Scores, Stills and Screens: Documentation in Artist Doctorates

Zanotti, Marisa (2019) Scores, Stills and Screens: Documentation in Artist Doctorates. Researching (in/as) Motion: A Resource Collection (10).

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Abstract

This reflective essay explores how documenting might be made to work strategically in the doctoral process by thinking about three functions of screen documentation: Documentation as a research practice; documentation as ‘evidence of a performance or process’ and documentation as an integral strategy in the final presentation/defense of a thesis. The writing refers to different documentation strategies including examples of poetic documentary in the work of visual artist Helmuth Costard (1971), filmmaker Babette Mangolte (1971) and documentor Becky Edmunds (2007) exploring how recordings, stills and other screen artefacts might be part of a creative research methodology. Included in the text are original documentation scores for exploration.

Item Type: Article
Additional Information: ISBN: 978-952-353-012-6
Uncontrolled Keywords: Documentation, Artistic Doctorates, Practice Research, PAR, Scores, digitization and video, documentation, methodology, process
Subjects: G Geography. Anthropology. Recreation > GV Recreation Leisure > GV1580 Dance > GV1782.5 Choreography
G Geography. Anthropology. Recreation > GV Recreation Leisure > GV1580 Dance
Divisions: Departments > Dance
Related URLs:
Depositing User: Marisa Zanotti
Date Deposited: 02 May 2019 12:30
Last Modified: 02 May 2019 12:30
URI: http://eprints.chi.ac.uk/id/eprint/4267

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