Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation Leisure > GV1580 Dance > GV1782.5 Choreography"

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Bacon, Jane (2019) Informed by the Goddess: explicating a processual methodology. In: Spiritual Herstories: Call of the soul in Dance Research. Intellect Press, Bristol UK. ISBN 9781789380828 (In Press)

Bacon, Jane and Midgelow, Vida (2011) Articulating choreographic practices, locating the field: an introduction. Choreographic Practices, 1 (1). pp. 3-19. ISSN 2040-5677

Briginshaw, Valerie A. (2001) Dance, space and subjectivity. Doctoral thesis, University of Southampton; University of Chichester.


Clements, Lucie and Nordin-Bates, Sanna M. (2020) Inspired or Inhibited? Choreographers’ Views on How Classical Ballet Training Shaped Their Creativity. Journal of Dance Education. ISSN 1529-0824

Clements, Lucie, Redding, Emma, Sell, Naomi Lefebvre and May, Jon (2018) Expertise in Evaluating Choreographic Creativity: An Online Variation of the Consensual Assessment Technique. Frontiers in psychology, 9 (1448). pp. 1-8. ISSN 1664-1078


Davidson, Andrea (2001) La morsure: a digital interactive choreography. In: La scena digitale: nuovi media per la danza. Marsilio Editori, Venezia, pp. 247-260. ISBN 88-317-7709-2

Davidson, Andrea (2016) Mediated Bodies and Intercorporeality: Isabelle Choiniere's Flesh Waves. Editions Archee. ISSN 1710-0402


Farman, Virginia (2016) Dance on Street Corners. [Show/Exhibition]

Farman, Virginia (2013) Everyday Hero. [Show/Exhibition]

Flexer, Yael (2015) Awakening. [Show/Exhibition]

Flexer, Yael (2016) Disappearing Acts. [Show/Exhibition]

Flexer, Yael (2017) Re|Place (or the thing I miss most). [Performance]

Flexer, Yael (2015) Vortex - Project Y 2015. [Show/Exhibition]

Flexer, Yael (2018) Vortex- Maslool, Israel. [Show/Exhibition]

Flexer, Yael and Sandiland, Nic (2017) Digital Traces. [Show/Exhibition]

Flexer, Yael and Sandiland, Nic (2020) Disappearing Acts. Liminalities: A Journal of Performance Studies, 16 (2). pp. 1-12. ISSN 1557-2935

Flexer, Yael, Sandiland, Nic, Dybwik, Siri and Fossdal, Nils (2019) Curiouser. [Performance]

Flexer, Yael, Wright, Ben and Charmock, Nigel (2011) Consequences. [Show/Exhibition]


Hayes, Jill (2010) Dancers in a Dance Movement Therapy Group: Links between Personal Process, Choreography and Performance. Manual. Lambert Academic Publishing.

Howe, Detta (2014) sometimes. [Show/Exhibition]

Howe, Detta and Tomos, Cai (2014) yes I am, no I'm not (here right now). [Show/Exhibition]

Hunter, Victoria (2015) A Dance For You. [Show/Exhibition]

Hunter, Victoria (2020) Dancing-Walking with Trees. In: Walking Bodies: Papers, Provocations, Actions from Walking's New Movements, the Conference. Triarchy Press Ltd, Bristol. ISBN 9781913743093

Hunter, Victoria (2009) Experiencing space: The implications for site-specific choreography. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 399-415. ISBN 9780415490870

Hunter, Victoria (2015) Moving Sites. In: Moving sites: Investigating Site-Specific Dance Performance. Routledge, London, pp. 1-21. ISBN 9780415713252

Hunter, Victoria (2019) Scoring and Siting: Improvisatory Approaches to Site-Specific Dance. In: The Oxford Handbook of Improvisation in Dance. Oxford University Press, USA. ISBN 9780199396986

Hunter, Victoria (2021) Site, Dance and Body: Movement, Materials and Corporeal Engagement. Documentation. Palgrave Macmillan, London, UK.


Merrett, Mollie (2020) An exploration into how imagery can be used as a choreographic tool during the creative process and to lead toward embodiment in performance. Undergraduate thesis, University of Chichester.

