Anderson, L. (2016) The Pan's People Papers. [Artefacts]

Zanotti, M. and Lobel, B. (2015) Documenting Intimacy. [Experiments]

Zanotti, M. and Whiteside, M. (2018) Entangled. [Artefacts]

Zanotti, M. and Whiteside, M. (2017) we are all made of stars. [Artefacts]