Milburn, Gayle R. L. (2012) Being between: Empathy and presence in the performance of 'open' improvisational dance. Doctoral thesis, University of Southampton; University of Chichester.

Mortimer, Abigail, Whitaker, Carrie and Evans, Dougie (2017) The Deluge. [Performance]

Mortimer, KJ (2016) Grad-Lab. The Point. (Unpublished)


Nugent, Ann (2017) WILLIAM FORSYTHE, Ballet; Stuttgart Frankfurt, and the Forsythescape. In: The Oxford Handbook of Contemporary Ballet. Oxford University Press, New York. (In Press)


Parfitt-Brown, Clare (2014) An Australian in Paris: techno-choreographic bohemianism in 'Moulin Rouge!'. In: The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Oxford. ISBN 9780199897827


Rubidge, Sarah F. (2011) Choreographing in the digital domain. In: Contribution to Research Lecture Series, 2011, Hong Kong Academy of Performing Arts. (Submitted)

Rubidge, Sarah F. (1998) Embodying theory. In: Practice as Research and Research as Practice, June 1998, Laban Centre, London. (Unpublished)

Rubidge, Sarah F. (2002) Identity in flux: A practice-based interrogation of the ontology of the open dance work. In: Dance and the Performative: A Choreological Perspective - Laban and Beyond. Verve Publishing, London, UK, pp. 135-163. ISBN 9780950985923

Rubidge, Sarah F. (2009) Nomadic Diagrams: Choreographic Topologies. In: Society of Dance History Scholars Annual Conference 2009: Topographies: Sites, Bodies, Technologies, 19-22 June 2009, Stanford University, USA.

Rubidge, Sarah F. (2011) Nomadic diagrams: Choreographic topologies. Choreographic Practices, 1 (1). pp. 43-56. ISSN 2040-5669

Rubidge, Sarah F. (2013) On choreographic space. In: Dance Spaces: Practices of Movement. University Press of Southern Denmark, Odense. ISBN 9788776746896

Rubidge, Sarah F. (2011) On choreographic space. In: 10th International NOFOD Conference: Spacing Dance(s) – Dancing Space(s), 27-30 Jan 2011, University of Southern Denmark.

Rubidge, Sarah F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 596-623. ISBN 9780415490870

Rubidge, Sarah F. (2009) Towards an understanding of choreography and performativity in interactive installations. In: Contemporary Choreography: A Critical Reader. Routledge, London, pp. 362-378. ISBN 9780415490870

Rubidge, Sarah F. (2008) Towards an understanding of liminal imagery in the digital domain. In: Dance Dialogues: Conversations Across Cultures, Artforms and Practices, 13-16 July 2008, Queensland University of Technology, Brisbane, Australia.


Whitaker, Carrie, Mortimer, Abigail and Evans, Dougie (2018) The Hotel Experience. [Performance]


Zanotti, Marisa (2018) Digital spaces, analogue thinking: Some thoughts on screendance. The International Journal of Screendance. ISSN 2154-6878 (In Press)

Zanotti, Marisa (2016) The Pan's People Papers: A Glamorous Archive. In: Digital Echoes 2016, 4 March 2016, C-DaRE Coventry University. (Unpublished)

Zanotti, Marisa (2019) Scores, Stills and Screens: Documentation in Artist Doctorates. Researching (in/as) Motion: A Resource Collection (10).

Zanotti, Marisa (2013) A meeting place: Translating Ben Wright’s 'Passing Strange and Wonderful' to the screen. Choreographic Practices, 4 (1). pp. 47-58. ISSN 2040-5669

Zanotti, Marisa and Anderson, Lea (2016) The Pan's People Papers. [Artefact]

Zanotti, Marisa and Lobel, Brian (2015) Documenting Intimacy. [Experiment]

Zanotti, Marisa and Whiteside, Matthew (2018) Entangled. [Artefact]

Zanotti, Marisa and Whiteside, Matthew (2017) we are all made of stars. [Artefact]

This list was generated on Sun Apr 18 20:56:03 2021 BST.